folktale 中文意思是什麼

folktale 解釋
民間故事
  1. At the seminar, the most recent renditions of this folktale in taiwan - the collective nostalgic musical play butterfly lovers 40 2002, the middle - class butterfly lovers : chinese romantic musical 2003 starring a leading pop singer with a score by a classical composer, and the disney - tinted animated film 2003 were discussed alongside hong kongs various old cantonese film versions, the queer musical version 1998 - 99, tsui harks film 1994, and the chinese mainlands opera versions and the programmatic violin concerto

    此外，李博士更對不同年代的梁祝作品進行分析，當中包括不同版本的香港舊粵語電影杜國威先生的酷異音樂劇queer opera 1998 - 99徐克先生的電影梁祝1994 ，以及中國內地不同的戲曲版本和梁祝小提琴協奏曲。
  2. Beyond morphology : levi - straus and the analysis of folktale

    斯特勞斯與民間故事分析
  3. She shaped a folktale into a narrative poem

    她把一個民間故事改寫成了一首敘事詩。
  4. On the folktale characteristic of some tv plays

    論電視戲說劇的民間故事特性
  5. The theory of performance and folktale research

    表演理論與民間故事研究
  6. A fiasco is a folktale told to others.

    是向他人講述的傳說. .
  7. A fiasco is a folktale told to others

    是向他人講述的傳說
  8. Analysis on laos ' folktale

    寮國民間故事評析
  9. According to folktale, as eatly as the tang dynasty, iocal hill people had started to use it as a drink, in the shenzong emperor period in song dynasty, prime minister wang an shi intuoduced it to the loyalty. with its unipe refreshing taste, attractive tea color, taste, raint after - scent and most of all its healthy effect, it soon became favorite of the shenzong emperor and his concubine yu, then of govermment officials of ranks and other loyal concubines in the imperial family. since then, tenglong tea became tribute article to the loyaity and precious drink for ordinary families till today

    自唐代始，當地山民普遍以此為茶，據傳宋神宗年間，宰相王安石薦其入宮，其鮮爽清醇的滋味和獨有的廣泛的保健特色，深得神宗和余妃的表睞，隨之滿朝文武和后宮嬪妃竟相飲用。從此，藤茶作為宮廷貢品登堂入室，歷宋元明清千年而不衰。
  10. In subject matter and tendency, these pictures recalled the folktale period films that unique film productions aka tianyi was making in shanghai in the 1920s. at the end of the 1950s, shaw and mp gi dominated the mandarin film world. apart from the left - wing companies such as great wall and feng huang, which could still maintain production, many small companies had to close down

    及至五十年代末，除了長城鳳凰這兩家左派公司尚可以在製作上維持相當的數量外，很多小型的獨立製片公司都不得不偃旗息鼓，國語電影業幾乎變成了電懋邵氏這兩家資本雄厚的大片廠的天下。
  11. Jidongnuo is a yao folktale, and a tragic love story. it symbolizes new beliefs, marriage modes, tragedies and many other facets of culture among the yao

    摘要瑤族民間悲劇愛情故事《吉冬諾》是瑤族新的信仰觀念，新的婚姻模式，新的悲劇觀等多種新的瑤族文化形成和確立的表徵。
  12. Topics include oral epic performance, sacred narrative, koranic chant performance, the folktale, solo performance, cultural production and resistance

    主題包括口傳史詩展演、宗教敘事、可蘭經吟頌展演、民間傳說、個人展演、文化之生產與反抗。
  13. Speaking at the lecture held at lingnan university, dr. li siu - leung, department of cultural studies analysed how this household tale in the chinese - speaking world has been appropriated by various dominant ideologies and marginal communities in the chinese mainland, hong kong and taiwan. he also discussed the various reinvented renditions of the folktale over the years in these regions

    講座主題為梁祝意義創制與文化挪用，由嶺大文化研究系副教授李小良博士主講，就梁祝在中港臺三地不斷被當時的主導意識形態及邊緣社群所挪用作出了分析，並評論三地多年來不同的梁祝劇作。
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