越族 的英文怎麼說
中文拼音 [yuèzú]
越族
英文
vietnamese people-
A more challenging criticism is that despite all our talk of cross - border movements in culture, cultural studies is a fundamentally national formation. suggesting that its institutional success may be a specifically anglophone event, the eminent historian of european ideas, david simpson, recently
墨美姬教授表示，外界對文化研究更有挑戰力的批評是：盡管我們總在談論當今文化如何跨越種種界別，但是文化研究的形成終究以國族為基礎。Conscious that the human organism, normally capable of sustaining an atmospheric pressure of 19 tons, when elevated to a considerable altitude in the terrestrial atmosphere suffered with arithmetical progression of intensity, according as the line of demarcation between troposphere and stratosphere was approximated, from nasal hemorrhage, impeded respiration and vertigo, when proposing this problem for solution he had conjectured as a working hypothesis which could not be proved impossible that a more adaptable and differently anatomically constructed race of beings might subsist otherwise under martian, mercurial, veneral, jovian, saturnian, neptunian or uranian sufficient and equivalent conditions, though an apogean humanity of beings created in varying forms with finite differences resulting similar to the whole and to one another would probably there as here remain inalterably and inalienably attached to vanities, to vanities of vanities and all that is vanity
人體組織通常能夠抗得住十九噸的氣壓169 ，可是一旦在地球的大氣層里上升到相當的高度，越是接近對流層與平流層的境界線，鼻孔出血吸呼困難以及眩暈，隨著算術級數就越發嚴重起來。他曉得這一點，尋求解答時就設想出這樣一個難以證明是不可能的行之有效的假定：倘若換個更富於適應性，解剖學上的構造也有所不同的種族，說不定就能在火星水星金星木星土星海王星或天王星那充足而相同的條件下生存下來。然而那個遠地點170的人類種族，盡管在構造方面與地球上的人類有著一定限度的不同之處，整個來說彼此卻有著相似的種種形態。Their kind smiling faces during their performance made one feel that guan yin bodhisattva was around. the san francisco health and beauty art performance school was performing the yuen zi dance, known for its effectiveness in enhancing the flexibility of our body
當三藩市健與美藝術團穿著民族服裝出場時，讓人眼前一亮，他們表演的元極舞，能增強老人家的筋骨活動能力，讓人越跳越朝氣勃勃，能提升身心的健康舞蹈。The term " asian american " refers to those people with familial roots originating in many countries, ethnic groups, and cultures of the asian continent including, but not limited to : asian indian, bangladeshi, bhutanese, burmese, cambodian, chinese, filipino, hmong, indonesian, japanese, korean, laotian, malayan, mien, nepalese, pakistani, sikh, sri lankan, thai, and vietnamese
亞裔美國人是指家庭的根源來自亞洲大陸的許多國家種族群及文化，但不限於：亞洲印度孟加拉不丹緬甸柬埔寨華人菲律賓印尼日本韓國寮國馬來瑤族尼泊爾巴基斯坦錫克族斯里蘭卡泰國和越南。With the change of people consuming need today, they are more and more captious to product packaging, so the design of traditional product package of china must also he of national culture feature
摘要現代社會隨著人們消費需求的轉變，人們對產品包裝越來越挑剔，中國傳統產品包裝的設計也必須是具有民族文化特色的。Even if it is a thousand miles across cheyenne,
即使越過了夏安族The traditional elements have had the more and the more big variety in the big tide of the international jewellery, being turned from the nobility and costliness to the civilian and personalization
摘要傳統元素在國際首飾大潮中發生了越來越大的變化，由貴族化、高檔化向平民化、個性化轉變。Be in new start " five - year plan " in developing the strategy, have two serious content : it is collaboration of as strong as the world look forward to, produce chinese textile advantage and international brand advantage adequately, integrated industry catenary, promote additional cost ; 2 it is with courtyard the college cooperates, establish center of dress research and development, build system of design of perfect research and development, production, sale, service, with " the design leads vogue, production to make sure character, sale develops the market, service to gain reputation " develop new idea, new target for the enterprise, with " deal with concrete matters relating to work, dovish, innovation, surmount " for business concept, strive for become industry celebrity, establish image of company of the chinese nation hard, make international top - ranking famous brand
在新啟動的「五年計劃」發展戰略中，有兩項重要內容：一是與世界強企合作，充分發揮中國紡織品優勢與國際品牌優勢，整合產業鏈，提升附加值；二是與大院高校合作，設立服裝研發中心，建立完善的研發設計、生產、營銷、服務體系，以「設計引領時尚、生產保證品質、營銷開拓市場、服務贏得信譽」為企業發展新概念、新目標，以「務實、穩健、創新、超越」為企業理念，爭取成為行業翹楚，努力樹立中華民族企業形象，打造國際一流名牌。In the university curriculum practice, we should handle well following relationships : reality and transcendence, activity and passivity, positive function and negative function, prearrangement and creation, unity and diversity, intensity and extensity, internationalization and nationalization
文章認為在大學課程實踐中，要正確處理現實性與超越性、能動性與受動性、正效應與負效應、預成與生成、統一性與多樣性、通與專、國際性與民族性等關系。In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy
本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜A comparison of the rhythmical structures of zhuang ballads in china and yue ballads in vietnam
壯族歌謠與越南越族歌謠韻律結構之比較The ahoms ethnically originated from the dai in yunnan and the shans in burma, all belonging to the group of baiyue
阿洪人的先民屬中國古代「百越」族群，與雲南傣族、緬甸的撣族有直接的族源關系。Comparing kitchen god worship between ethnical chinese and ethnical vietnamese
越族民間灶神信仰之比較研究Through the recording of ancient documents, we can understand the ancient bai yue lived in regions of rivers and lakes. so they produced some cultural elements be closely related with water
通過古文獻的記載，我們可以了解到，古代百越族群就生活在平原低地的水鄉澤國，因而產生了與水密切相關的文化要素。The influence of the ancient chinese and the formation of the modern yue ethnic group
古代中國的影響與現代越族的形成Dai originated from bai yue ethnic group, which is generally acknowledged by academic circle
傣族源於古代百越族群，這是目前學術界所公認的。The people who inhabited south china from prehistoric times were the nanyue people. from the qin and han dynasties, however, the han people of central china migrated south, bringing with them advanced culture and technology
史前時期，活動在嶺南一帶的是南越族，秦漢以後，中原漢族陸續移入嶺南地區，並帶來較先進的文化和技術。Built on stilts in a narrow river channel, these huts are the most distinctive characteristic of tai o. they are inhabited mostly by the tanka people, descendants of the ancient yueh tribe, hong kong s first major settlers
棚屋，建於泥灘上，縱橫交錯的棚屋，是大澳的一大特色，棚屋居民大多是古代越族的後人，亦即俗稱的_家人，是最早在香港定居的人士。The stilted houses built on stilts in a narrow river channel, these huts are the most distinctive characteristic of tai o. they are inhabited mostly by the tanka people, descendants of the ancient yueh tribe, hong kong s first majot settlers
棚屋，建於泥灘上，縱橫交錯的棚屋，是大澳的一大特色，棚屋居民大多是古代越族的後人，亦即俗稱的_家人，是最早在香港定居的人士。Historical documents record that around 3, 000 years ago, south china was inhabited by the bai yue tribes. accordingly, bronze age artefacts unearthed in hong kong were probably produced by the ancient yue people
據史籍記載，當時中國南方是百越族人聚居的地方，香港出土的青銅時代遺物，很可能是古越族人留下。分享友人