mies 中文意思是什麼
mies
解釋
米斯-
The tugendhat villa in brno, designed by the architect mies van der rohe, is an outstanding example of the international style in the modern movement in architecture as it developed in europe in the 1920s
建築師密斯范德羅厄設計的布爾諾圖根德哈特別墅是20世紀20年代在歐洲興起的建築"近代運動"中具有國際風格的優秀建築範例。 -
In paris, petulance and daring the central darfur camp, he has " chosen gunmen " atuoshi. " every red " porthos, " man " alarcon mies encounters with them and formed a deep bond
在巴黎，性急而天不怕地不怕的達爾大尼央，先後與「冷麵槍手」阿托斯、 「紅斗逢」波爾托斯、 「美男子」阿拉密斯相遇，並同他們結下了不解之緣。 -
In addition to wright, two german-born americans, watter gropius and mies van der rine, contributed greatly to this new style.
除了懷特，另外兩名美籍德國人，瓦爾特，格羅皮斯和梅斯萬德洪，也為這一新風格的形成與發展做出了巨大貢獻。 -
In addition to wright, two german - born americans, watter gropius and mies van der rine, contributed greatly to this new style
除了懷特，另外兩名美籍德國人，瓦爾特，格羅皮斯和梅斯?萬?德洪，也為這一新風格的形成與發展做出了巨大貢獻。 -
I adore the romance of le corbusier, the pureness of mies van der roth and the humanity of frank l. wright
我崇拜勒?柯布西埃的浪漫，密斯.凡.德羅姆的純凈，弗蘭特.萊特的人性。 -
He has published essays on many aspects of the theory and practice of art, architecture and film - in domus, sight and sound, lotus, a u, aa file, springer etc. his book on mies van der rohe was published last year by blau in lisbon and gustavo gilli in barcelona
他曾針對藝術的實作與理論，建築，電影等等領域發表論文，他的作品經常出現在domus ， sight and sound ， lotus ， a + u ， aa file ， springer等等期刊上，並且於兩千零四年在里斯本與巴塞隆納分別出版了探討mies van der rohe與gustav gilli的兩本著作。 -
Together with the aid from overseas - nai, vitra design museum, mies foundation, and alvar aalto acedemy, the new mission of taichung brewery is to
本計畫不僅止於涵括建築設計等等跨領域藝術活動的籌劃與推廣，同時也有以下任務 -
Sociologist manuel castells in california state university put forward a new concept of space of flows that has an essential difference between the theory of mies in 20th century 30 ' s
摘要加州大學伯克利校區的社會學家曼紐爾?卡斯特提出全新的流動空間概念，使人很容易聯想到20世紀30年代現代主義運動時期密斯?凡德羅所倡導的「流動空間」 。 -
By analyzing the work of le corbusier and mies van der rohe who represent the major two tendencies of the modern movement respectively, the conclusion and debate will be proposed regarding the composition of european modern architectural space
故以傳統建築空間寓像特徵之理解為根基，建立觀念上的基礎，再從二十世紀社會的新價值觀切入探討，以影響現代建築空間發展的價值觀，配合影響二十世紀兩大對立流派的案例作分析，探討現代建築空間的組合與其所引發出的有待解決之問題。
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