貢德魯德 的英文怎麼說
中文拼音 [gòngdélǔdé]
貢德魯德
英文
gunderud-
The sobriquet of la carconte had been bestowed on madeleine radelle from the fact that she had been born in a village, so called, situated between salon and lambesc ; and as a custom existed among the inhabitants of that part of france where caderousse lived of styling every person by some particular and distinctive appellation, her husband had bestowed on her the name of la carconte in place of her sweet and euphonious name of madeleine, which, in all probability, his rude gutteral language would not have enabled him to pronounce
卡爾貢特娘們這個綽號的由來，是因為她出生的村莊位於薩隆和蘭比克之間，那個村莊就叫這個名字。而據卡德魯斯所住的法國那一帶地方的風俗，人們常常給每一個人一個獨特而鮮明的稱呼，她的丈夫之所以稱她卡爾貢特娘們，或許是因為瑪德蘭這三個字太溫柔，太優雅了，他那粗笨的舌頭說不慣。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版Xx. i recall that i have read in aelius maurus phlegon ( the author apparently made up this name to give credence to the following fictions ), a freedman of hadrian, that when he was dying septimius severus rejoiced quite unrestrainedly because he was leaving the republic two antoninus with equal power, after the example of pius, who left the republic verus and marcus antoninus, his sons by adoption
我想起了曾讀過的哈德良皇帝的被釋奴奧雷利烏斯?毛魯斯?菲勒貢* （這位作者在此捏造此名字是為了增加下面一段虛構內容的可信度）的記載，說是塞普提米烏斯?塞維魯死時無比欣慰? ?因為自己象先帝安東尼?皮烏斯那樣，為國家留下了兩個繼子，盧修斯?瓦魯斯和馬爾庫斯?安東尼努斯，賽維魯為國家留下了擁有同等權利的兩個安東尼努斯（指卡拉卡拉和格塔） 。Lamar odom had 20 points and eight rebounds. andrew bynum couldn ' t stay on the floor because of foul trouble but was effective in his limited minutes and had 12 points and 10 rebounds
奧多姆得到20分和8個籃板。安德魯拜納姆由於犯規過多打的時間不是很長，但效率不俗，貢獻了12分和10個籃板。German physician and pathologist known for his contributions to cell theory and the study of disease
菲爾紹，魯道夫1821 1902德國病理學家和醫生，以他對細胞理論的貢獻和疾病研究而著名分享友人