美學史 的英文怎麼說

中文拼音 [měixuéshǐ]
美學史 英文
history of aesthetics
  • 美 : Ⅰ形容詞1 （美麗; 好看） beautiful; pretty 2 （令人滿意; 好） satisfactory; satisfying ; good; ple...
  • 學 : Ⅰ動詞1 （學習） study; learn 2 （模仿） imitate; mimic Ⅱ名詞1 （學問） learning; knowledge 2 （學...
  • 史 : 名詞1 （歷史） history 2 （古代掌管記載史事的官） an official who was in charge of historical rec...
  • 美學 : aesthetics美學傳統 aesthetic tradition; 美學范疇 aesthetic category; 美學觀點 aesthetic view poin...
  1. The body aesthetics and the writing of aesthetical history

    身體美學與美學史寫作
  2. In many other schools, classes deal with the history of film as an art form and with the study of film theory, aesthetics, and criticism.

    在其他許多學校，開設了電影藝術史、電影理論、電影美學和電影評論等課程。
  3. There were consanguineous relations among his theory, history complexion and culture context

    這一美學觀念與他生活的歷史情境與文化語境有著密切聯系。
  4. The differences of personalities and styles between bei dao & huang xiang just right about to both compete for the voice of history of poetry, and to act as the contradistinguish / confrontation for aesthetics of poetry

    兩人截然不同的人格與風格，正好形成?詩史發言權的爭奪戰，以及詩歌美學的對照對峙。
  5. As we know, the ritual is often taken as " the traditional container ", which means ritual has a very special capable to contain the ethnic, historical and traditional interpretative ability for itself as well as multicultural, multiethnic exchange events and " facts ". in this case, dionysus pattern is a typical example, many aspects showed that there existed a very complicated relations among the arche - type : the origin of the western tragedy, the exhibition of relation between man, nature and culture, the expression of literary themes etc. main purpose of this research will be concentrated on the combination of the dionysus ritual pattern and analyses relative eastern factors including historical texts, the drama literature using the method of literary anthropology

    作為一個經典範例，酒神祭耙儀式被視為一種跨民族、跨區域、多元文明的遺產：西方戲劇起源的濫骯哲學美學類型上的二元對峙關系的基本要件：西方文學敘事中不可或缺的原型；更重要的是，它是人類生命體驗的「自然之性」的展示… …本文通過對酒神的個案的人類學資料，同時結合狄奧尼索斯祭祝儀、戲劇文學以及相關的歷史文本分析，旨在對比較文學中「西方中心」的歷史邏輯進行梳理和反思。
  6. Teaching the history of western aesthetics as a general elective course

    西方美學史課程公選課教學方法初探
  7. Role of existence aesthetics of hade gale in the western aesthetics

    論海德格爾的存在論美學在西方美學史上的地位
  8. This fact became patently obvious when figurative art collapsed at the beginning of the twentieth century, and in its place what is called “ abstract art ” or “ non - figurative art ” was created

    形象藝術在二十世紀初轟然崩塌，出來一種所謂「抽象藝術」或者「非形象藝術」的東西取而代之，當此之際，西方美學史的敗績昭然若揭。
  9. My opinions of the way of writing of chinese aesthetic history

    中國美學史寫法之我見
  10. History of chinese aesthetics and history of chinese thoughts

    中國美學史與中國思想史
  11. My viewpoints on the history of the chinese aesthetics

    我的中國美學史理念
  12. Thoughts on research objects of chinese music aesthetic

    關于中國音樂美學史研究對象的思考
  13. Modern chinese and the writing of the aesthetic history of china

    現代漢語與中國美學史寫作
  14. The object and method of the research inchinese aesthetic history

    中國美學史的研究對象與方法
  15. Some views on the period differentiation of china ' s aesthetic history

    中國美學史分期問題管窺
  16. Ideas about the study of chinese aesthetic history in the 21st century

    21世紀中國美學史研究之構想
  17. The writing of aesthetic history in the quot; post - modern academic context quot

    條件下的美學史寫作
  18. The developing course of aesthetics ontology has undergone three stages in the history of aesthetics, which is ultimately moving towards the stage of the unity of object and subject that accords with the specific characteristics of aesthetics after the two stages of subjects and objects as its mainstreams

    摘要美學本體論問題的發展態勢在美學史上經歷了「正反合」三個階段，即經由以「客觀論」和「主觀論」為主流的兩個階段之後，最終走向符合美學特殊性的「主客二元合一論」階段。
  19. It is of great significance on many problems of aesthetics especially on the current discussion on the transformation of aesthetics ontology to beinglogy aesthetics to recognize clearly the particularity and development of aesthetics ontology

    明辨美學本體論問題的特殊性狀與發展走向，對于深入全面地探討美學史和美學理論中的諸多問題，特別是探討當前美學理論形態逐漸從「本體論美學」向「存在論美學」轉型的問題，都很有必要很有?益。
  20. This paper gives an analysis of the history of western aesthetics by focusing on the ideas and approaches of kant, jung, arnheim and kandinsky, and discuses the four kinds of priori paradigms of artistic form, that is, priori form, prototypical form, gestalt form and abstract form in the hope of interpreting the priori layout, foundation and texture of art formalism

    摘要通過梳理西方美學史從康德、榮格、阿恩海姆到康定斯基這四位美學家關于藝術形式的觀點、思路，本文考察了純粹形式、原型形式、格式塔形式和抽象形式這四種藝術的先驗形式論範式，從而為藝術形式主義尋索一種先驗論的格局、根基和脈絡。
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