art as experience 中文意思是什麼

art as experience 解釋
藝術即經驗
  • art : n 1 藝術，美術。2 〈pl 〉（中世紀大學的）文科（＝ liberal arts）。3 技術，技巧；技藝。4 策略，詭...
  • as : adv （同…）一樣…；同樣〈在此是指 as… as… 結構中的第一個 as 它在主句中為指示副詞，第二個 as （在子...
  • experience : n 1 經驗，體驗。2 見識，經歷，閱歷。3 〈pl 〉 【宗教】靈性的感受。vt 1 經驗，體驗。2 感受，經歷。...
  1. A wariness of mind he would answer as fitted all and, laying hand to jaw, he said dissembling, as his wont was, that as it was informed him, who had ever loved the art of physic as might a layman, and agreeing also with his experience of so seldom seen an accident it was good for that mother church belike at one blow had birth and death pence and in such sort deliverly he scaped their questions

    彼為人謹慎，為了做出迎合眾人心意之答復，手托下顎，乃按習慣詭稱： 「吾雖外行，卻摯愛醫術目睹如此罕見之事件，吾以為母親教會如能同時拿到誕生與死亡之獻金41 ，確為一舉兩得之好事。 」遂用此言岔開彼等之質疑。
  2. As a long - hair i rather resent the intellectural looking at jazz with the feeling to listen to charlie parker is an experience equal to that of listening to the art of the fugue

    作為一個古典音樂愛好者，我非常反感以理性的方式看待爵士樂，也就是把聽查理帕克（爵士樂代表人物之一）的感受等同於聽賦格曲的藝術。
  3. To realize this great selfish ambition, cultural and educational elite drastically criticized xikun scholars who held important political and educational positions but advocated poetic pursuit to escape from political dangers, and posed many models of educational discursive practice to control, better, and cultivate the full - of - desire societal life being neglected and thrown out of the academic sight by xikun school : firstly, in the early period, fan zhongyan and his followers, sun fu, and shi jie, et al., believed that confucian principles could be used to reform political, and educational institutions and improve society ; secondly, after fan, wanganshi, being treated as cultural rebel by other traditional moralists and politic competitors, did a failure of national wide educational and political reforms to cultivate financial talents, based on his coarse economics knowledge about how to enrich the central government ; thirdly, ou yangxiu and su shi focused attention on reform the highly rigidified literature and art education system at that time according to their cultural ideal that everybody has the right to express what his daily life, emotions and dreams, which could be seen as an irony by the fact that only themselves " life and feeling could enter into their literature and art education kingdom, while those who described lowly people " s experience, such as liu yong " s sentimental assays written specially for female performers and even the prostitutes, had to suffer from exclusion

    但是，在十一世紀的文教空間中，真正值得考古學注意的知識是由理學家發明的，這不光因為，正是理學（而不是范學、王學、蘇學等這些在當時權力更大的知識）日後成了支配中國文教社會生活的權力，更是由於在十一世紀的文教界，只有理學家從一種最抽象的視角，認為十一世紀喧囂混亂的世俗生活及其基本的教化問題，無論多麼復雜，都可以歸結為人身上的理性與慾望之間的斗爭。就「哲學」能力而言，在渴望成聖、平天下的文教精英當中，理學家無疑是最出色的，他們能夠想到從「人」的結構出發，來認識世間紛繁復雜的現象，因而只需靜坐一處沉思人本身的秘密，而不必象王安石等人那樣認為到各地去調查，才可以摸清世間的狀況與問題。尤其不可思儀的是，他們的知識竟來源於看上去對教化世俗並不感興趣、只想追求長生不老的道士。
  4. Miss yusan lee will give a lecture on striking a balance between art and commerce ; while jim chim and olivia yan will give a lecture on the transformation from illustration to stage performance by excerpting the drama performance, moon 7 1 2, as well as the experience of vulgarizing theatre art. they are incredibly beneficial, absolutely not to be missed by those devoted to the creative art industry

    李雨珊會談談如何拿捏藝術與商業的中位線；詹瑞文及甄詠蓓則會從劇場演出《月亮7個半》出發，細訴從繪本到舞臺演出的轉化，以及將劇場藝術帶入群眾的經驗，絕對是從事藝術創作的朋友偷師的好機會。
  5. It also offers an impressive range of visual art, such as popular prints from china and epinal, france. le french may is also a chance for many young talented french artists to give audiences an eye - opening visual experience

    第十五屆法國五月藝術節請來多位法國首席藝術家，以一連串精采絕倫的舞蹈音樂戲劇以及視覺藝術製作，為您演繹浪漫瑰麗的法國情懷。
  6. However, in this improvisational poem, the poet absorbs the experience of other distinguished poets such as whitman, blake, williams and pound as well as the other kinds of art

    然而，這首即興之作是借鑒了惠特曼，布萊克，威廉斯和龐德等其他傑出詩人與其它門類藝術的結果。
  7. This artiele tries to find out the tifferences by comparison between china ' s art of lettering of the time and the seal cutting in the ming and qing dynasties in china from the two aspects of artistic subject and creatine ranks, and then from the same abjeet of expression ( chinese characters ), from the same, technique of expression ( cutting cutting ), eraws experience and lessons from the art of seal cutting ( especially the seals of scholars in the ming and qing dynasties ) which was similarly deeplhy rooted in china and closely connected with tradition, so as to make a research on its location and orientation and promote sound development of the art of lettering of the time

    摘要本文試圖從藝術本體、創作隊伍兩方面尋找中國當代刻字藝術與中國（明清）篆刻藝術相比較差距，進而從同一表現對象（中國漢字方塊字） 、同一表現手法（刻）和同樣紮根在中華大地上的、與傳統接軌的篆刻藝術（特別是明清文人印）那裡汲取經驗教訓，促使當代刻字藝術健康成長，作出定位、定向研究。
  8. The application of tcm seem as the art of war professor li yu - qi ' s clinical experience of liver diseases

    解讀中醫泰斗李玉奇教授肝病臨床經驗
  9. It might be of signal advantage to one, ignorant as i, to hear the opinions and experience of a master in the art.

    象我這樣一個才疏學淺的人，要是能聆聽到精通此道的大師談談自己的風解和經驗，受益一定會不小的。
  10. Audience member cai si - qin described his experiences while attending one of lin tsang - yuhs wenshan art courses as follows : lin has a special way of instruction as his lessons dont begin with sketching, which only serves to develop artistic skill. instead, since most community university have students already acquired a rich body of life experience that they can express in their works, lin demands that they make exploratory trials in creative expression. only when they have difficulty in the process of creation does he step in with timely assistance

    林蒼郁教法很獨特，不是從素描開始教，因為素描只能發展繪畫表達能力，然而在社區大學習畫的學生，多半已有豐富的人生經歷，他們可以運用既有的經歷，在繪畫上表達出來，因此林老師要學生自行摸索，創作過程有困難時，老師才會適時介入，以滋養學生的創意，釋放創造力，進而跳脫傳統繪畫手法的限制，從創作式學習中，建立自己的畫風。
  11. Controlling of drawing language is a prerequisite of creation ; from a comprehension of masterpieces under all sages by traditional treasury, deprivation from ancient great scholars, enlightenment of teacher wang rong - chong as well as instructions with the best efforts from the 3 masters as three of contemporary predecessors, wu wen - bing, sun cha - ching and weng wen - wei with a guidance from teacher wu wen - cheng in art of buddhism, that lead to a profound appreciation by experience for the beauty of line and styling and thus furthermore learned the lofty spirit of buddhism, with a hard progress, the author by this exhibition would present his affection and comprehension from drawing of buddha and share it to the public

    掌握繪畫語言是創作的先決條件，從傳統寶庫遍臨聖賢名作，汲古門經由王榮忠老師啟蒙，並承當代前輩吳文彬、孫家勤、翁文煒三位大師鼎力教導與吳文成老師佛教藝術之指引，使其深入體悟線條與造型之美，進而學習佛教崇高之精神，歷程艱辛，作者藉此次展出將對佛畫的感動與體悟，分享給大眾。
  12. Jiang : your works stand out as a very special type within contemporary on - canvas art. where are the connections between your personal experience and the creation of these works

    江：你的作品在當代架上繪畫里是比較特殊的一類，你創作這些作品出來和你個人的經歷有哪些內在的聯系？比如一些經歷。
  13. " ( michel foucault, 1970 : 216 ) to answer this question, the archeology ( genealogy ) of knowledge was developed out, by which foucault took granted the tragic experience conflicts in western societal space since 18th century as the aftermath of ( institutionalized ) knowledge discursive practice : driven by " the will to truth ", a speaker or social action endeavors to analysis, define and cultivate human being " s life, however the result in what he has done is but rather to impose human beings of " a system of exclusion ", which was most famously illustrated in the work of madness and civilization, that all kinds of crazy ideal and performance, which had been existing and being cherished as the very authentic nature and feelings of human beings in societal space or art composing before 18th century, were categorized into irrational items ( insanity ), then, pu t into an alienated space gate - headed with so called " civilization ", which was founded on psychology, psychoanalysis and other modern knowledge ( michel foucault, 1973 )

    他首先將西方十八世紀以來的經驗及其沖突理解為「知識話語」實踐的後果，言外之意，可以透過「知識化的話語」 ，來觀察西方教化/社會空間中的經驗沖突：在「求知意志」 （ thewilltoknowledge ）或「求真意志」 （ thewilltotruth ）的驅動下，話語者試圖認識、界定和改造人類的經驗，但實際上，這樣做的後果卻是將「排斥機制」 （ asystemofexclusion ）施與人類，即否定所有不符合「求真意志」及其話語構成規則的各種異類想象、感受、慾望與活動，使之統統以知識話語所描繪的狀態存在。在這一點上，最明顯的例證莫過于將各種「瘋狂」言行與體驗一併界定為「非理性」 ，然後對其實施「理性的控制與改造」 （ michelfoucault ， 1973 ） 。
  14. Art as experience

    藝術即經驗
  15. We also believe that the software addresses the following requirements : experience in the china marketplace ; real time transactions ; ease of use ; reliable and detailed account information ; system expandability ; internet based ; where no bank / credit card is available, payment can be made when client deposits money with a financial institution which holds the money for the client ( knows as an electronic purse ) ; transactions and transaction data be encrypted with the state - of - the - art network security technology ; free registration ; low cost of transaction ; and on - going technical assistance and support

    我們也相信該軟體滿足以下要求：在中國市場的經驗；實時交易；使用簡單；可靠和詳細帳戶信息；系統擴展性；基於網際網路；無銀行和信用卡可用的地方，當顧客存款到擁有顧客資金的金融機構（了解作為電子錢包） ，支付可以進行；交易和交易數據可以被藝術級的網路安全技術加密；免費注冊；交易低成本；和正在進行的技術援助的支持。
  16. Art making as a cross - cultural experience

    跨文化的藝術創作經驗
  17. Furthermore, strengthening personnel training at home and abroad and good cooperation established between the company and overseas companies helped the staff of the company familiarize state - of - the - art technologies of the world. depending on several years site working experience and its own technology innovation, the company has developed a process control system - ln2000 dcs, suitable for power station, petrol, chemical, metallurgy, textile, papermaking and textile printing industries as well as some other high - tech products and technologies

    為此，加強人員培訓不斷提高素質，多次派人到國內外有名的控制公司學習，與他們建立良好的合作關系，因而總是掌握著世界最新技術，然後集多年現場經驗，歸納總結，尋找自己的技術創新點，開發研製了適合電站石油化工冶金紡織造紙印染等行業需要的過程式控制制系統ln2000 dcs及其他高科技新產品和技術。
  18. With more than 100 years experience as a partner to the motor industry and our continuous research, inspection and further development guarantee that all hella parts will meet the latest stage of the technical art

    與現代汽車工業逾百年的成功合作經驗，以及技術部門持續不斷的開發和改良工作，保證所有的海拉零部件都是最先進技術和最完美工藝的結合。
  19. He considers painting and visual activity of art as mysterious or flash experience of life

    他把繪畫或相關的視覺藝術活動看作是生命中不可思議或突如其來的體驗。
  20. Cinema is a visual art, as film theorist bela balazs writes in his essay " der sichtbare mensch " in theory of the film : character and growth of a new art, " it is a spiritual experience which is rendered immediately visible without the intermediary words. now the film is about to inaugurate a new direction in our culture

    於七十年代期間，佐治魯卡斯曾斟洽三船接拍星球大戰star wars一片，希望他能出演obi wan即現在alec guiness的jedi master一角一角，但是卻被三船拒絕，原因未明。
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