hemingway 中文意思是什麼

hemingway 解釋
n. 名詞 1. 海明威〈姓氏〉。
2. Ernest Hemingway 歐內斯特海明威〈1899-1961，美國小說家〉。

  1. A fire destroyed the ernest hemingway museum and the compleat angler bar on friday on the bahamian island of bimini, one of the american novelist ' s 1930s haunts during the days he stalked big game fish

    位於巴哈馬的比迷尼島上的歐內斯特海明威博物館以及開設博物館的「釣客大全」 compleat angler近日在一場大火中被夷為平地。
  2. Through foreshadowing, accurate diction, dialogue, ellipsis and repetition, hemingway not only gives an account of how francis changes his nature from cowardliness into bravery, but also highlights the significance of macomber ' s image

    在這部小說中，海明威通過分切交代、層層鋪墊、精當遣詞、精簡的對話、省略和重復兼用，描寫麥康伯從懦夫轉變為硬漢的過程，凸顯了麥康伯人物形象的意義，強化了小說的主題。
  3. Hemingway suppresses emotion, wolfe engulfs the reader in feeling.

    海明威感情壓抑，沃爾夫卻把讀者卷進感情的漩渦。
  4. Ernest hemingway is another american writer who has striven, at some cost, to preserve the truth of direct experience.

    海明威是另外一個千辛萬苦竭力想忠實地描寫親身經驗的美國作家。
  5. This is the apartment where ernest hemingway lived

    這是海明威曾經居住過的公寓。
  6. The understanding of ernest hemingway ' s writing thought

    海明威創作思想的再認識
  7. To a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture

    菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面。
  8. In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy

    本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜
  9. Hemingway often writes in the first person.

    海明威常用第一人稱寫作。
  10. Hemingway is writer of remarkable gifts.

    海明威是才華橫溢的作家。
  11. Hemingway is another american writer who has striven, at some cost, to preserve the truth of direct experience.

    海明威是另一個不惜某些犧牲竭力想忠實地描寫親身經驗的美國作家。
  12. Hemingway and steinbeck were masters of fiction

    海明威和斯坦貝克是小說大師。
  13. Exploration of the tragic spirit in hemingway ' s novels

    莫里森的小說和現代悲劇精神
  14. Hemingway s a farewell to arms and his ideal woman

    試析海明威心目中的理想女性
  15. The code of his characters, though as sharp as that of hemingway's, has little to do with heroism.

    他筆下人物的行為法則，雖然和海明威的同樣精明，可是沒有英雄主義。
  16. In his novel indian camp, hemingway ' s indiscriminating descriptions of the three characters have obscured his real intentions of writing

    摘要在《印第安人營地》中，海明威對三個人物輕重難分的描寫使讀者難以判斷其真正的創作意旨。
  17. One never fully accepts the juxtaposition of the hemingway-person in his writing with the simple man.

    海明威在作品中經常把自己寫進去，混跡于普通人之中，這一點我們很難茍同。
  18. Many critics saw flashes of ernest hemingway in the young mailer ' s novel

    很多評論家認為這是米勒小說中海明威形象的折射。
  19. How can tempest or missile command compare with beethoven ' s fifth symphony, michelangelo ' s pieta, or hemingway ' s a farewell to arms

    《飛彈司令》之流如何能與貝多芬的第五交響曲，米開朗基羅的聖母憐子圖和海明威的《永別了，武器》相提並論。
  20. Looks like hemingway ' s rec room

    看起來象hemingway的娛樂室
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