literary criticism 中文意思是什麼

literary criticism 解釋
文學批判
  • literary : adj. 1. 文學的,文學上的。2. 通文學的;喜歡文學的;以寫作為職業的。3. 書本上的;書面語的。
  • criticism : n. 1. 批評,批判,評論;非難。2. 鑒定,審定,考證,校勘;鑒定法。3. 【哲學】批判主義[哲學]。4. 評論文章;文藝批評理論。
  1. Jung s archetype theory and ancient literary criticism

    榮格原型理論與古代文學批評探微
  2. Arrogating to criticism an introduction to literary criticism

    語言觀癥候批評
  3. From the textual expounding of the " wolf totem ", it is held that for the works taking " totem " as the prototype, the true meaning of the literary criticism is to comprehend the essence of the totem culture, to figure out the substantial meaning and value orientation of the works contained in the totem, to clarify the contradictions and puzzlement in the course of the formation of the totem, to examine the main body of creation and main body of works, and receive the soul analysis and introspection of the spiritual totem faced by the main boxy in anticipation of revealing the secret of totem and seeking the way to the spiritual essence of works

    摘要從《狼圖騰》的文本解讀出發,認為對以「圖騰」為原型的作品而言,文學批評的真諦在於對其圖騰文化的實質的解讀與闡釋;挖掘作品蘊涵于圖騰之中的本質意義和價值趨向;梳理在圖騰形成過程中的矛盾與困惑;審視創作主體、作品主體和接受主體面對精神圖騰的靈魂剖析與自我反省;以期揭開圖騰的隱秘,探尋通往作品精神實質的路徑。
  4. Epistolary literal theory is an important form of literal theories in the history of literary criticism in china

    摘要書信體文論是中國文學批評史上一種重要的文論形式。
  5. Moral criticism - the growing point of literary criticism

    論埃183 ;威爾遜的批評觀
  6. Li jianwu : the founder of chinese impressionistic literary criticism

    中國式印象主義文藝批評的奠基人
  7. The cultural character of the chinese modern pan - impressionistic literary criticism

    中國現代泛印象主義文學批評的文化品格
  8. The gradation realm of interpretative subject in classical literary criticism

    古代文論詮釋主體的境界層次論
  9. Jin shengtan ' s literary criticism and examination system

    金聖嘆的文學批評與科舉
  10. On the literariness creation of criticizing style of ancient literary criticism

    古代文論批評文體的文學性生成
  11. Metaphysics in wei and jin periods and literary criticism

    簡論魏晉玄學與文藝批評
  12. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的余輝中,布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后,布魯姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" (布魯姆語)使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布魯姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  13. Discipline, knowledge and power the core argument of the orientalism and its illumination on the present literary criticism

    的核心命題及其對當前文學批評的啟示意義
  14. Structuralist literary criticism and binary opposition

    結構主義文學批評與二項對立
  15. On the difficulties of structuralist literary criticism

    結構主義文學批評的理論困境
  16. On the roots of structuralist literary criticism in linguistics

    論結構主義文學批評的語言學根源
  17. In literary criticism the traditionalists were more articulate and aggressive.

    傳統主義者更善於文學批評,而且行動積極。
  18. On the open - close cycles in chinese literary criticism

    略論中國文論發展的開合大律問題
  19. On the merging and splitting of the literary criticism and creation in writing mind as carving dragon

    理論批評與自身創作實踐的融合與分裂
  20. On the tactful speech in literary criticism thought of laozi

    老子文學批評思想闡微
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