電影劇本編寫 的英文怎麼說

中文拼音 [diànyǐngjùběnbiānxiě]
電影劇本編寫 英文
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  • 電 : Ⅰ名詞1 （有電荷存在和電荷變化的現象） electricity 2 （電報） telegram; cable Ⅱ動詞1 （觸電） give...
  • 影 : Ⅰ名詞1 （物體擋住光線后映出的形象） shadow 2 （鏡中、水面等反映出來的物體形象） reflection; image...
  • 劇 : Ⅰ名詞1. （戲劇） theatrical work; drama; play; opera 2. （姓氏） a surname Ⅱ形容詞（猛烈） acute; severe; intense
  • 本 : i 名詞1 （草木的莖或根）stem or root of plants 2 （事物的根源）foundation; origin; basis 3 （本錢...
  • 編 : Ⅰ動詞1 （編織） weave; plait; braid 2 （組織; 排列） make a list; arrange in a list; organize; gr...
  • 寫 : 寫構詞成分。
  • 電影 : film; movie; motion picture
  • 劇本 : drama; play; script; （電影） scenario; （京劇、歌劇等） libretto
  • 編寫 : 1. （整理現成材料寫成書或文章） compile 2. （創作） write; compose
  1. The look at the life of the seminal american band - the doors - died at the box office despite val kilmer ' s brilliant portrayal of lead - singer jim morrison

    他寫了電影劇本《龍年》和《疤面人》 ，並於1978年因《午夜快車》贏得了奧斯卡最佳改編劇本獎。
  2. 1976 wrote film scenario i and ii edition of unknown book ( my red guard age ), published on the qin hua university chinese on - line net

    1976年編寫電影劇本上下集《無名的書》 （ 《我的紅衛兵年代》 ）待拍，在清華大學中文在線網上發表。
  3. The simple story is in the world of the animation is an absolute main factor, a complicated story details turns and twists confusing link for see an animation of the audience is a tremendous burden, the market need that is in present the top interest has already replaced a traditional story to spread chen, at this interest in command age how expressed a plot to become the most important topic with the simple story, very clearly, advertise from the film of the way can feel what kind of the topic just is the need of the consumer, passed by high cost to create greatly of the advertisement mode has already not been reseen this several years, take but the generation is a film to have many interests much play, this be the typical simple story description complicated plot, give examples to say : the movie “ shrike ” is a very typical example, pure of save a princess of plot, continuously of pound at audience by the plot of " be contrary with traditional thinking " of thinking mode, i still remember at that time see that slice through behind appear details of hear the public discussion interest continuously, but hear half personal say this drama of story have much good, in fact such manuscript was the best animation manuscript, letting the audience acquire they want of plot but don ' t be pack with complicated story, this just is the animation dramatize of the tallest state, because of would like to spend money to enter into theater or spend money to purchase dvd consumer, all is want to open happy heart ' s appreciating film bear, have no burden, also be spend money to buy happy, want to remind specially of " the writing animation manuscript not is write to personal satisfy own creations desire but is face all appreciate of crowd "

    在動畫的世界里簡單的故事是絕對的要素，一個復雜的故事情節曲折迷離的環節對于看動畫的觀眾是一項極大的負擔，在現今的市場需求上趣味已經取代了傳統的故事鋪陳，在這個趣味掛帥的年代怎麼樣用簡單的故事來表現劇情變成了最重要的課題，很明確地，從影片廣告的方式可以感受到什麼樣的主題才是消費者的需求，過去高成本大製作的廣告模式這幾年已不復見，取而代之的是影片有多趣味多好玩，這就是典型的簡單故事描述復雜的劇情，舉例來說：電影史瑞克就是一個很典型的例子，單純的救公主的劇情，不斷的以「與傳統思維相反」的劇情沖擊著觀眾的思考模式，我還記得當時看完該片后出場不斷的聽到眾人討論趣味的情節，但是卻沒有聽到半個人說這部戲的故事有多棒，其實這樣的劇本就是最好的動畫劇本，讓觀眾獲得他們想要的劇情卻不以復雜的故事包裝，這才是動畫編劇的最高境界，因為願意花錢進到戲院或是花錢購買dvd的消費者，都是想開開心心的觀賞影片沒有負擔、沒有包袱，也就是花錢買開心，特別要提醒的「寫作動畫劇本並不是寫給個人滿足自己的創作慾望而是面對所有欣賞的人群」 。
  4. In addition to cinespot, k. lui is also interested in filmmaking. his focuses are scriptwriting and editing

    閑暇時，他亦有編寫劇本和嘗試剪接工作，並希望能成為一名電影人。
  5. Using the lego camera and the lego film - maker software, every child can write the script, create the scene and shoot it to be a mini - film by himself

    「小導演」活動是讓孩子們自己編寫劇本，用樂高創造情景，並使用樂高攝像頭和樂高電影軟體，將他們拍攝成迷你小電影。
  6. He started his career as a screenwriter, first at hk tvb, and then later in the film business. he has worked for golden way and ufo, writing more than 30 screenplays and being nominated for hong kong academy awards several times

    近年他主要和爾東升及方平合作除了為自己的電影編劇外也替爾東升編寫了忘不了的劇本另亦替陳可辛的金雞2編劇。
  7. He started his career as a screenwriter, first at hk tvb, and then later in the film business. he has worked for golden way and ufo, writing more than 30 screenplays and being nominated for hong kong academy awards several times. some of his notable works are

    近年他主要和爾東升及方平合作，除了為自己的電影編劇外，也替爾東升編寫了《忘不了》的劇本，另亦替陳可辛的《金雞2 》編劇。
  8. Revised edition of the out - of - print retrospective catalogue published in conjunction with the 11th hong kong international film festival in 1987 : critical essays on the genres, history and development of cantonese opera and the ties forged with the cinema, together with newly edited profiles of hong kong filmmakers, programme notes and a comprehensive filmography of cantonese films released between 1946 and 1959

    本書為1987年第11屆香港國際電影節香港電影回顧特刊，文章分別從歷史類別等方面探討粵劇與香港電影之間深厚的淵源，並有伶星芳艷芬白雪仙梁醒波等的特寫，編導演人員的訪問等。香港電影工作者小傳影片簡介及香港粵語片目錄1946 - 1959部分則經重新修訂。
  9. Gordon chan, hong kong director, was born in 1960. he finished his university education in canada in the 1970s and returned to hong kong in 1981

    陳嘉上是香港著名導演生於1960年70年代在加拿大攻讀大學81年回港后即投入于演藝事業后加入邵氏電影公司編寫不少劇本。
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