emily dickinson 中文意思是什麼

emily dickinson 解釋
埃米莉・迪更生
  1. Emily dickinson too is unsure how to pitch her work.

    艾米莉狄更森也不知如何為自己的作品調音。
  2. At her death emily dickinson left over a thousand unpublished poems.

    艾米莉狄更生死時留下一千多首未經發表的詩。
  3. Emily dickinson gives the sense of having come before her time.

    埃米莉狄更生給人的感覺是:生不逢辰,超越時代了。
  4. Their vocabulary, like that of emily dickinson, acquired regal overtones.

    他們的詞匯,一如艾米莉狄更生的詞匯,也有了高雅的情調。
  5. Linguistic deviation on the inventive techniques of emily dickinson ' s poetry

    狄金森詩歌的創新藝術
  6. On the lightness and graveness of emily dickinson ' s love poems

    論狄金森的愛情詩
  7. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  8. Modernistic characteristics of emily dickinson ' s poems

    論狄金森詩歌的現代主義特徵
  9. Semantic ambiguity of emily dickinson ' s poems

    艾米莉183 ;狄金森詩歌的語義含糊性
  10. Emily dickinson gives the sense of having come before her time

    埃米莉?狄更生給人的感覺是:生不逢辰,超越時代了。
  11. The paper attempts to explore the poetic creativity of emily dickinson, the 19 ( superscript th ) - century american poetess who exhibits a high degree of the aberrational in her poetics and ideas

    摘要本文旨在討論十九世紀中葉美國女詩人狄?森的特殊詩風與創意,並試圖據以建立「以異為常」的通觀。
  12. At her death emily dickinson left over a thousand unpublished poems

    艾米莉?狄更生死時留下一千多首未經發表的詩。
  13. Original creation integrated with traditional poetic arts : on features and originality of emily dickinson ' s poetry

    論艾米莉183 ;狄金森詩藝的創新
  14. With the guide of the logocentric criticism of deconstructionist theory, and from the angle of feminine subjectivity, this paper discusses about the strategy which emily dickinson deconstructed the traditional conventions in thoughts during her life and poetic creation, and about wisdom and spiritual power contained in her poetry

    摘要以解構主義關于批判邏各斯中心的理論為依託,從發揮女性主體和創造性的角度,論述19世紀美國女詩人艾米莉?狄金森的人生和詩歌創作在思想方面對世俗傳統進行解構的策略及其詩作投射出的智慈和精神力量。
  15. Emily dickinson ' s poetry and its five chinese editions

    狄金森詩歌的五個漢譯本
  16. Influence of emerson ' s transcendentalism upon emily dickinson

    狄金森的影響
  17. The sad consciousness of emily dickinson ' s poetry

    論狄金森詩歌的悲情意識
  18. Emily dickinson ' s death complex and her comcept of aesthetics

    狄金森的死亡情結與美學理念
  19. Emily dickinson : because it could not stop for death

    艾密莉.迪根森:因為死亡將追趕上它
  20. Emily dickinson too is unsure how to pitch her work

    艾米莉?狄更森也不知如何為自己的作品調音。
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