詩與真 的英文怎麼說
中文拼音 [shīyǔzhēn]
詩與真
英文
dichtung und wahrheit-
The contradictions found in the poet ' s language one should first test as one does an opponent ' s confutation in a dialectical argument, so as to see whether he means the same thing, in the same relation, and in the same sense, before admitting that he has contradicted either something he has said himself or what a man of sound sense assumes as true
人們發現詩人語言的矛盾時，應該像在辯論中一樣，一方首先審視對方的反駁，看看他所言是否是同一件事情，處于同一個關系中，具有同樣的意義，然後才能得出他是否與前面自己說的話或者一個有正常判斷的人認為是真的東西矛盾。Architecture, sculpture, painting, music, and poetry, may truly be called the efflorescence of civilized life
建築、雕塑、繪畫、音樂與詩歌，可真正稱為文明生活之花的盛開。To try to argue that the real meaning of a poem can be discovered only if the reader brings to bear upon it abstruse, quasi - biographical “ evidence ”, and tiny, washed - up bits of etymological detritus, makes the reading and understanding of poetry into an elitist sport - cum - parlour game, undermining the notion that poetry has a universal appeal
如果說，只有當讀者能夠使用詩歌深奧的、傳記般的「證據」 ，以及微小無用的語源學零星，才能發掘詩歌的真意，那麼，閱讀和理解詩歌就變成了一場只有精英才能參與的半運動半消遣的游戲，破壞了詩歌具有大眾感染力這個觀念。" in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a provenal philologist
他的詩作蘊涵之清新創造性與真正的感召力，它忠實地反映了他民族的質樸精神After studying a great many of historic materials, books and unearthed relics, he summarize the sani culture in yunnan as ah shi - ma culture. he points out that the traditional sani culture comprises four types, namely the hill culture represented by mizhi woods and mizhi festival, the fire culture by fire pray and torch festival, stone culture by stone worship and zulin - bimo ( priests ) culture. the author comprehensively explains the four psychological features deposit in the traditional sani culture, that is the rational tragedy consciousness, the ideal of searching for utopian home ah zhuo - di, the wise lifestyle rooted from migration and creativity, the open mind to face nonnative culture
在這一認識基礎上，本論文以雲南石林彝族自治縣彝族撒尼支系的文化為例，分析和研究了撒尼人的歷史以及撒尼傳統文化形成過程，通過翔實的史料、文獻、地下文物以及文化在時代中的演變狀況，將雲南石林撒尼文化概括為石林阿詩瑪文化，並對該文化積淀中的諸多方面進行了認真的考察和分析，總結出石林撒尼傳統文化所包含的四大主要類型，即山文化（密枝林和密枝節） 、石文化（石崇拜） 、火文化（祭火和火把節）祖靈與畢摩文化，概括說明了石林撒尼傳統文化深蘊著的四大民族心理特徵，即基於理性基礎上的悲劇意識、執著于理想家園「阿著底」的理想模式、源於歷史遷徙和生活創造的智慧人生和面對外來文化時的開放心靈。The rhymed translation of classic chinese poetry and the fidelity of cultural capital
中詩韻譯與文化存真Second, the idyll and pastoral poet are flourishing, such as wang wei, meng hao ran. they are very important poets in literary history of china. the epoch - making event is the raise of poem which is spread the special knowledge to the farmer
第五章宋元明清，農技詩與田園詩共峰峽宋元明清，是農技詩產生、繁榮時期，農技詩的產生，標志著詩歌這種陽春白雪形式與農事這種下里巴人內容的真正意義上的結合。A contented mind with an inner love for god, can achieve happiness near god. one urdu poet, galab, said, " when a drop of water merges into the ocean, it is one with the ocean. " in the same way as the drop of water, when we merge with the supreme soul, we can be happy and peaceful
真正的快樂不在於擁有洋房轎車，而在於內心的喜悅，擁有滿足熱愛上帝的心，就能得到親近上帝的快樂滿足，如同印度詩人蓋拉伯galab說：當一滴水融入大海，它就與大海同一體，就像一滴水一樣，當我們與無上的靈魂融為一體，我們必將愉悅安詳。He sings highly wordsworth ’ s “ purity of language, ” “ deep and subtle thoughts, ” “ perfect truth to nature ” and his “ imaginative power. ” but he denies wordsworth ’ s claim that there is no essential difference between the language of poetry and the language spoken by common people
他高度贊賞華茲華斯那「純凈的語言」 ， 「深邃的思想」 ， 「對自然完美真實的描述」以及他「非凡的想象力」 。但是他不贊成華茲華斯所說的「詩歌語言與普通百姓的生活語言沒什麼兩樣」 。There are two aspects in the theory about temperament of sun yuanxiang : firstly, he proposed to express one ' s feeling as really as possible in one ' s poem just as yuan mei did ; secondly, he proposed incompatibly that the expression of one ' s temperament in one ' s poem could never go too far beyond the confucian morality, just as jiang shiquan did
摘要孫原湘性情詩論主要包括2個方面：主張詩歌抒發自己的真情實感，追求真我的展現，這與袁枚較為相通；其性情論又不脫儒家倫理道德之囿，這一點與蔣士銓更為接近。There are large amount of " be proved with poem " phenomenon in ancient chinese novels, and there are five reasons about it : the poetery ' s lofty position and special identity ; the authors ' experience and knowledge ; the artistic function of the poetry ; the cultural tradition of realistic ; and the main consumption subject - readers
摘要中國古代小說中普遍存在「有詩為證」現象的原因有五：與詩的崇高地位、特殊身份有關，與小說作者本身的經歷、學養有關，與詩自身的藝術功能有關，與貴真求實的文化傳統有關，與消費主體讀者有關。The romantics not only extol the faculty of imagination, but also elevate the concepts of spontaneity and inspiration, regarding them as something crucial for true poetry
浪漫主義者不僅推崇想象，還強調靈感與創作的自發性，認為有這兩種才智才能創造出真正的詩歌。With this embodiment, he merged the lively snap shots with the portrait shooting, combined the true reality with non - realistic poetry, and inserted the subjective intentions directly into the objective real scene
以此「化身」為紐帶，他將生動的抓拍瞬間與修飾過的擺拍結合在一起；將現實的真切與非現實的詩意結合在一起；將主觀意圖的元素，直接安插在客觀的現實景象中。The article makes discussion on the study turning from the noumenon theory of social culture to that of human nature with anthropology, and on the de - construction of truth and interpretation with the construction of the ethnography poetics and political nature, also on the practice of the anthropology poetics from chinese anthropology " without waste ", so as to discuss the humanism study of anthropology based on the view upon human nature
摘要本文通過討論人類學由社會文化本體到人性本體的研究轉向，民族志詩學和政治性所包涵的建構的真實與表述的解構，以及中國「不浪費」的人類學對人類學詩學的實踐，闡釋了作者關於人類學應基於人性觀照的人本研究的主張。Taking li bai and zhang xu, du fu and yan zhenqing as examples, this article attempts to make a comparison between the two groups so as to find out some of the similarity
本文試以李白、張旭和杜甫、顏真卿這兩組人物為範例來分析詩歌與書法的相通之處。Childhood is central to blake ’ s concern in the songs of innocence and songs of experience, and this concern gives the two books a strong social and historical reference
他的兩步詩集《天真之歌》和《經驗之歌》中，童年是布萊克主要描述的中心，這個描述中心使作品富有社會與歷史性的參考價值。Leaves of grass, like master s lectures and poetry, reveals a positive attitude toward life and the universe, a robust belief in the unity and goodness of all beings, and profound spiritual wisdom. like master ching hai, whitman espouses the universality of the truth underlying all religions
正如清海無上師的開示和詩詞一般，惠特曼的草葉集也同樣揭示了對人生和宇宙的積極態度，對萬物一體與良善的堅定信念，併流露出淵博的智慧，而且惠特曼也相信真理存在於每一個宗教中。" the lost memories " anthology of supreme master ching hai s poetry was written before she left home on her spiritual journey, and " the dream of a butterfly " includes poems she wrote both before and after attaining the truth. these volumes record intimate traces of the love, sorrow and happiness in her life, and from them, readers come to know that, like all of us, she l lived through the many ups and down of human life. however, through the delicate thoughts in her verses, we also are moved to ponder the deepest meaning of existence, and hopefully, we may eventually find our own great self embodied in human flesh as she did through devoted spiritual practice
失落的回憶是師父離家求道前的詩作，蝴蝶夢則收集了她證悟前和證悟后的一些作品，這些詩篇記錄了師父生活中愛悲喜之點滴情懷，從中我們了解到她和你我無異，都經歷過人生的高低起落與悲歡離合，然而由其詩句中處處顯露的纖細思維，不禁令我們深思人生的真義，希望我們最終也能和她一樣，透過修行而找到肉身之內的偉大真我。" negative capability " refered by english romantic poet - john keats contains the modern and post modern thoughts, and it relates the super and meta nature of art and poem, but in foreign literature study, literary critique and theory, it has not been highlighted and explained adequately
摘要英國浪漫主義詩人濟慈所提出的「消極感受力」的命題中所包蘊的現代性、后現代性思想和詩與藝術本真超越塵俗的精神在濟慈研究，外國文學研究與文藝理論批評中都未得到完全，充分，足夠的重視。Each poem is filled with rich imagery and lyricism resonating with thoughts, feelings and experiences common to all of humanity. sweet memories rekindled by falling leaves, a lost bird wending its way homeward, the sound of raindrops - all are expressed with the utmost simplicity and tenderness
每一首詩都洋溢著豐富的意象和抒情風格，從落葉從返巢迷鳥從滴答雨滴聲中，一一勾起往昔甜美的情感回憶，無處不流露出作者的至真與溫柔。分享友人