藤則 的英文怎麼說

中文拼音 [téng]
藤則 英文
fujinori
  • : 名詞1. (某些植物的匍匐莖或攀援莖) vine; rattan; cane 2. (姓氏) a surname
  • : Ⅰ名詞1 (規范) standard; norm; criterion 2 (規則) regulation; rule; law 3 (姓氏) a surname Ⅱ...
  1. I had often stood on the banks of the concord, watching the lapse of the current, an emblem of all progress, following the same law with the system, with time, and all that is made ; the weeds at the bottom gently bending down the stream, shaken by the watery wind, still planted where their seeds had sunk, but erelong to die and go down likewise ; the shining pebbles, not yet anxious to better their condition, the chips and weeds, and occasional logs and stems of trees that floated past, fulfilling their fate, were objects of singular interest to me, and at last i resolved to launch myself on its bosom and float whither it would bear me

    我常站在康科德河的岸邊,望著逝去的流水- - -它是一切過程的象徵,和宇宙,和時間及一切造物受同一法的支配;那河底的水草隨著水流輕柔地彎曲,彷彿受到水底清風的吹拂,此刻還在水底紮根,但不久后就會凋零並隨波濤逝去;那閃亮的鵝卵石- - -它們還不急著尋找更好的去處,那砂石碎屑、蔓野草,和那偶爾從水面漂過、奔向命運盡頭的圓木、樹干,都使我產生了極大的興趣,我最終決定泛舟于康科德河的胸膛之上,隨它將我載去任何地方。
  2. A row of sunken dwarf willows borders the stream on one or both sides, while at a greater distance the meadow is skirted with maples, alders, and other fluviatile trees, overrun with the grape - vine, which bears fruit in its season, purple, red, white, and other grapes

    沿著溪流的一邊或者兩側有一排沉入水中的矮柳,而稍遠處,草甸被楓樹、榿木以及其他一些長在河裡的樹圍繞著,葡萄藤則四處蔓延,一到結果實的季節,這里就會長出紫的,紅的,白的以及其他各種葡萄來。
  3. Kudou yukiksome call me a legendary of japanese showbiz … … and others call me a wife of the worldwide mystery writer … … i address myself as … … the lady grey cells night baroness

    有希子:有些人說我是日本屈指可數的傳說中的美麗女演員… …有些人說我是世界知名推理作家的妻子… …其實我是… …擁有灰色腦細胞的女偵探… …暗夜男爵夫人
  4. Kudou yukiko : some call me a legendary of japanese showbiz … … and others call me a wife of the worldwide mystery writer … … i address myself as … … the lady grey cells night baroness

    有希子:有些人說我是日本屈指可數的傳說中的美麗女演員… …有些人說我是世界知名推理作家的妻子… …其實我是… …擁有灰色腦細胞的女偵探… …暗夜男爵夫人
  5. The third part analyses several theories on interest weighing include the theories of restraint and application of jiatengyilang, the quantitative calmatives method of alexi, the layered stricture theory of liangshangshang and comprehensive weighing theory of li na. the author puts forward 4 rules in the process of weight : 1. protection of justice interest. 2

    第三部分分別對有關利益衡量規的幾種學說進行了評述,包括加一郎的節制和適用說,阿列克西的定量計演算法,樑上上的層次結構理論和李娜的綜合平衡理論。在評述的基礎上,筆者提出了利益衡量適用過程中應遵循的四個規: 1 、保護正當利益。
  6. From the holds of his family s art collection, huang yao also become familiar with paintings by important artists such as mi dian and bada shanren, with whose styles he was especially enamored

    .繪畫著力雙鉤鐵線及大小米,同時對梁楷青老蓮八大石溪石濤等名家尤有心得。
  7. Te ; mademoiselle was holding flowers in her hand, the interesting boy was chasing a beautiful peacock in a garden, and you, madame, were under the trellis of some arbor

    記得那是個美好的天氣,小姐手裡拿著花,這個孩子正在一個花園里追逐一隻美麗的孔雀,而您,夫人,坐在一個什麼子搭成的涼亭底下。
  8. All day the sun has shone on the surface of some savage swamp , where the single spruce stands hung with usnea lichens , and small hawks circulate above , and the chickadee lisps amid the evergreens , and the partridge and rabbit skulk beneath ; but now a more dismal and fitting day dawns , and a different race of creatures awakes to express the meaning of nature there

    整天,太陽曾照在一些荒野的沼澤表面,孤零零的針樅上長著地衣,小小的鷹在上空盤旋,而黑頭山雀在常春中躡嚅而言,松雞、兔子在下面躲藏著;可是現在一個更陰郁、更合適的白晝來臨了,就有另外一批生物風雲際會地醒來,表示了那裡的大自然的意義。
  9. I have watered the red huckleberry, the sand cherry and the nettle - tree, the red pine and the black ash, the white grape and the yellow violet, which might have withered else in dry seasons

    我給紅色的越橘,沙地上的櫻桃樹和蕁麻,紅松和黑愕,白葡萄和黃色的紫羅蘭花都澆過水,否在天氣乾燥的季節中,它們可能會枯萎的。
  10. No regret for our youth do not have any action scenes at all, but they are absolutely the best of kurosawa s works, along with his samurai films. this film is about the life and struggle of yukie yagihara setsuko hara, the daughter of an expelled university professor

    《我對青春無悔》是黑澤明早期作品,主角是由原節子飾演的大學教授女兒,她和教授兩個學生特別要好,后來其中一個學生(田進)成為反政府分子,另外一個是公務員。
  11. As regards potatoes trees and vines, the plant breeder s right may, however, be maintained for a period of 30 years calculated from the same point in time

    ,包括此一裁決獲得法律效力之次年的元月一日。關于馬鈴薯樹木本植物的保護權利從相同的起算點
  12. The other : a slender splayfoot chair of glossy cane curves, placed directly opposite the former, its frame from top to seat and from seat to base being varnished dark brown, its seat being a bright circle of white plaited rush

    與它相對的另一把細細溜溜撇著兩雙八字腳的椅是由有光澤的曲線構成的。椅架從頂部到坐位,又從坐位到底部,整個兒都塗著暗褐色清漆,坐位用白色燈心草鮮明地盤成圓形。
  13. L3ased on the organization rules of internet data, the distribution laws of hyperlinks and the name rules of url, a algorithm of tvm rebuilding is established, and satisfactory experiment results are obtained by applying this algorithm. furthermore, efforts are made by applying of tvm on browse navigation, web page classification and reinforcement learning algorithm

    結合網際網路資源的構建規、鏈接分佈規律和url命名規,論文提出了樹共生數據模型的重建演算法,實驗結果驗證了樹共生模型的有效性與合理性,在此基礎上初步討論了樹共生模型在瀏覽導航、網頁分類和reinforcementlearning演算法中的應用。
  14. In a linear narrative way, the film depicts how she falls in love with noge susumu fujita, a rebel of the society, and becomes a honorable daughter - in - law eventually

    原枝子愛上的反政府分子最後被處決,而她決定到鄉下照顧田進的父母,出身富裕家庭的她甘心走到田間工作。
  15. In a linear narrative way, the film depicts how she falls in love with noge ( susumu fujita ), a rebel of the society, and becomes a honorable daughter - in - law eventually

    原枝子愛上的反政府分子最後被處決,而她決定到鄉下照顧田進的父母,出身富裕家庭的她甘心走到田間工作。
  16. No regret for our youth do not have any action scenes at all, but they are absolutely the best of kurosawa s works, along with his samurai films. this film is about the life and struggle of yukie yagihara ( setsuko hara ), the daughter of an expelled university professor

    《我對青春無悔》是黑澤明早期作品,主角是由原節子飾演的大學教授女兒,她和教授兩個學生特別要好,后來其中一個學生(田進)成為反政府分子,另外一個是公務員。
  17. Couples who place these ads assume that if a young woman attends an ivy league school, then she will likely pass on her academic ability to her offspring

    刊登這廣告的夫婦認為,能讀常春盟校的女生,很有可能將其在學術上的優秀能力遺傳給後代。
  18. In the scene when the parents arrive their son s house, the dialogue suggests that they will stay there for a few days. but in only a few seconds, they have already moved to their daughter s house

    其他黑澤導演常用的二線演員有千秋實原斧足加東大介等,另外擅演奸角的仲代達矢是黑澤明中後期電影的中流砥柱。
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