章文琪 的英文怎麼說
中文拼音 [zhāngwénqí]
章文琪
英文
zhang wenqi-
A comparative study of post - war mandarin and cantonese cinema : the films of zhu shulin, qin jian and other directors, takes the effort of a step further, especially sek kei s article left - wing cinema of the 60s and its petit bourgeois quality, a rare article that directly discusses left - wing cinema. in 1985, the film festival had a special programme on li pingqian, offering an introductory look into the director s work
第三屆香港國際電影節1979的戰后香港電影回顧1946 - 1968對戰后的進步電影作出了初步的探討，第七屆香港國際電影節1983的戰后國粵語片比較研究朱石麟秦劍等作品回顧更進一步，其中石琪的六十年代港產左派電影及其小資產階級性是少數直接討論左派電影的文章。In order to extend our knowledge and understanding of the cantonese movie stars of the sixties, we have invited two well - known writers and film critics, messrs. sek kei and ng ho, each to contribute an article on the topic to the present catalogue
為了增進大家對六十年代粵語片明星的認識，我們邀請了香港著名的電影文化界人士石琪先生吳昊先生，替我們這本特刊，各自撰寫了一篇有關六十年代粵語片明星的文章。They were again invited to talk with the director at the interviews conducted in 2004. the three articles by sek kei, written respectively in the 60s, 70s and a few years ago, offer an incisive study of chor s style and the very literary romanticism of his own right ; law kar on the other hand keeps his eyes focused on chor s youth films, suggesting that nowadays 1969, it is not really necessary to insist on distinctions between chinese and western films, between cantonese and mandarin cinemas
楚原的風格楚原式的文藝和浪漫，在石琪先生分別寫於六七十年代以及數年前的三篇文章中，有扼要而透徹的闡析羅卡先生則從對楚原的青春片的分析，指出今天1969年我們還死守這是國片那是西片，這邊廂是國語片那邊廂是粵語片的界限是不必要的了。
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