象形詩 的英文怎麼說
中文拼音 [xiàngxíngshī]
象形詩
英文
concrete poem-
The paper analyses different forms of narrative embedding in two absurdist plays, i. e., samuel beckett ' s krapp ' s last tape and edward albee ' s the zoo story, in an attempt to show the poetic characteristic of this narrative strategy in application to the two plays
本文試圖揭示在這兩部荒誕派劇作中，詩意的敘事策略和多維度的象徵主義的舞臺形象一同構成了戲劇作品的詩意表達。Add meaning to the information you are trying to remember by creating associations, visualizations, rhymes, or acrostics
通過聯想、形象化、韻律或離合詩的辦法來賦予需記憶的信息某種意義。The metaphorical meaning of circle imagery in the love poems by donne
鄧恩愛情詩圓形意象的隱喻意義Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版Analysis of self - image on lyric protagonist in wangwei ' s poems
試析王維詩中抒情主人公的自我形象The renascence of poem movement in american is the catalyst which evidence the oriental colour concealed in wen ' s aesthetic subconsciousness, even so they have the deep aesthetic difference, especially getting into the " real " situation, the orient was regarded as " the other ", so wen ' s poems become the counter write to the oriental image created by the west
美國的新詩運動是促使聞一多審美潛意識中的「東方色彩」得以彰顯的契機，但二者卻有深刻的審美差異；尤其是進入現實語境后， 「東方」更呈現出「他者化」色彩，聞一多以自己的詩歌構成對這一現實東方形象的逆向書寫。A study on rocs in quan - tang - wen and quan - tang - shi
論唐代詩文中的大鵬形象Focused on the second symphonic poem of lizt ' s tasso : whine and triumph in this paper, the theory and method of appearance analysis are used, the composition is analyzed and expatiated and concluded from the point of view of theme material, music structure and handling, and appearance result, then the duality corresponding relationship of the content and format is abstracted, so are the characteristics of the virtual and real handling of captions and appearance
摘要音樂形象分析是音樂分析和音樂欣賞的教學與實踐中的一個「無法迴避」 ，應當思考而不得不回答的問題，因此全面分析和闡述李斯特的第二交響詩《塔索：哀訴與凱旋》的音樂結構、主題材料的貫穿與發展、音樂的技術處理及其所帶來的音樂形象結果具有非常重要的意義。The avatamsaka sutra is like a giant poem because it speaks in terms of image only
形象化的語言使這部經典就象一首長詩。Description : a synthesized poetic & calligraphic exhibition, using the curvature appearance and the combinational construction of words with the help of spatial installations to present poetry in divinatory symbols and the scenes of space - time variations
簡述：綜合書法以線條、造形、文字結構以及空間實物藉以表現詩的易象與時空變化場景。Entertaining guests and tempting the emperor - a discussion of huji ' s image in poems in tang dynasty
兼談唐詩中胡姬的形象塑造Gusuzayong by gao qi presents a special writing manner, that is, deviating from traditional mode that emphasizes immediate feedbacks on exterior sights and accidents, substituting imagination and retrospection recurring to tests of history and legends for experience as dynamic means ; accordingly, lyrical image in the poems being interfused by constructing and fictional elements
摘要高啟《姑蘇雜詠》呈示出一種迥異常規的寫作方式，即背離傳統的即景會心、激發與回應的抒情方式，藉助歷史、傳說的文本進行的想象和追憶取代了經驗的動力學地位；與此相應，詩歌中的抒情形象，在某種程度上帶上了建構和虛擬的意味。There were so many different moods and impressions that he wished to express in verse.
他有形形色色的情緒和印象，要以詩歌抒發。What can easily be seen in his poems are his imagery and originality, power and range
他的詩形象生動，獨具一格，而且氣勢磅礴，這是顯而易見的。These works delineate all sorts of women of moral integrity, with their unyielding character in the focus, who differ greatly from women in traditional poetry
這些作品塑造了各種各樣的節婦烈女形象，突出了她們剛烈的一面，與傳統詩歌中的婦女有較大的區別。Over the course of centuries many poets and painters have been drawn to these parts, and they have all praised the beauty of guilin in their works. guilin offers travelers a number of interesting sights, and those are also what we are going to offer
唐代著名詩人韓愈的「江作青羅帶，山如碧玉臀」一聯膾炙人口，傳之千古，對佳麗的桂林山水作了最形象而又生動的描寫。Su shi ' s theory concerning painting gives emphasis on the subjunctive side and inner cause of artistic images, paintings express a kind of feeling that is beyond worldly affairs and rich in poetic significance ; and finally it forms an artistic principle combined with poems and paintings
摘要蘇試的繪畫理論重視構成藝術形象的主觀方面，強調藝術形象的內心根據，並在繪畫中表達出一種超脫世俗，富有詩意的情懷思緒，形成其詩話一律的藝術主張。With the integrity of historical awareness and poetical imagination, these poems have transcended the traditional homesick poetry and reflected du fu ' s patriotism
其西南詩不僅數量多，而且所表現出的深邃思想內涵和爐火純青的藝術技巧，為我們展現了一位老而彌堅、不斷追求的「詩聖」形象。Appreciation of patternpoems in english
英語象形詩賞析With detailed exploration of pound ' s poems and his poetic principles, this paper explains that pound had adopted a lot from ancient chinese culture in many aspects, including the chinese painting techniques, the hieroglyphics of chinese language, and especially the philosophy of confucius
文章通過對龐德詩歌和詩學觀點的進一步研究，闡述了龐德在許多方面深受中國文化的影響，包括對中國古代繪畫技法、中國漢字的象形性特徵，以及對中國儒家思想的借鑒。分享友人