critic the 中文意思是什麼

critic the 解釋
評論家
  • critic : n. 1. 批評家,評論家;鑒定家。2. 吹毛求疵的人。3. 〈廢語〉 =critique. a dramatic [literary] critic戲劇[文學]評論家。
  • the : 〈代表用法〉…那樣的東西,…那種東西。1 〈用單數普通名詞代表它的一類時(所謂代表的單數)〉 (a) 〈...
  1. Among those in the audience was expected to be iranian president mahmoud ahmadinejad, an acerbic critic of u. s. foreign policy who has previously challenged bush to a debate

    與會者中包括伊朗總統馬哈茂德?艾哈邁迪內賈德,他一貫嚴批評美國的對外政策,此前曾向布希發出挑戰,要求進行辯論。
  2. The food critic anton ego is hard to deal with

    美食評論家安東?依考很難對付。
  3. One critic has christened the two types of authors "palefaces" and "redskins, " taking henry james and walt whitman as representative figures.

    一位批評家把這兩種作家分別叫做「白面孔」和「紅皮膚,」拿亨利詹姆斯和華爾特惠特曼當做兩派的代表人物。
  4. Close shot the critic exclaims to the artist

    (近景)批評家指著藝術家大吼。
  5. Close shot the critic slams the phone down

    (近景)批評家氣憤地放下電話。
  6. Close shot the artist is talking to a rival critic

    (近景)藝術家正和外地評論家談話。
  7. Coleridge was esteemed by some of his contemporaries and is generally recognized today as a lyrical poet and literary critic of the first rank

    科勒律治被同時期的詩界所尊崇,直至今日也被奉為第一流的抒情詩人與文學評論家。
  8. The critic to monk - poets ' extra corpora in sikuguanshuzongmu

    中的詩僧別集批評
  9. Someone once tabbed me the critic's critic.

    有人曾經稱我為批評家的批評家。
  10. G. wilson knight, emeritus professor at the university of leeds, has had a long and prolific career as a critic.

    奈特是里茲大學名譽教授,作為一個評論家,資歷頗深。
  11. Although ahearne calls him a “ thoughtful critic and not at all intransigent, ” ewing can be a formidable adversary because he follows a problem to the end, regardless of disciplinary boundaries

    亞赫尼形容尤因是思慮清楚的評論家,並且絕不妥協,但也是位難纏的對手,因為他追根究柢,無視各學科之間的無形邊界。
  12. The paper does its best to analyse the metaphysic of humanism. and disposes heidegger ' s critic on the humanism, so descripts the nature of man, that is, man is the shepherd of being

    對于形形色色的人道主義的形而上學特性,海德格爾進行了人道主義的批判,從而顯現出人的本性:人是存在的鄰居。
  13. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  14. Actors feared the critic ' s mordant pen

    演員都懼怕這位批評家辛辣尖刻的筆調。
  15. One critic has christened the two types of authors " palefaces " and " redskins, " taking henry james and walt whitman as representative figures

    一位批評家把這兩種作家分別叫做「白面孔」和「紅皮膚, 」拿亨利?詹姆斯和華爾特?惠特曼當做兩派的代表人物。
  16. When less enlightened critics focused on the formulaic aspects of the film, critic fereydoun hoveyda unleashed one of the most glorious panegyrics of cahiers du cinema auteurism : with clock - like regularity, certain critics continue to insist on the importance of script, acting and the system of production. while we are at it, why not take into account the influence of the heavenly heres

    雖然影片推出后,一般評論都針對戲中的俗套公式,但影評人荷夫德就肯定了影片的價值,解開了電影筆記作者論的束縛,指出: "某些影評人仍看重規律,堅持劇本,演出及製作模式的重要性。
  17. Instead, we are treated to fine hypocritical spectacles, which now more than ever seem in ample supply : the critic of american materialism with a southampton summer home ; the publisher of radical books who takes his meals in three - star restaurants ; the journalist advocating participatory democracy in all phases of life, whose own children are enrolled in private schools

    相反,我們被款待看到這樣一些虛偽的壯觀景象,他們似乎比以前的任何時候都更供應充足:省略式物質主義的批判者卻擁有位於南安普頓的避暑山莊:激進書籍的出版商卻在三星級餐廳享用一日三餐;倡導在人生各個階段的參與省略制的記者,他的子女卻就讀于私立學校。
  18. On the literary critic theory of traditionalism and impersonality by t. s. eliot

    論艾略特的傳統觀與非個性化批評理論
  19. Mencken, american editor and critic. a founder and editor ( 1924 - 1933 ) of the american mercury, he wrote essays of vitriolic social criticism, often directed toward the complacent middle class

    孟肯,亨(利) ?路(易斯) 1880 - 1956美國新聞編輯及評論家。他是美國信使的創始人和編輯( 1924 - 1933年) ,他所寫之辛辣諷刺性的社會評論小品文經常針對自負的中產階級
  20. Painted in cooperation with james, an american modernistic painter. the cooperation, as one art critic puts it, " blazed a new trail for the integration of chinese and western painting "

    1989年與美國現代派畫家詹姆斯合作繪畫,中國美術家通訊報道此合作指出"為中西方繪畫的融合開創了新的道路" 。
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