明暗法 的英文怎麼說

中文拼音 [míngànfǎ]
明暗法 英文
chiaroscuro
  • 明 : Ⅰ形容詞1 （明亮） bright; brilliant; light 2 （明白;清楚） clear; distinct 3 （公開;顯露在外;不隱...
  • 暗 : Ⅰ形容詞1 （光線不足; 黑暗; 暗淡） dark; dim; dull 2 （不顯露的; 秘密的） hidden; secret 3 [書面語...
  • 法 : Ⅰ名詞1 （由國家制定或認可的行為規則的總稱） law 2 （方法; 方式） way; method; mode; means 3 （標...
  • 明暗 : light and shade明暗燈 occulting light; 明暗度 shading value; 明暗對照法 [繪畫] chiaroscuro; 明暗...
  1. Overbury s murder, now some thirty years agone ; he testified to having seen the physician, under some other name, which the narrator of the story had now forgotten, in company with doctor forman, the famous old

    還有兩三個人暗示說，這位醫術高明的人在被印第安人俘獲的時期，曾經參與野蠻人法師的念咒活動，以此來增加其醫學上的造詣那些印第安法師的法力無邊，這是眾所周知的，他們時常用邪門歪道奇跡艇地把人治好。
  2. Following this reference yields a pretty liberal license, except for the ominous footer : " information in this document is subject to change without notice. " the fact that the license is not written into the product, but is asserted by reference to a web page that can be changed at any time, raises the specter of a possible trojan horse play where cxml is spread through the industry and then its owner stated as ariba in the license can make a sly play for juicy profits, or cut down a competitor, by moving the licensing goalposts

    （ 「 information in this document is subject to change without notice 。 」 ）許可證並未寫入到產品中，而是通過到可能會隨時更改的web頁面的引用進行維護的這一事實，引發了對可能的特洛伊木馬活動的憂慮，那就是cxml在業界傳播，然後它的擁有者（就象許可證中所聲明的ariba ）通過移動許可發放「門柱」來暗中想方設法獲利，或者削弱競爭對手。
  3. Many dunhuang paintings of the sixth century, joined western chiaroscuro technique to chinese linear style, the artist generated three - dimensional volume and movement through thickening - and thinning calligraphic brush lines without the help of color or shading

    許多6世紀敦煌壁畫將西域的明暗技法跟中國的線條用筆結合起來，畫家不藉助於色彩和陰影而是通過粗細有致的書法線描展現了他們對體積和運動的三維認識。
  4. Located along the northern silk route between central asia and metropolitan china proper, and serving as a meeting ground of " western regions " ( xiyu ) and indigenous cultural influences, dunhuang provides a continuous record of datable monuments, from the fifth century onward, showing the importation of the indian chiaroscuro style, known in chinese as aotu hua, " concave - and - convex painting, " and its eventual transformation into the indigenous chinese pictorial idiom

    摘要作為絲綢之路上一個西域和本土文化的匯合地點，敦煌藝術提供了5世紀以來西域「明暗法」風格即文獻上所謂「凹凸畫」以及這種畫法最後變成中國本土繪畫筆墨風格的一個可確定時代的連續記錄。
  5. In spite of their unitarian proclivities and their masks of conservative broadmindedness, they were two generations behind interpretative science : their mental processes were mediaeval, while their thinking on the ultimate data of existence and of the universe struck him as the same metaphysical method that was as young as the youngest race, as old as the cave - man, and older - the same that moved the first pleistocene ape - man to fear the dark ; that moved the first hasty hebrew savage to incarnate eve from adam s rib ; that moved descartes to build an idealistic system of the universe out of the projections of his own puny ego ; and that moved the famous british ecclesiastic to denounce evolution in satire so scathing as to win immediate applause and leave his name a notorious scrawl on the page of history

    盡管他們傾向于唯一神教，戴了一副具有保守開明思想的面具，實際上他們已落後于解釋世界的科學兩代之久。他們的思想還處在中世紀階段。同時，他也感到，他們看待生命和宇宙的終極事實的方法還是形而上學的，那種看法阻地球上最年輕的種族的看法一樣幼稚也跟穴居人的看法一樣古老，甚至更古老那看法使第一個更新世的猿人害怕黑暗使第一個匆促的希伯來野蠻人用亞當的肋骨造成了夏娃使笛卡爾通過反射渺小的自我建立了唯心主義的宇宙體系使那有名的英格蘭傳教士用尖刻的諷刺來譴責進化論，並立即博得了喝彩，從而在歷史的篇章里草草留下了一個臭名。
  6. I understood that within the soul from its primordial beginnings there has been a desire for light and an irrepressible urge to rise out of the primal darkness

    我推斷從其早期原始階段起，靈魂就在渴望光明、就在無法抑制地沖動著要掙脫原始黑暗之地。
  7. He alternately employs such contrasts as between light and shade between largeness and diminution between openness and seclusion and between elevation and depression

    園林的主人巧妙的運用對比的手法來製造與眾不同的視覺效果：例如明亮與灰暗，放大與縮小，開闊與隱居，陡升與驟降等等。
  8. The low beam clear distinguishes the light and shadow parts with obvious dividing line, what is the legal excellent light shape and will be soft to vehicle and passerby

    近光燈影明暗分明，截止線清晰可見。具有符合法規的良好配光光形，對車輛及行人不會造成刺眼的亮光。
  9. Dark magic is more oriented towards necromancy, whereas light magic will put the stress on enchantments. in both alignments, some races are specialized in the favorite magic of their alignment

    黑暗魔法更傾向于死靈魔法，而光明魔法在幻術方面比較強。兩個陣營裏面都有某些種族可以專精本陣營的專長魔法。
  10. In historical works on the year 1812, the french writers are very fond of saying that napoleon was aware of the danger of lengthening out his line, that he sought a decisive engagement, that his marshals advised him to stay at smolensk, and similar statements to show that even at the time the real danger of the campaign was seen. the russian historians are still fonder of declaring that from the beginning of the campaign there existed a plan of scythian warfare by leading napoleon on into the heart of russia. and this plan is ascribed by some writers to pfuhl, by others to some frenchman, and by others to barclay de tolly ; while other writers give the credit of this supposed scheme to the emperor alexander himself, supporting their view by documents, proclamations, and letters, in which such a course of action certainly is hinted at

    在有關一八一二年的歷史論著中，法國的作者總是喜歡論及與時拿破崙如何感到戰線拉長的危險，如何尋覓決戰的機會，拿破崙的元帥如何勸他在斯摩棱斯克按兵不動，並援引類似一些別的論據，證明與時就已經意識到戰爭的危險性而俄國的作者則更喜歡談論，從戰役一開始就有一個引誘拿破崙深入俄國腹地的西徐亞人式的作戰計劃，這個計劃有人認為是普弗爾擬的，有人認為是某個法國人擬的，有人認為是托爾擬的，有人認為是亞歷山大皇帝本人擬的，而且引用有筆記方案和書信為證，其中確實有這種作戰方案的暗示。
  11. But neither could tell in the dim light if his friend looked as miserable as he felt himself.

    可是誰也沒法在暗淡的光線下辨明對方看上去是否也象自己感覺到的那樣狼狽。
  12. However, mi5 s website describes the show as glamorising the world of intelligence and makes it clear that the on - screen portrayal is not exactly accurate : particularly unrealistic is the way in which the characters in spooks regularly act outside the law in pursuit of their investigations

    然而， mi5網站稱該電視劇美化了情報世界，並明確表示銀屏人物形象絕對不夠真實性： 「尤其不真實的是《暗探》中人物通常採用違法的手段收集情報！ 」
  13. The technique of using light and shade in pictorial representation

    明暗對照法繪畫中使用光線和陰影的技巧
  14. “ i can guess, ” lucidique said. “ you were born in filth, and you ' ve lived in filth so long you don ' t even see what ' s going on right in front of you

    「但我可以猜想， 」露辛迪克說， 「你出生貧寒，長期生活在陰暗骯臟的角落以至於漸漸無法明辨是非。 」
  15. The lines of strew and random cross each other, rapid, slow, pause and transition, which depicted the tenacity of the rocks and stones ; also the mild light and shade appeared the sheer of the mountain and the depth of valley

    錯落交織、疾緩頓挫的線條，刻畫了大地之「骨」巖石的堅韌；明暗有度，點染得法的黛藍與墨青透出斧劈刀的峻峭和峽谷的深邃。
  16. Measuring method and technique that 3d surface shape is recovered from 2d gray image ( shape from shading ) can obtain surface shape by natural way and easily realize the information integration of intersystem. particularly, this technique belongs to non - contact measurement, and it has become a puzzle and hotspot question in image measuring domain based on vision in recent years

    直接由物體的二維灰度圖像恢復其三維幾何形狀（由明暗恢復形狀）的曲面測量方法和技術，能以自然方式提取物體表面的形狀信息，且易於實現系統間的信息集成，尤其是該方法屬于非接觸測量方法，特別適合於測量由彈性模量低的易變形材料製成的零件，近年來一直是基於視覺的圖像測量領域研究的難點和熱點問題。
  17. Presents a method for sfs based on model of polyhedron. we carry out the algorithm by solving a overdetermined linear equations which is constructed through the distributing of the vector field. the algorithm can reconstruct 3d surface from photometric stereo image given the direction of illumination

    針對目前「從明暗恢復物體形狀方法」存在的問題，提出了以多面體模型為基礎的快速演算法，根據向量場的分佈建立關於物體表面深度信息的超定線性方程組，在最小二乘意義下求得物體表面的深度值。
  18. Is there a difference between dark and light magic

    黑暗魔法和光明魔法之間是否有什麼區別？
  19. This article illuminates how to use various skills in pencil landscape sketch so as to attain the best painting effect though several aspects such as how to apply the modesty painting language and profound art form, paying attention to the dialectic relationship between frame sketch and cubage sketch, and using the method of light and shade arrangement to represent object thoroughly and abundantly and so on

    摘要該文在運用質樸的繪畫語言、高深的藝術形式，重視「結構素描」與「體積素描」的辯證關系，以及採用「明暗層次」法更深入、豐富地表現物體等方面，說明了如何在鉛筆素描風景畫中運用各種技法，使繪畫效果達到最好。
  20. Based on the universal theory of one - dimensional steady state photorefractive solitons, this paper describes all kinds of one - dimensional steady state spatial solitons in the photorefractive or photovoltaic - photorefractive medium with or without a resistor in the external circuit. the steady - state solutions of the evolution equation are given and then the physical properties of the photorefractive solitons are discussed

    依據穩態光折變空間孤子的統一理論，推導了光波在帶有分壓電阻的光伏或光伏光折變晶體小的傳播方程，利用數值方法求解了此方程的明、暗孤子解，討論了三種穩態光折變孤子的物理特性。
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