色彩歌 的英文怎麼說
中文拼音 [shǎicǎigē]
色彩歌
英文
color song-
Tilingo lingo are six passionate, young mexican musicians, with a contemporary approach to traditional sounds. the group combines modern instruments, such as saxophone, double bass and drums, with bow marimba and other latin instruments to conjure up a colourful, new way to explore their central american heritage and life today
鈴歌樂隊六位年青墨西哥樂手，以獨特的風格和技巧，將當代即興爵士式的色士風低音大提琴和鼓，結合傳統樂器弓型馬林巴琴，拼貼出一種熱鬧喜慶的節奏，既富拉丁美洲馬雅民族的歷史氛圍，又洋溢現今嘉年華及派對的繽紛色彩。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版The renascence of poem movement in american is the catalyst which evidence the oriental colour concealed in wen ' s aesthetic subconsciousness, even so they have the deep aesthetic difference, especially getting into the " real " situation, the orient was regarded as " the other ", so wen ' s poems become the counter write to the oriental image created by the west
美國的新詩運動是促使聞一多審美潛意識中的「東方色彩」得以彰顯的契機，但二者卻有深刻的審美差異；尤其是進入現實語境后， 「東方」更呈現出「他者化」色彩，聞一多以自己的詩歌構成對這一現實東方形象的逆向書寫。In this golden age of contemporary poem of china, there is a contradistinctive poet to the former - huang xiang, originated from guizhou who moves forward to beijing and outspreading poetic activities involved with popularization & pan - politicization
在這個中國當代詩歌的黃金時代，另一位充滿異議色彩的貴州詩人黃翔，前進北京展開群眾化與泛政治化的詩歌活動。The yarlung people have lived generation after generation on this piece of land with glorious flowers in spring and sweet fruits in autumn, fostering the characteristics of good - naturedness, broad - mindedness and self - renewal. they have borne all kinds of hardships, trying every means to compose beautiful lyrics, paint bright colors and sing the best songs for life. they are always optimistic and generous
春華秋實，朝煙夕嵐，世世代代繁衍生息在這片土地上的雅礱兒女，就如同那清澈透明的雅礱河水，純凈豁達，柔韌執著，他們含辛茹苦，自強不息即使是坎坷曲折風霜雨雪，他們也要千方百計地鋪陳出旋律色彩禱詞祝福火焰和歌聲，主你品味的永遠是一份樂觀豁達的人生，一份濃於水的情愫。Yao nationality people forms unique nationality songs and dance with several thousand years, its rhythm, lyric, clothes, dance, image and stage property are separately formed and have rich nationality character
瑤族人民歷經千年創造形成了獨具特色的民族歌舞，其旋律、歌詞、服裝與舞姿、形象與道具均獨立構成，民族色彩極為濃郁。In addition, legends, ballads, fables, riddles, proverbs, and songs, a wealth of folk literature, were illustrated by new year prints. the folk literature enriched the pictures and the pictures inspired the literature in their turn. this dynamic enriched artistic themes and helped to form distinctive local and national styles of art
民間故事年畫就是從上述民間傳說及民間歌謠、神話、寓言、故事、謎語、諺語、說唱等中吸取養料，豐富自己的創作領域，以其鮮明的民族色彩和地域色彩在年畫領域中形成了專門類型。Looking at the painting " homesick, " we naturally feel a warm and familiar feeling that brings us back to a wonderfully pleasant peace. all reasoning totally ends, all arguments completely subside. we float into the dream of the current of poems and music formed by color and sound
觀看鄉愁此靜物寫生，自然有一種溫暖熟悉的感覺，引我們回到極其清靜的境界理想完全告終，雄辯消散無蹤，讓我們滑入色彩與音流所構成的詩歌美夢中。Elegant pose is you body dance, vivid color is the singing of your soul, let ' s sing and dance together, and enjoy in the sunflower gardan
高調的姿態是你身體的舞蹈，明艷的色彩是你靈魂的歌唱，一起起舞一起歌唱吧，迷失在向日葵的花園中。Now boy, you and that broad bout to meet with the lord. cause now it s too late
永遠記得一起唱和最愛那首歌願你生活永遠充滿繽紛色彩Like the language differences in different areas of mongolia, long mel o dy ballads vary because of dif fer ent natural environment, ecological environment, the ways of working and customs
如同蒙古語的地區語言差異，長調民歌也因自然地理、生態環境、生產勞作方式、生活習俗不盡相同而產生風格迥異的地域色彩。It is a live performance, exchange and interaction of music and poems by director deep sleep and “ soul & fire ” multi - media performing group, while the vanguard and experimental visual works are shown
現場內容為在放映極富先鋒實驗色彩的影像作品的同時，由編導沉睡與「靈與火」多媒體表演組再進行音樂與詩歌的現場震撼性表演、交流與互動。A bird amongst the bushes kept a little chant vibrating; and all the plum tree's shape and colour seemed alive.
有一隻鳥在叢林中不斷地唱著一隻音調顫抖的歌兒；李樹的形象和色彩看起來都是神采奕奕的。Immerse yourself within an ancient chinese festival or a modern art extravaganza. step back millions of years or discover the future of space ; hong kong museums can take you either way. diversity and sophistication, east and west, old favourites and advant garde
例如，安排自己欣賞一場音樂劇或中西交響樂演奏會，洗滌心靈選一個喜愛歌手的演唱會，投入場內的歌聲妙韻和熱熾氣氛參加本地傳統節日慶典或當代藝術盛事，感受本地的生活色彩。To hear barillo sing a love passage with the voice of an angel, and to hear tetralani reply like another angel, and to hear it all accompanied by a perfect orgy of glowing and colorful music - is ravishing, most ravishing
聽巴瑞羅用天使般的嗓子唱一段情歌，再聽特綽蘭尼像另一個天使那樣唱一段回答，還加上色彩絢麗光彩奪目的音樂伴奏，便是個十全十美的酒神節，簡直能叫人沉醉，酩酊大醉。Poetry also calls up all the colors, feelings, experiences and curious images of a dream world
詩歌也能喚起夢幻世界中的一切色彩、情感、經歷與各種奇妙的形象。Poetry also calls up all the colors, feelings, experiences and curios images of a dream world
詩歌也能把所有的色彩、感情、經歷，以及夢幻世界的各種奇異的幻想展現於人們的頭腦。This live stage show recreates the memorable moments of the disney animated films and cartoons
在本歌舞劇中將帶您進入一連串的黑白年代到色彩鮮艷的世界。Krall is canadian ; she went to new york to launch into her music career, and finally succeeded in carving an eye - catching patch on the american jazz scene. ishihara is japanese ; she found sustenance in british jazz, sings with a definitely brit - jazz lilt and a mixture of bossa nova, has shared the stage with alan barnes, denys baptise, julian siegel, anita wardell, steve brown and matt wates, and is now a well - known name back in japan and asia
Diana krall是加拿大人，她以加拿大人的音樂背景到紐約發展，最終走紅美國爵士樂壇；而石原江裡子則在英國汲取爵士樂養份，並與當地的樂手如alan barnes 、 denys baptise 、 julian siegel 、 anita wardell 、 steve brown 、 matt wates等合作過，歌唱手法有著英式爵士樂及bossa nova色彩，最後走紅日本及亞洲各地。Contents summary this text is " verse color idea sentiment system theory " of the first part, it the basic characteristic that express feelings from the verse color idea commence, analyzing the color idea characteristic : it is original to living the color idea, variation color idea, and both of fusion ; and turn to express feelings the pleasant impression characteristic to the color idea character from here and then to carry with the color idea the object choice mechanism characteristic made the analysis the treatise
摘要本文是「詩歌色彩意象抒情系統論」的第一部分，它從詩歌色彩意象抒情的基本特徵入手，分析了色彩意象特徵：原生色彩意象、變異色彩意象，以及兩者的融合；並由此進而對色彩意象個性化抒情美感特徵和色彩意象載體對象選擇機制特徵作了分析論述。分享友人