舒張電位 的英文怎麼說

中文拼音 [shūzhāngdiànwèi]
舒張電位 英文
diastolic potential
  • 舒 : Ⅰ動詞（伸展; 寬解） stretch; unfold Ⅱ形容詞[書面語] （緩慢; 從容） easy; leisurely Ⅲ名詞（姓氏） a surname
  • 張 : Ⅰ動詞1 [書面語] （給弓或樂器上弦） fix （a bowstring）; string （a musical instrument） 2 （分開;...
  • 電 : Ⅰ名詞1 （有電荷存在和電荷變化的現象） electricity 2 （電報） telegram; cable Ⅱ動詞1 （觸電） give...
  • 位 : Ⅰ名詞1 （所在或所佔的地方） place; location 2 （職位; 地位） position; post; status 3 （特指皇帝...
  • 舒張 : [生理學] diastole; relaxation舒張期 diastole; 舒張壓 [醫學] diastolic pressure
  1. Our previous studies demonstrated that agmatine not only reduced the amplitude of action potential ( apa ), maximal rate of depolarization ( vmax ), velocity of diastolic ( phase 4 ) depolarization ( vdd ), and rate of pacemaker firing ( rpf ), but also prolonged 90 % duration of action potential ( apd90 ) in a concentration - dependent manner

    我們先前的實驗證明，胍了胺可劑量依賴性地抑制兔竇房結起搏細胞的0相最大上升速度（ v _ （ max ） ） ，動作電位幅度（ apa ）和舒張期除極化速度（ vdd ） ，起搏細胞放電頻率（ rpf ） ，而且能延長90動作電位時程（ apd _ （ 90 ） ） 。
  2. On behalf of the hong kong film archive, i would like to thank the following personalities who have allotted their precious time for me to conduct interviews : ann hui, lai ho, shu kei, keeto lam and bryan chang, who shared their views on jupiter as a friend and working partner ; directors tsui hark, derek yee, fruit chan and cheung chi - sing who had offered different approaches of looking at jupiter s film stills ; producer fong ping, tang yat - ming, peter chan and distribution manager winnie tsang who offered their views on the role of film stills as a promotional tool. i was also indebted to starlets like cecilia cheung, karena lam, zhou xun and huang jue for sharing their experience of having jupiter on location

    在此謹代表香港電影資料館鳴謝多位接受過訪問的影人：許鞍華厲河舒琪紀陶張偉雄等談了很多跟木星交往的淵源其中許鞍華厲河和舒琪更曾出錢出力支持木星當劇照師和出版影集鳴謝徐克爾冬升陳果張志成等導演對他的劇照作了不同角度的闡釋監制方平鄧一鳴陳可辛發行經理曾麗芬等則對劇照的發行及宣傳功能作了歷史及商業上的分析影星張芝林嘉欣周迅黃覺等在百忙中接受訪問，談跟木星一起工作的所見所感。
  3. From that foundation, law kar and shu kei probe into mp gi s creative environment, looking at the roles played by studio head loke wan tho and established writers who were involved in the company s scripts. shu even makes the bold attempt to discuss the issues of house style and how individual fimmakers operate within the studio system. finally, stephen teo focuses on the martial arts films of cathay s later period, looking at them from a fresh perspective and filling a gap often neglected in hong kong cinema

    羅卡和舒琪從這個基礎出發，分別探討電懋的創作處境，特別是主事人陸運濤的角色以及文人編劇在制度內的位置，後者更嘗試分析個別創作人如張徹在片廠制度內的存適以及片廠風格等問題，大膽精彩最後，張建德將焦點放在後期國泰的武俠電影上，以一個不尋常的角度豐富了較後期的國泰故事，也為香港電影里武俠類型的演變，填補了一個鮮為人所注意到的空隙。
  4. In addition, in the later of 80 ' s, the results obtained in weston and suzuki ' s laboratories and other laboratories showed that a new substance, christened edhf, could be released by ach or other vasoactive substances such as substance p. and the edhf could cause hyperpolarization of the vascular smooth muscle cells in an endothelium - dependent manner

    除edrf外， 80年代末weston和suzuki等發現ach等血管活性物質還可使血管內皮釋放一種可使smc膜電位超極化的因子（ edhf ） 。 edhf介導的血管舒張不受血紅蛋白和亞甲藍的影響，說明其作用機制與no無關。
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