木下惠介 的英文怎麼說
中文拼音 [mùxiàhuìjiè]
木下惠介
英文
keisuke kinoshita-
Group b hk 40 for " a tribute to kinoshita keisuke " and
B類門票木下惠介回顧展及平日日場港幣40" a tribute to kinoshita keisuke " film code ends with x or
木下惠介回顧展（影片編號以x結尾）" a tribute to kinoshita keisuke " film code ending with x
木下惠介回顧展場次門票（影片編號以x結尾）" a tribute to kinoshita keisuke " film code ends with x and weekday matinee screenings film code ends with d
木下惠介回顧展（影片編號以x結尾）及平日日場（影片編號以d結尾）But kinoshita ? s legacy is beyond sheer populist crowd - pleasing. he pioneered revolutionary techniques, including 1951 ? s
木下惠介為日本戰后電影黃金時代健將，松竹其下大師。10 tickets or more of " a tribute to kinoshita keisuke " film code ends with " x " and " weekday matinee screenings " film code ends with " d " for details please refer to p. 65
木下惠介回顧展（影片編號以x結尾）及平日日場（影片編號以d結尾） （詳見第65頁）In the rein of ozu yasujiro and kinoshita keisuke, two of his precursors at the shochiku studio, yamada yoji has been particularly keen on portraying the lives of japanese families
與小津安二郎、木下惠介同屬松竹片廠的山田，跟兩位前輩大師一樣，對日本家庭的描寫最感興趣。Though known as the first ever japanese film in colour, kinoshita actually simultaneously shot a black white version of the film as well, just in case there were problems with the colourisation process which unfortunately did come to pass with the sequel
木下惠介回顧展選映的十八部電影中，最難得一見的是這部黑白版的《卡門還鄉》 。No other filmmaker, not even mizoguchi or ozu, was more adored within his home country than kinoshita keisuke 1912 - 1998. in prolific works that run a gamut of genres, he had a knack for drawing the most tears and provoking the most laughter
木下惠介作品每多肯定人性正直勇敢的一面，諷刺丑惡卻不事渲染，看其電影，每令人驚嘆其技法高超之餘，情感受到洗滌，回復對生命的希望。Usage of vip pass does not cover the following programmes : " sun yu : poet of cinema " and " pearl river delta " movie culture life " organised by hong kong film archive film code ending with r, " a tribute to kinoshita keisuke " part 2 8 april - 2 may 2005
Vip通行證于下列節目恕不適用：由香港電影資料館籌辦的電影詩人孫瑜及珠三角：電影文化生活影片編號以r結尾以及於2005年4月8日至5月2日期間舉行的木下惠介回顧展下集節目。分享友人