浪之舞 的英文怎麼說
中文拼音 [làngzhīwǔ]
浪之舞
英文
dancing wave-
Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版Even so, i did not change my dissolute way of life until one night when i awoke from a nightmare. suddenly, i came to realize that i was standing on the edge of a cliff. a slight bit of mindlessness would result in my falling into the bottom of a valley in darkness without any chance of liberation
我討厭白晝的光明，太陽西下后的夜晚才是我活動的時刻，跳舞賭博吸毒滋事成為我周而復始的生活模式，也因而數度進出牢籠，雖然如此，仍不斷重復自暴自棄放浪形骸的生活，直到有一天晚上從惡夢中醒來，頓時使我驚覺到自身的處境正陷於一個萬丈深淵的邊緣，稍不留神便會落入黑暗的谷底，永無超脫之日。Added to which was the coincidence of meeting, discussion, dance, row, old salt, of the here today and gone tomorrow type, night loafers, the whole galaxy of events, all went to make up a miniature cameo of the world we live in, especially as the lives of the submerged tenth, viz.,
再加上他們萍水相逢，一道談論，跳舞，爭吵，同這些行蹤不定的老水手，夜間的流浪者們，令人眼花繚亂的一連串事件都湊在一起，構成了我們所生活的這個世界的雛形浮雕。尤其是近來對「十分之一的底層階級」 184 ，也就是煤礦工人潛水員清道夫等等的生活，正做著精密的調查。The sport supplements are being taken out of daily newspapers and, instead of blanket tv coverage of the big games, guests will be offered a string of romantic movies on dvd like " dirty dancing " and " pretty woman.
旅館每天為客人提供的報紙中將不包含體育版，同時房間內的電視機將不會播出任何與世界盃有關的報道，取而代之的則是一系列以浪漫愛情故事為題材的電影dvd ，如辣身舞和漂亮女人等。With the waters of mediterranean harbor as their stage, prometeo, the spirit of fire, and bellisea, the spirit of water, meet and fall in love
當夜幕垂下，地中海港灣的水上舞臺將展開一場浪漫的傳說。在美妙的樂章下，水之精靈與火之精靈的邂逅，令人陶醉其中。分享友人