詩祭 的英文怎麼說

中文拼音 [shījì]
詩祭 英文
gitanjali
  • 詩 : 名詞1. （文學體裁的一種） poetry; verse; poem 2. （指《詩經》） the book of songs3. （姓氏） a surname
  • 祭 : 祭名詞1. （古國名） zhai, a state in the zhou dynasty2. （姓氏） a surname
  1. Geoffrey chaucer was an english poet, his best known work is the canterbury tales, which describes a group of pilgrims traveling to canterbury to visit thomas becket ' s tomb

    喬叟是一位英國詩人，他最著名的代表作是《坎特伯雷故事集》 ，該書描寫的是一群朝聖者到坎特伯雷祭拜託馬斯班別特墓地的事情。
  2. Their priests fell by the sword ; and their widows made no lamentation

    詩78 : 64祭司倒在刀下寡婦卻不哀哭。
  3. The ancient testimony, however, is widespread, and it comes from a variety of sources : historians such as pliny and diodorus, philosophers such as plato, the poets aeschylus and cicero, the geographer strabo, the travel writer pausanias, and even a priest of apollo who served at delphi, the famous essayist and biographer plutarch

    然而古老的見證廣為流傳，來源各有不同：歷史學家普林尼與狄奧多魯斯，哲學家如柏拉圖、詩人愛斯奇勒斯與西塞羅，地質學家史特拉波，旅行作家波塞尼亞斯，甚至包括一名在德爾菲為阿波羅服務的祭司，即著名的散文兼傳記作家普魯塔克。
  4. I am under vows to you, o god ; i will present my thank offerings to you

    詩56 : 12神阿，我向你所許的願在我身上。我要將感謝祭獻給你。
  5. After studying a great many of historic materials, books and unearthed relics, he summarize the sani culture in yunnan as ah shi - ma culture. he points out that the traditional sani culture comprises four types, namely the hill culture represented by mizhi woods and mizhi festival, the fire culture by fire pray and torch festival, stone culture by stone worship and zulin - bimo ( priests ) culture. the author comprehensively explains the four psychological features deposit in the traditional sani culture, that is the rational tragedy consciousness, the ideal of searching for utopian home ah zhuo - di, the wise lifestyle rooted from migration and creativity, the open mind to face nonnative culture

    在這一認識基礎上，本論文以雲南石林彝族自治縣彝族撒尼支系的文化為例，分析和研究了撒尼人的歷史以及撒尼傳統文化形成過程，通過翔實的史料、文獻、地下文物以及文化在時代中的演變狀況，將雲南石林撒尼文化概括為石林阿詩瑪文化，並對該文化積淀中的諸多方面進行了認真的考察和分析，總結出石林撒尼傳統文化所包含的四大主要類型，即山文化（密枝林和密枝節） 、石文化（石崇拜） 、火文化（祭火和火把節）祖靈與畢摩文化，概括說明了石林撒尼傳統文化深蘊著的四大民族心理特徵，即基於理性基礎上的悲劇意識、執著于理想家園「阿著底」的理想模式、源於歷史遷徙和生活創造的智慧人生和面對外來文化時的開放心靈。
  6. In chinese history, emperors of the past feudal dynasties would take journey to mount taishan, which was considered the symbol of heaven, to worship and offer sacrifices to the heaven

    中國歷代帝王都把泰山當做天的象徵，紛紛到此封禪祭告天地。歷史上的中國文化名人都曾登臨泰山，留下詩文墨寶。
  7. " from the dream of drum to the song of sacrifice : cultural function of yi ' s heroic epic the king of bronze drum, " in studies of asian folklore and culture, vol. 1, beijing : national publishing house

    "從夢鼓到祭歌彝族英雄史詩《銅鼓王》的民俗文化價值" ， 《亞細亞民俗文化研究》 （第1集） ，北京：民族出版社。
  8. The sacrifices of god are a broken spirit ; a broken and a contrite heart, o god, you will not despise

    詩51 : 17神所要的祭、就是憂傷的靈神阿、憂傷痛悔的心、你必不輕看。
  9. Lizhiheng : a poet and well - known artist in decorating. the sacrificial red glaze made by him topped all the other same kinds at his age

    李之衡清末民初的詩人，飾瓷名家。李氏對陶瓷顏色釉裝飾很有研究，當年他配製的祭紅釉為全鎮祭紅釉瓷器中的佼佼者。
  10. A trial probe into the theory of creation on poems and songs in the book of music

    頌篇中的農事詩看農事與宗教祭祀的統一
  11. Chanting songs was transformed from ceremonial songs, an important rite of sacrifice, banquet and archery in the western zhou dynasty and the ritual function of the songs was obvious

    摘要《左傳》賦詩是由典禮性用詩而來，典禮性用詩是西周時期祭祀禮、朝聘宴享禮、射禮等儀式中的一項重要禮儀活動， 《詩》的禮儀性功能非常顯著。
  12. From left elaine jin, yeung sze - mun, josie ho, liu xun, sam lee, chan ming - long, and artists of theatre fanatico, the seventh drawer is going to capture you in a surrealistic music theatre from left director hoyingfung, music director and composer john chen hosted the press conference of the seventh drawer

    左起金燕玲楊詩敏何超儀劉洵李燦森陳明朗，加上瘋祭舞臺臺前幕後，帶你遊走於七個抽屜裡外的音樂劇場七重天，一次跨越影視歌舞劇藝?完全舞臺經驗
  13. Although it was the worship of vishnu, incarnate as krishna in the mahabharata and as rama in the ramayana, that developed significantly during this period ( see below epics and puranas ), the god siva is active in the mahabharata, and the cult of siva developed alongside the cult of vishnu

    盡管這是毗濕奴在《摩訶婆羅多》是化身為克里希那， 《羅摩衍那》是作為羅摩而受到崇拜，在這個時期（看下面的史詩和《往世書》 ）卻是有著意義深遠的發展，濕婆神在《摩訶婆羅多》扮演積極的角色，濕婆祭禮的發展也伴隨著毗濕奴祭禮的發展而來。
  14. His priests fell by the sword, and his widows could not weep

    詩78 : 64祭司倒在刀下寡婦卻不哀哭。
  15. This article, through describing in fieldwork and analyzing comparatively on the public memorial ceremony of the ebo of the zangs and mongolians, holds that the public memorial ceremony for nationalities has the cultural characteristics of intergrating generality with difference as well as the poetic characteristics of explanation, ceremony and so on

    摘要本文通過對藏蒙兩個族群的峨博公祭文化的田野性描述和比較分析，認為民族公祭活動既具有共同性和差異性相統一的文化特徵，又具有解釋、禮儀、操作等詩學特徵。
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