堯術 的英文怎麼說
中文拼音 [yáoshù]
堯術
英文
shu yao-
A research on chou yao ' s educational and academic thinking
周堯教育與學術思想研究Cyril soolum was interested in art during high school in trinidad, west indies
蘇堯光藝術興趣源自高中時代,于西印度洋千里達。This retrospective exhibition of paintings and cartoons between the 1950s to the 1980s includes huang yao s cartoons incorporating regional southeast asian peoples and cultures during his sojourn in the region what is also known as the nanyang subject matter, a strong reflection of the late artist s localised influence in the nanyang southeast asian region, and illustrates his varied interests in chinese folk art, landscape painting and calligraphy, and his experimentation with chinese ideogram, creating an innovative reverse writing style of chinese calligraphy and experimentation of chinese characters pictography, to product seemingly abstract art forms
專程從吉隆坡來到新加坡的黃家媳婦陳美凌博士說,黃堯逝世后家人一直沒有整理他的畫作。兩年前,中國山東出版社為出版牛鼻子系列漫畫,曾經聯絡黃家尋找材料。家人才開始翻出黃堯的作品, 「一看才發現原來有這么多東西,就找專家來看,找美術館館長郭建超看是什麼東西,怎麼知道一看就說是好東西。 」Huang yao s wenzi hua are sorted into six categories. the first three are calligraphic in nature, they are the writing of ancient chinese characters in different scripts
黃堯遺世文字畫稿與作品,量豐質優,約略可以歸納出以下五種蕓術創作型態:This set of cartoons shows how early humans may have made pictographs of animals, similar to those of ancient chinese writing ; and how they created paintings, spontaneously or premeditated as in the making of ziyou hua
黃堯以輕松的手法畫出他最深思的藝術結晶,他以亞當與夏娃的漫畫造形來解釋中國文字的來源,原始生活與美術的關系及男與女最古老的關系。S. h. chang, and fu - tai wang, 2003, “ multipath detection in underwater using the robust discrete wavelet transform and recursive density estimation ”, proceedings of the fifth conference on undersea technology ( cust 2003 ), pp. 255 - 258
張順雄、陳建堯、何升運、李信龍, 2003 , 「準正交序列於水下展頻通訊之應用」 ,第五屆水下技術研討會暨國科會成果發表會,第31 - 36頁。Yang ls, liu yc, yang gc, zhou yh. friction - wear property of high silicon za27 alloy prepared by spray deposition, transactions of nfsoc 6 ( 1996 ) 105 - 109
楊留栓,龐禮軍,劉永長,楊根倉,周堯和.噴霧沉積za27合金微滴熱過程物理模型與數值分析,粉末冶金技術, 13 ( 1995 ) 163 - 169Mcafee fc. the value of ct in thoraclumbar fracture j. j bone join t surg 1983, 65a : 46
毛賓堯,房清敏. ct影像評價無或輕微神經癥狀胸腰椎爆裂骨折的手術治療j .骨與關節損傷雜志, 1997 , 12 : 3 - 4Professor chang yi, deputy commission chief of three - dimensional directional neurosurgey specialty group of china medicine association and vice general board of china epilepsy and neurosurgery association, acts as the director. the hospital also invites professor liu chenji, a famous expert, professor hou jinhao, chen huahui, tanqifu and cai zongyao together to compose the expert consultancy commission. these technically proficient experts work closely and devote themselves to the scientific research and medical treatment, and gain approvals and high praise from the patients
中華醫學會立體定向與神經外科專業學組委員會副委員長中國癲癇神經外科協會副理事長常義教授擔當伽瑪刀中心顧問,並聘有國內著名專家劉承基教授侯金鎬教授陳華輝教授譚啟富教授蔡宗堯教授等人,組成了專家顧問委員會,一批醫術精湛的專家通力合作,共同致力於伽瑪刀的科研和醫療,受到了廣大患者的高度肯定和贊揚。A calligraphy work " ma gu xian shou " by courtesy of the huang yao collection in singapore art museum is also presented in the exhibition
在新加坡藝術博物館里的善意下商借出其黃堯作品集的書法作品"麻姑獻壽"展示。Huang yao collection in singapore art museum
星加坡美術館黃堯作品收藏集He was able to use chuyun shu to write any of the chinese script. huang yao retired from being a headmaster in 1973 and moved to penang where he lived from 1974 to 1978
黃堯從1974年到1978年的檳榔嶼退休生活里,把更多的時間放在藝術創新的實踐和發展上。Many of the paintings here were accompanied by a short passage written by huang yao about a particular painting or type of paintings, the way to paint, to appreciate the paintings, the master calligraphers or painters in chinese art history, etc. these passages were either from the articles he wrote and published in newspaper, of which he had his own column, and were later put together in the book moyuen suibi or from unpublished manuscripts shiyong huagao practical painting techniques
這類文簡意深的短文,是黃堯創作過程中當下的體悟感受。一邊觀賞作品,一邊閱讀短文,彷弗黃堯現身說法,為您剖析作品的涵意,引領您進入欣賞藝術的真諦。此外,黃堯也將中國美術史上的書畫名家,向您娓娓道來,讓您有如沐春風的感覺。Huang yao 1917 - 1987 pioneering his work in creative calligraphy in the mid 20th century, was mentioned by art historian wang nanming that his calligraphy painting predates modern calligraphy in mainland china
黃堯1917 - 1987在20世紀中期里開拓了其書法創造的工作,被藝術歷史學家王南溟提到他的書法在中國為前衛書法。This retrospective exhibition features works produced by the late artist, huang yao 1917 - 1987, between the 1950s and 1980s
已故畫家黃堯的後人,最近將110幅代表他不同時期風格的畫作,捐獻給新加坡美術館。In 1987, huang yao passed away in kuala lumpur after a battle with illness. he left an extensive collection of works that were produced over his colorful life as a scholar, educator and artist. singapore art museum catalogue, huang yao retrospective ; july 2001
1987年正月21日黃堯不幸逝世了,使其身為一位教育家學者藝術家的傳奇,充滿色彩的一生,畫上了句號,但遺愛人間,散播文化種子永留世上。This catalogue is published in connection with the exhibition at the singapore art museum of huang yao s diversified artistic practices, ranging from calligraphy to traditional landscapes. huang was a leading cartoonist in china before moving to malaysia
這本2001黃堯回顧展目錄是應新加坡藝術博物館所主辦的黃堯展覽會而出版的,本書內容豐富,從黃堯的書法作品到傳統水墨作品系列都一一記載,可以從中觀看到黃堯的多樣化藝術的實踐。He points out that kant ' s aesthetic interest, schiller ' s aesthetic kingdom, hamann ' s aesthetic perception and jauss ' aesthetic experience take pure aesthetic consciousness for the standpoint of art theory and negate the truth of art in comprehension, which reveal the aesthetics limitations in regard to art truth
伽達默爾指出:康德的審美趣味、席勒的審美王國、哈曼的審美感知、堯斯的審美經驗將純粹的審美意識作為藝術理論的立足點,否棄藝術的作為理解的認識的真理功能,顯示了美學對于藝術理論的局限性。Only a small sample of huang yao wide range of artwork is represented here, hopefully sufficient to demonstrate that he was an accomplished and creative calligrapher, painter and with humor to produce his wenzi hua
黃堯是一位成功並富有割創造性的多產藝術家。我們從他作品中遴選出一小部代表作完成此網頁。Su - chu hsu and jinyao lin, " using wireless sensor networks in creative digital learning ", the 5th digital archive conference, sept. 2006
許素朱, "林經堯,無線感測網路在數位創意學習之應用" ,第五屆數位典藏技術研討會, 2006年9月。分享友人