拉威茨 的英文怎麼說
中文拼音 [lāwēicí]
拉威茨
英文
jon lovitz-
In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy
本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸權之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者身份問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜Mitchell brought her back to defuniak springs, which is between pensacola and tallahassee on the florida panhandle
米切爾帶她回威莫茨泉水，是彭薩科拉之間和塔拉哈西就立刻離開。Giulia decorti ( trieste, 1976 ) graduated with praise in architecture at the technische universit ? t of g raz ( austria ) and at the university institute of architecture of venice
古麗亞迪科提（的里雅斯特， 1976 ）以優異的成績畢業于格拉茨工業大學（奧地利）建築專業以及威尼斯大學建築研究所。Prinz then went close moments later when sandra smisek crossed dangerously from the right hand side, only for rachel brown to deny the birthday girl with a firm punch
不一會，普林茨有機會接桑德拉斯米瑟克右路非常有威脅的橫傳近距離射門，還好蕾切爾布朗用拳將球擊出拒絕了今天生日的普林茨。Occultist helena blavatsky ( the secret doctrine, 1888 ) introduced the idea of the atlanteans as cultural heroes ( an aspect that is absent in plato, who describes them mainly as a military threat to the greeks ), and described its inhabitants as the fourth " root race ", succeeded by the " aryan race "
神秘學者布拉瓦茨基夫人（秘密的教條， 1888 ）介紹了亞特蘭蒂斯是文化的英雄的想法（這是柏拉圖所缺少的，柏拉圖主要把它描繪成希臘的一種軍事威脅） ，並且把它的居民描繪成繼「雅利安種族」之後的第四個「種族根源」 。The paper analyses the musical creation and influences of such famous musicians as schutz, bach, mozart, beethoven, schubert, brahms, verdi, and schonberg in the west, points out that though their temperaments and environments were different, they all possessed the impulse of surpassing the self and the age, and their musical creations borne out of this impulse inevitably came into conflict with their environment, which made their life tragic, and the paper further draws the conclusion that greet artists are invariably tragic in their life and destiny
摘要西方音樂史上舒茨、巴赫、莫扎特、貝多芬、舒伯特、勃拉姆斯、威爾第、勛伯格等人，雖然所處時代不同、境遇不同、性格各異，但都是天才人物，都具有超越自我、超越時代的創作沖動；正是這種沖動導致的創作實踐與他們所處時代的矛盾沖突，使這些音樂家成為悲劇性人物。And why are people still surprised that wolfowitz has an arab feminist girlfriend
還有，為甚麼還有人對沃爾福威茨有一個阿拉伯籍女朋友感到驚訝呢？分享友人