文圖魯奇 的英文怎麼說

中文拼音 [wén]
文圖魯奇 英文
venturucci
  • : Ⅰ名詞1 (字) character; script; writing 2 (文字) language 3 (文章) literary composition; wri...
  • : Ⅰ名詞1 (繪畫表現出的形象; 圖畫) picture; chart; drawing; map 2 (計劃) plan; scheme; attempt 3...
  • : Ⅰ名1 (山東的別稱) another name for shandong province2 (姓氏) a surname Ⅱ形容詞1 (遲鈍; 笨) ...
  • : 奇Ⅰ形容詞1 (罕見的; 特殊的; 非常的) strange; queer; rare; uncommon; unusual 2 (出人意料的; 令...
  • 魯奇 : rucci
  1. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布姆教授是耶大學具有里程碑意義和傳色彩的學批評家,一個詩歌批評界的一個不可迴避的名字,是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布姆教授進行了采訪.本次訪談的重點是布姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布姆認為"影響的焦慮"是他對學批評最重要的貢獻,並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中,布姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人,並簡單比較了惠特曼和史蒂斯.布姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者,詩歌理論家以及面向大眾的批評者.在新批評的余輝中,布姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后,布姆的批評不再艱深難懂,他希望能擁有更廣大的讀者群.他為普通大眾所寫的學批評及"宗教批評" (布姆語)使得哈羅德?布姆成為了美國以及全世界的一個家喻戶曉的名字.目前, 76歲的布姆正全力寫作《影響的解剖》一書,將於2008年由普林斯頓大學出版社出版
  2. The ancient testimony, however, is widespread, and it comes from a variety of sources : historians such as pliny and diodorus, philosophers such as plato, the poets aeschylus and cicero, the geographer strabo, the travel writer pausanias, and even a priest of apollo who served at delphi, the famous essayist and biographer plutarch

    然而古老的見證廣為流傳,來源各有不同:歷史學家普林尼與狄奧多斯,哲學家如柏拉、詩人愛斯勒斯與西塞羅,地質學家史特拉波,旅行作家波塞尼亞斯,甚至包括一名在德爾菲為阿波羅服務的祭司,即著名的散兼傳記作家普塔克。
  3. At first, the paper confirms singular area by singular detection, then designs a series of low - pass filters that have different templates according to the different position in finger image for a local area, at last sets up gabor filter parameters according to the characteristics of fingerprint image. the improved enhancement algorithm has a better robust, and can preserve texture structure of singular area effectively. in binary noise clearance, the paper presents an algorithm that clears the biggish white speckles and black speckles

    在指紋像增強方面,本針對傳統的基於gabor濾波器指紋像增強演算法棒性差以及通常會改變異區紋理結構的缺點,對原有演算法進行了一些改進:首先通過檢測異點確定異區,然後根據局部區域在指紋像中的位置構建相應取值方式的低通濾波器並對該局部區域方向進行濾波,最後根據指紋像紋線的特點對gabor濾波器參數進行設置。
  4. Based on the classification of images, this paper gives out four digital image steganography techniques which have good conceal effect, including low - three - bits hiding strategy, odd - even of hypo - low bit hiding strategy, deviation of adjacent - field hiding strategy and self - adaptive deviation of adjacent - field hiding strategy. on digital watermarking aspect, this paper gives two blind watermarking strategies which have good conceal effect and high robustness, they are single - watermarking strategy based on minimal - value exchanging and multi - watermarking strategy which hides the same watermark copy on the different parts of an image

    在對像進行了分類的基礎上,本給出了四個具有較好掩密效果的數字像隱寫策略,包括低三位隱藏策略、次低位偶策略、鄰域方差策略和自適應鄰域方差策略;在數字水印方面,提出兩個掩密效果好且棒性較高的數字像盲水印策略,分別為基於最小值交換法的單一水印策略和嵌入同一水印多個副本的多水印策略。
  5. The advent of the internet and the wide availability ofcomputers, scanners and printers make digital data acquisition, exchange and transmission a simple task. however, making digital data accessible to others through networks also creates opportunities for malicious parties to make salable copies of copyrighted content without permission of the content owner. digital watermarking is likely to be a potential solution to this problem. digital watermarking has been proposed as a solution to the problem of copyright protection of multimedia documents in networked environments. it makes possible to embed a watermark ( such as identification data, serials number, text or image etc. ) to multimedia documents allowing copyright protection, secret communication, document authentication and so on. in this paper, we present a new digital image watermarking method based on svd ( singular value decomposition ), and then give some theoretical analysis about the algorithm. extensive experimental results show that this method is much more robust than other methods presented before

    隨著計算機和網路技術的飛速發展,數字像、音頻和視頻產品愈來愈需要一種有效的版權保護方法,另外通信系統在網路環境下的信息安全問題也日益顯露出來.數字像水印技術為上述問題提供了一個潛在的解決方案.所謂水印技術就是將數字、序列號、字、像標志等版權信息嵌入到多媒體數據中,以起到版權保護、秘密通信、數據件的真偽鑒別和產品標志等作用.本提出了一種新的基於異值分解的數字水印演算法並且對該方法的理論基礎給出分析.實驗結果表明這種方法要比目前提出的流行演算法
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