藤索 的英文怎麼說

中文拼音 [téngsuǒ]
藤索 英文
rattan rope
  • : 名詞1. (某些植物的匍匐莖或攀援莖) vine; rattan; cane 2. (姓氏) a surname
  • : Ⅰ名詞1 (大繩子; 大鏈子) a large rope 2 (姓氏) a surname Ⅱ動詞1 (搜尋; 尋找) search 2 (要; ...
  1. 1954 come to tokyo with mr. abiko. start activity under the pen name of fujiko fujio

    1954年和安孫子雄一起來到東京,開始使用筆名子不二雄。
  2. And the suspension bridge from hanging vines

    橋受到了懸掛著的的啟發。
  3. Hearn fastened the vine about his belt, and stepped out into the rapids.

    俟思把藤索在腰裡系好,闖進激流。
  4. On the basis of the features and fabric of internet data, a new internet data model called tree - vine symbiosis model ( tvm ) is proposed. this model provides precise and flexible description of internet hetarogeneous data. several operations are defined including and, subtract, relation, paste, cut and select, which make search engines analyze, process and query internet resource more precisely and flexibly

    在此基礎之上,提出了一種新的網際網路數據模型? ?樹共生模型,該模型能夠較好地的描述異質、異構的網際網路數據資源,並且定義了對象的並、差、關系投影、粘帖、剪切、選擇等操作,這些運算操作使得搜引擎對網際網路資源進行分析、整理、查詢時具有更高的準確性和更大的靈活性。
  5. The fifth chapter investigates the dynamic relationship between geometry and architecture based on ellipse ' s geometric character, and analyzes ellipse architecture ' s characters in symbolism, dualism, diversity and unity these four facets. in the sixth chapter, taking ellipse architecture as examples, i try to explore the relationship between the more general geometry ' s purity and architecture ' s complexity, and build the foundation for future exploration of geometry ' s purity. in the seventh chapter, using typology contrast methodology, i analyze two architects with quite different design theories - tadao ando and koolhaas " adoption of ellipse, and taking position relationship as clue, combine ellipse and other geometric forms together to generalize the effect of geometry ' s purity to architecture ' s complexity in usual situations

    第四章從歷史和現代兩個方面展開了大量對橢圓形式在建築中應用的個案和實例的研究與對比,探討了橢圓形式在歷史上意義的變遷;第五章以橢圓的幾何特性為立足點,研究了橢圓幾何- -建築之間的動態關系,從標志性,二元對立,多樣和統一四個方面分析了橢圓建築的特點;第六章以橢圓建築為例,嘗試探討了更一般的幾何的純粹性與建築的復雜性的關系,對幾何純粹性意義的挖掘為進一步的研究提供基礎;第七章採用了類型對比的研究方法,分析了安忠雄和庫哈斯兩位設計哲學截然不同的建築師對橢圓形式的使用;另外,以位置關系為線,將橢圓和其他的幾何形式結合起來,總結了一般情況下幾何的純粹性對建築復雜性的作用。
  6. Further detailed reports were made by the rwppi physical wg chairman - mr. kuniharu fujiki of victor company of japan, limited ; writer wg chairman - mr. akira shinohara of teac corporation ; recorder wg chairman - mr. hidehiro ishii of pioneer corporation, and playback wg chairman - mr. nobuyasu kikuchi of sony corporation

    之後, physical wg的主席日本jvc的會長木邦晴writer wg的主席teac株式會社的筱原朗recorder wg的主席先鋒株式會社的石井英宏playback wg的主席尼株式會社的菊池信恭也相繼作了報告。
  7. Recently, dr. edward fujimoto, wellness program manager at castle hospital, was on a tv program to explain this health hazard

    醫院保健計畫的主持人本愛德華醫生,最近上電視解釋此項對健康之危害。
  8. Recently, dr. edward fujimoto, wellness program manager at castle hospital, was on a tv program to explain this health hazard. he talked about dioxins how bad they are for us

    醫院保健計劃的主持人本愛德華醫生,最近上電視解釋此項對健康之危害。他談到了二惡英,以及其為何對我們有危害。
  9. Recently, dr. edward fujimoto, wellness program manager at castlehospital, was on a tv program to explain this health hazard. he talked about dioxins and how bad they are for us

    醫院保健計畫的主持人本愛德華醫生,最近上電視解釋此項對健康之危害。他談到了戴奧辛,以及其為何對我們有危害。
  10. From japan to inspect the top of wulai waterfall as to guarantee the safety of cable car and recreational area currently under construction

    9月聘請日本道專家近勇先生前來烏來瀑布頂端勘查,保證適于架設空中纜車及闢建樂園。
  11. Section two ( chapter 2 to 3 ) deals with not only characteristics of naito ' s works but also the important influence forming his conception of ' protoform " which was embodied throughout his architectural activities and also discusses his course of design in this part. chapter 2 selects the works ranging from his early buildings to projects now in progress

    第二部分(第二章、第三章) ,首先通過分析他的建築創作實例來體現他對建築的「原生形態」的探,其次論述了內廣的建築創作歷程以及他建築思想形成的主要影響因素。
  12. Although these works analyzed here represent only a portion of naito ' s architecture vision, they reveal the figure of architecture as timeless and providing continuity within relentless change. chapter 3 expound naito ' s course of design and some main influence factors forming naito ' s conception of " protoform " especially. section three ( chapter 4 to 5 ), a conclusive part, explains the fact that naito ' s conception of " protoform " in architectural activities exerts an influence on today ' s japanese architecture, and it also summarizes the special contribution making by naito ' s conception of " protoform " in architectural activities

    首先,第三章通過分析在他近二十年的建築創作中,不同時期里的公共建築和住宅的代表作品,來體現他始終堅持的建築思想以及對「原生形態」的建築的不懈探;隨后,第三章將並不為大家所知的五十年代生日本建築師內廣的建築創作歷程予以介紹,並論述了內廣探求「原生形態」的建築思想的主要影響因素。
  13. I poked into the place a - ways and come to a little open patch as big as a bedroom all hung around with vines, and found a man laying there asleep - and, by jings, it was my old jim

    我摸著往裡走,到了一小塊開闊地段,才只象一間臥室那麼大,四周滿是青,有一個人正在那裡睡著了天啊,這正是我那老傑姆啊!
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