羅曼詩 的英文怎麼說
中文拼音 [luómànshī]
羅曼詩
英文
romantic poem-
As a leading romanticist, byron ’ s chief contribution is his creation of the “ byronic hero, ” a proud, mysterious rebel figure of noble origin. such a hero appears first in childe harold ’ s pilgrimage, and then further developed in later works such as the oriented tales, manfred, and dan juan in different guises
作為浪漫主義的代表詩人，拜倫的主要貢獻在於他創造了「拜倫式英雄」 ，高傲，神秘，反叛卻帶有貴族血統。這種拜倫式英雄出現在《哈羅德游記》 ， 《東方故事集》 ， 《曼弗雷德》及《唐璜》等多部作品中。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版In the mahabharatra, an ancient indian poem of enormous length, we learn that an individual named asura maya had a vimana measuring twelve cubits in circumference, with four strong wheels
在《摩訶婆羅多》 ，一部超長的古代印度史詩中，我們得知一個名為阿修羅摩訶的個體名字，在一個圓周裏面使用一部擁有四個強大輪子的維曼拿測量著十二腕尺的長度。But still in my heart i m a poet ; and i like to be like poetry, like a dream, like romance. but many times i have to face situations where my poet inside runs away from me, because i can t bear the crudeness of the reality outside. then i have to talk the way other people talk, i have to act the way other people act, and so on
你們知道我寫詩，雖然我小時候寫的詩也許不像我現在要求的那麼精緻那麼完美，所了解的也沒有現在那麼多，但在我的心裏，我是個詩人我願自己像詩像夢像羅曼史但在很多情況下，我內邊的詩人會跑掉，因為他不能承受外面現實的粗暴，於是我不得不用和別人一樣的方式說話和做事等等。Its continuous growth, linked to the sea ( the romans gave it the name portus, or port ), can be seen in the many and varied monuments, from the cathedral with its romanesque choir, to the neoclassical stock exchange and the typically portuguese manueline - style church of santa clara
波爾圖的發展與海洋息息相關（羅馬人把它叫做伯特斯，即港口） ，城中眾多各式各樣的古跡都向我們說明了這一點，不管是帶有羅馬風格唱詩班席的大教堂，還是新古典主義的證券交易所，以及典型的葡萄牙紐曼爾式聖克拉拉教堂。This paper attempts to reveal the connotation of master and margaret through the analysis of the descriptions of " home " and " false home " in this work, from the perspective of structural poetics proposed by the famous russian scholar lotman who specializes in literary semiotics
摘要本文秉承俄羅斯著名的文藝符號學家洛特曼的結構詩學的分析路徑，從「家」與「偽家」的對立描寫入手，揭示了俄羅斯作家布爾加科夫《大師與瑪格麗特》的思想內涵。Start with the comment of levinson, a new historicism critic, on the poem tin tern abbey by william wordsworth, the author tried to understand the history reflected from the poem with the help of jameson ' s viewpoint " absence of history ", and to analyze the nature appeared in the poem with the help of the theory of allegory by critic paul de man who did great research work on deconstruction
摘要本文從新歷史主義批評家列文森對于華茲華斯《丁登寺》一詩的批評入手，藉助詹明信的歷史「缺場」觀點來理解華茲華斯在這首詩中所反映的歷史，同時藉助解構主義文評家保羅?德?曼的寓言理論來分析該詩所呈現的自然。分享友人