馬爾托諾希 的英文怎麼說

中文拼音 [mǎěrtuōnuòxī]
馬爾托諾希 英文
martonosi
  • 馬 : Ⅰ名詞1 [動物學] （哺乳動物） horse 2 （象棋棋子） horse one of the pieces in chinese chess3 （姓...
  • 爾 : [書面語]Ⅰ代詞1 （你） you 2 （如此; 這樣） like that; so 3 （那;這） that Ⅱ[形容詞后綴: 率爾而對 ...
  • 托 : Ⅰ動詞1 （向上承受） support from under 2 （陪襯） set off; serve as a contrast or foil 3 （委託; ...
  • 諾 : Ⅰ動詞（答應; 允許） promise Ⅱ感嘆詞（答應的聲音） yesⅢ名詞（姓氏） a surname
  • 希 : Ⅰ動詞（希望） hope Ⅱ形容詞（事物出現得少） rare; scarce; uncommonⅢ名詞（姓氏） a surname
  • 馬爾托 : maarto
  1. What had prevented him from completing a topical song music by r. g. johnston on the events of the past, or fixtures for the actual years, entitled if brian boru could but come back and see old dublin now, commissioned by michael gunn, lessee of the gaiety theatre, 46, 47, 48, 49 south king street, and to be introduced into the sixth scene, the valley of diamonds, of the second edition 30 january 1893 of the grand annual christmas pantomime sinbad the sailor written by greenleaf whittier, scenery by george a. jackson and cecil hicks, costumes by mrs and miss whelan, produced by r. shelton 26 december 1892 under the personal supervision of mrs michael gunn, ballets by jessie noir, harlequinade by thomas otto and sung by nelly bouverist principal girl

    該歌原來預定插在照例于聖誕節期間公演的大型啞劇水手辛伯達第六場鉆石谷一八九三年第二版，作者：格林利夫惠蒂爾54 ，舞臺裝置：喬治a傑克遜和塞西爾希克斯服裝：惠蘭太太與惠蘭小姐導演： r .謝爾頓一八九二年十二月二十六日在邁克爾網恩夫人親自監督下演出，芭蕾舞女演員為傑西諾亞，丑角為托馬斯奧托中，是由女主角內莉布弗里斯特55演唱的。
  2. Quote : besides ， rostov was a vital railroad hub ; from the west ， the line dniepropetrovsk - taganrog ; from the north the line voronezh - vorosilograd ， which in the lichaja region turned east leading towards stalingrad ; from the south came in the lines from novorossijsk ， armavir and tuapse ; to the southeast ， in the salsk region ， came in the line from stalingrad

    此外，羅斯托夫也是一個重要的鐵路樞紐：從西面來的是第聶伯羅彼得羅夫斯克-塔甘羅格線；從北面則是沃羅涅日-沃羅斯羅格勒線，它在里恰亞地區東轉通向斯大林格勒；從南面來的是通過諾伏洛希斯克，阿爾馬維爾和圖阿普謝的鐵路線；從東南面，斯大林格勒來的鐵路穿過沙爾斯克地區。
  3. In christopher marlowe ' s play, the jew of malta, barabas ' marginal identity, his comments on other characters and dramatic events, the sharp contrasts between sage words and mean deeds, and the questions for spectators in the asides and monologues, together created an alienation effect, which is quite similar to the v - effect that the german playwright bertolt brecht advocates

    在克里斯托弗.馬洛的劇作《馬耳他島的猶太人》中，猶太人巴諾巴斯的局外人與評論者地位、劇中人富含哲理性的辯白與卑劣行為所造成的強烈反差，以及旁白與獨白中直接對觀眾而發的問題等手法，與德國戲劇家貝托爾特.布萊希特所倡導的間離手法極其相似，客觀上製造了陌生化即間離的效果。
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