絕對的他者 的英文怎麼說

中文拼音 [juéduìdetāzhě]
絕對的他者 英文
absolute other
  • 絕 : Ⅰ動詞（斷絕） cut off; sever Ⅱ形容詞1 （完全沒有了; 窮盡; 凈盡） exhausted; used up; finished 2 ...
  • 對 : Ⅰ動詞1 （回答） answer; reply 2 （對待; 對付） treat; cope with; counter 3 （朝; 向; 面對） be tr...
  • 的 : 4次方是 The fourth power of 2 is direction
  • 者 : Ⅰ助詞1 （用在形容詞或動詞後面 或帶有形容詞或動詞的詞組後面 表示有此屬性或做此動作的人或事物） 2 ...
  • 絕對的 : a olute
  • 絕對 : absolute
  1. In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy

    本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜
  2. The simple story is in the world of the animation is an absolute main factor, a complicated story details turns and twists confusing link for see an animation of the audience is a tremendous burden, the market need that is in present the top interest has already replaced a traditional story to spread chen, at this interest in command age how expressed a plot to become the most important topic with the simple story, very clearly, advertise from the film of the way can feel what kind of the topic just is the need of the consumer, passed by high cost to create greatly of the advertisement mode has already not been reseen this several years, take but the generation is a film to have many interests much play, this be the typical simple story description complicated plot, give examples to say : the movie “ shrike ” is a very typical example, pure of save a princess of plot, continuously of pound at audience by the plot of " be contrary with traditional thinking " of thinking mode, i still remember at that time see that slice through behind appear details of hear the public discussion interest continuously, but hear half personal say this drama of story have much good, in fact such manuscript was the best animation manuscript, letting the audience acquire they want of plot but don ' t be pack with complicated story, this just is the animation dramatize of the tallest state, because of would like to spend money to enter into theater or spend money to purchase dvd consumer, all is want to open happy heart ' s appreciating film bear, have no burden, also be spend money to buy happy, want to remind specially of " the writing animation manuscript not is write to personal satisfy own creations desire but is face all appreciate of crowd "

    在動畫的世界里簡單的故事是絕對的要素，一個復雜的故事情節曲折迷離的環節對于看動畫的觀眾是一項極大的負擔，在現今的市場需求上趣味已經取代了傳統的故事鋪陳，在這個趣味掛帥的年代怎麼樣用簡單的故事來表現劇情變成了最重要的課題，很明確地，從影片廣告的方式可以感受到什麼樣的主題才是消費者的需求，過去高成本大製作的廣告模式這幾年已不復見，取而代之的是影片有多趣味多好玩，這就是典型的簡單故事描述復雜的劇情，舉例來說：電影史瑞克就是一個很典型的例子，單純的救公主的劇情，不斷的以「與傳統思維相反」的劇情沖擊著觀眾的思考模式，我還記得當時看完該片后出場不斷的聽到眾人討論趣味的情節，但是卻沒有聽到半個人說這部戲的故事有多棒，其實這樣的劇本就是最好的動畫劇本，讓觀眾獲得他們想要的劇情卻不以復雜的故事包裝，這才是動畫編劇的最高境界，因為願意花錢進到戲院或是花錢購買dvd的消費者，都是想開開心心的觀賞影片沒有負擔、沒有包袱，也就是花錢買開心，特別要提醒的「寫作動畫劇本並不是寫給個人滿足自己的創作慾望而是面對所有欣賞的人群」 。
  3. Each observer is correct in his own frame of reference, but simultaneity is not an absolute concept.

    每一個觀察者在他所處的參照系中都是正確的，但同時性並不是一個絕對的概念。
  4. You can never toast or even touch your wine glass before the host or elders raising their wineglasses say " skoal "

    在主人或任何其他階級比您高或年長者舉杯前，絕對不可舉杯敬酒。而且您甚至不可以碰您的酒直到主人說" skoal " 。
  5. On the one hand, the author discusses markowitz ' s mean - variance portfolio selection model, single - index portfolio selection model, and simplified model of optimal portfolio selection. at the same time, based on the rules of optimal portfolio selection and other risk - metric indices, the author also discusses mean - absolute deviation model, mean - semivariance model and mean - value at risk model. on the other hand, the author discusses the asset pricing model, including the capital asset pricing model ( capm ), the multi - factor asset pricing model, and the arbitrage pricing model ( apt )

    一方面，作者討論了馬科維茲的均值-方差資產組合選擇模型、單指數資產組合選擇模型、最優資產組合選擇的簡化模型，同時根據最優資產組合選擇原則和其他風險度量指標，討論了均值-絕對離差、均值-半方差和均值-風險價值資產組合選擇模型；另一方面，作者討論了資產定價模型，包括多因素資產定價模型和套利定價模型，特別是在四種因素變量的基礎上，探討多因素資產定價模型。
  6. The sister answering the call was precisely the one who had approached the media and failed, while the person calling was a 74 - year - old former journalist, who had previously worked as a reporter for a major japanese newspaper, knew key people in many civic organizations, was familiar with a facilitator of the largest women s organization in japan, and expressed a wish to know more about master s lecture

    正當我們感到沮喪時，有一天突然接到一通電話，接電話的人正是拜訪許多媒體而被拒絕的師姊，而打來電話的人是位74歲的老記者。他原是日本大型報社的記者，對許多民間團體都很熟悉，也認識某婦女團體的贊助人，他希望更詳細地了解這次講經情況，師姊立即前往與他會面。
  7. Never philanthropic with opportunists who are not true believers, the bodies of many of those unfortunates still serve as a source of military might for enlil - saduga

    他們絕非忠誠的信徒，而對投機者從來就沒有什麼仁慈可言，許多不幸者的屍體仍被驅役，成為虱癬園軍事力量的一大來源。
  8. Certainly some of the seediest of journalists, whether we ' re talking about the middle east or northern ireland, are those who pile on one set of adjectives - - - squalid, butchering, oppressive - - - for terrorism of whose aims they disapprove, and quite another set committed, dedicated, idealistic - - - for the same thing done by those they like

    無論我們是在談論中東還是北愛爾蘭問題，最不稱職的就是那些記者：對於他們所不贊成的恐怖主義他們會用一堆的形容詞來斥責? ?如骯臟的，滅絕人性的，壓制的等；對於他們所推崇的他們就用另一種口吻來對待了? ?如效忠的，獻身的，唯心的。
  9. The waiver by either party or failure by either party to claim a breach of any provisions of this agreement and / or any order shall not be, or be deemed to be, a waiver of any subsequent breach, or as affecting in any way the effectiveness of such provisions

    任何一方對于另一方違反協議和/或合同的條款的行為所做的放棄或拒絕索賠，都不應該或者不能被認為是對其他任何相應違反行為的棄權，或者對于這些條款有效性產生任何影響。
  10. His work was perfectly satisfactory and our relations were always most cordial. he is strictly honest, a hard worker and an intelligent man in the best sense of the world

    他的工作是令人完全滿意的。我們的關系一向是非常真誠的。在最好的意義上說，他是絕對忠實的，是一位辛勤勞動者和有才智的人。
  11. This experience of flier distribution in australia taught me thoroughly the ideal of self - discipline in work. i was both surprised and touched by the relationship between the work team members and quan yin messengers. the team members were absolutely obedient and very disciplined

    在澳洲派發傳單的經驗，讓我對工作的自我要求有非常清楚的理念，而見識到工作團員和觀音使者的相處，更令我驚訝又感動他們絕對服從紀律嚴謹，因此也能夠行動迅速勇往直前。
  12. There shall be asylum for habitual teetotaler, but they will probably relapse into teetotalism as soon as they come out

    應該有為習慣性絕對禁酒主義者而設的收容所，雖則他們在走出來之後不久，可能又會故態復萌。
  13. I could heartily wish a law was enacted, that every traveller, before he were permitted to publish his voyages, should be obliged to make oath before the lord high chancellor, that all he intended to print was absolutely true to the best of his knowledge ; for the world would no longer be deceived, as it usually is, while some writer, to make their works pass the better upon the public, impose the grossest falsities on the unwary reader

    我衷心希望能實行這樣一條法律：每一位旅行家在得到準許以前，必須向大法官宣誓，盡他的知識保證：他想要出版的游記全都是絕對真實的，世人才不會再像通常那樣受騙上當；然而有些作家，為了使自己的作品能討好大眾，硬是用一些彌天大謊來欺騙粗心大意的讀者。
  14. King on his ship : a raider commands tremendous respect when he or she captains a ship

    艦船之王：當掠襲者指揮一隻船時，他的命令具有絕對的權威。
  15. She crept nearer to him, nearer, only to be near to the sensual wonder of him. and out of his utter, incomprehensible stillness, she felt again the slow momentous, surging rise of the phallus again, the other power. and her heart melted out with a kind of awe

    她假近著他，更加假近著他，為的是要親近他那感官的奇異在他的絕對的不可思議的安靜中，她又覺得他那東西，那另一個權威者，重新慢慢地顫舉起來，她的心在一種敬畏的情緒中溶化了。
  16. Nor are unaffiliated americans any more likely to stay connected to their lack of affiliation than other americans are to their attachments

    不皈依派美國絕對脫離教派，其他新教者也沒有絕對的皈依。
  17. Government spokesman gholam hossein elham told reporters in tehran monday that iran has a right to the technology it has obtained and will not negotiate over what he called the country ' s obvious and absolute nuclear rights

    伊朗政府發言人埃爾哈姆星期一在德黑蘭對記者說，伊朗有權擁有已經獲得的技術，不會就他所說的伊朗擁有的毫無疑問的和絕對的核權力進行談判。
  18. However, " otherness " varies in the phenomenological vision : edmund husserl and martin heidegger ' s otherness still belongs to self - identity, and otherness and ego form symmetric relations ; jean paul sartre only sets his eyes on the struggle between otherness and ego ; maurice merleau - ponty considers otherness physical which separates from ideological philosophy ; and emmanuel levinas establishes his otherness philosophy in which otherness becomes an absolute one

    胡塞爾、海德格爾的他者仍然處于同一性中；他者與自我是一種對稱關系；薩特只看到他者與自我的斗爭；梅洛?龐蒂把他者肉身化，從意識哲學脫身而出；勒維納斯奠定了真正的他者哲學，他者成為絕對他者。
  19. Some historiansthose most distinctively biographers and writers of memoirs, of whom we have spoken abovefailing in the simplicity of their hearts to understand the question as to the meaning of power, seem to believe that the combined will of the masses is delegated to historical leaders unconditionally, and therefore, describing any such authority, these historians assume that that authority is the one absolute and real one, and that every other force, opposing that real authority, is not authority, but a violation of authority, and unlawful violence

    一些史學家，就是上面提到的那些傳記作者和專題史學家，不了解權力的意義這個問題，他們幼稚地認為，似乎群眾意志的總和是無條件地移交給歷史人物的，因此，在記述某一種權力的時候，這些史學家就把這種權力視為唯一的絕對的真正的權力，任何反對這種權力的勢力都不是權力，而是對權力的一種侵犯一種暴力。
  20. For levinas, by contrast, i encounter the other as absolute and singular transcendence outside myself and outside all possible forms of representation and explanation

    相比之下，對列維納斯來說， 「我」遭遇到作為絕對的和唯一超越的他者，其外在於我自身以及外在於所有可能形式的表現和解釋。
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