普特曼 的英文怎麼說

中文拼音 [pǔtèmàn]
普特曼 英文
putman
  • 普 : Ⅰ形容詞（普遍; 全面） general; universal Ⅱ名詞（姓氏） a surname
  • 特 : Ⅰ形容詞（特殊; 超出一般） particular; special; exceptional; unusual Ⅱ副詞1 （特別） especially; v...
  • 曼 : 曼形容詞1. （柔和） graceful; soft and beautiful 2. （長） prolonged; long-drawn-out
  1. From lianyungang, transshipped via shanghia, the cargo to europe ports such as felixstowe, antwerp, rotterdam, hamburg ; australia ports such as sydney, melbourne ; middle east ports such as dubai, bandar abbas, kuwait, bahrain, karachi, damman, doha, nhavasheva ; east america ports such as new york, savannah, norfolk ( transhipment to inland points of eastern american ) ; southeast asia ports, such as port - kelang, penang, surabaya, jakarta, bangkok, leamchabang, chittagonhg, colombo could be shipped

    由連雲港到上海中轉可以接轉費力克斯托、安特衛普、鹿特丹、漢堡等歐洲港口；悉尼、墨爾本、布里斯班等澳州港口；迪拜、阿巴斯、科威特、巴林、卡拉奇、達曼、多哈、孟買等中東港口；紐約、薩瓦那、諾福克（轉接其他美東內陸點）等美東港口；巴生、濱城、泗水、雅加達、曼谷、林查班、吉大、科倫坡等東南亞港口。
  2. Tony : it ' s no use, chapman. tate confessed

    托尼：沒用的，查普曼。泰特招供了。
  3. Get outta here. - this is walterj. chapman

    -我們離開這兒-我是沃爾特j查普曼
  4. Get outta here. - this is walterj. chapman.

    我們離開這兒-我是沃爾特? j ?查普曼. .
  5. Among the most prominent composers of the 20th century were b la bart k, gustav mahler, richard strauss, giacomo puccini, claude debussy, maurice ravel, charles ives, edward elgar, arnold schoenberg, sergei rachmaninoff, sergei prokofiev, igor stravinsky, dmitri shostakovich, benjamin britten, aaron copland and carl nielsen

    在現代音樂之前，作為前繼者的歐洲古典音樂家有巴爾托克、馬勒、理查斯特勞斯、浦契尼、德布西、艾伍士、艾爾加、荀白克、拉赫曼尼諾夫、普羅高菲夫、史特拉汶斯基、蕭士塔高維契、布瑞頓、柯普蘭、尼爾森等人。
  6. This is walterj. chapman reporting live from the hague

    沃爾特? j ?查普曼在海牙為您現場報導
  7. 1912 gerhart hauptmann germany 1913 rabindranath tagore india

    1912年蓋哈特霍普特曼德國
  8. She has won several prestigious vocal competitions, including the dvork competition in karlovy vary and the ard competition in munich. she appears frequently in theatres of nice, lisbon, amsterdam, aix - en - provence, innsbruck, frankfurt, leipzig, bonn, mannheim and bayreuther festspiele

    她經常在尼斯、里斯本、阿姆斯特丹、普羅旺斯、因斯布魯克、法蘭克福、萊比錫、波恩、曼海姆的劇院，以及拜羅伊特音樂節等獻藝。
  9. The temptation to be present at the ball, and to form his first impressions of the beauty of the kentish ladies, was strong upon mr. tupman.

    參加舞會和一見肯特州的美人，對于特普曼先生是強有力的引誘。
  10. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
  11. （ kopp, raymond j., alan j. krupnick, and michael toman. cost benefit analysis and regulatory reform. washington d. c. : resources for the future, 1997

    雷蒙德?科樸、艾倫? j ?克魯普尼克、米歇爾?特曼： 《成本收益分析與管制改革》 ，華盛頓特區：未來資源出版社， 1997年版。
  12. The nobel prize in chemistry : herbert a. hauptman

    諾貝爾化學獎-赫伯特艾倫豪普特曼
  13. Because lars was in the jungle killing putman

    是因為拉爾斯正在叢林里殺普特曼
  14. Shudders, screams - hey ! oh ! putman, where haveyou been

    嘿！普特曼，你去哪了
  15. - doesn ' t surprise me a bit, really. - damn it, putman

    -我一點也不吃驚，真的-該死，普特曼
  16. Doesn ' t surprise me a bit, really. - damn it, putman

    我一點也不吃驚，真的-該死，普特曼
  17. - hey ! oh ! putman, where haveyou been

    -嘿!噢!普特曼，你去哪兒了
  18. Look at putman ! putman is the octopus

    看普特曼!普特曼就是那章魚
  19. Similarly it has been found by professor lewis m. terman, of stanford university, that a vocabulary test is as accurate a measure of intelligence as any three units of the standard and accepted stanford - binet i. q. tests

    無獨有偶，斯坦福大學的路易斯? m ?特曼教授也發現，詞匯測試與三套普遍被人接受的斯坦福?賓尼特標準智商測試題中的任何一套一樣，可以準確地測定智力。
  20. What the hell ' s wrong withyou, putman

    你到底有什麼問題，普特曼
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