文學與批評 的英文怎麼說

中文拼音 [wénxuéyǔpīpíng]
文學與批評 英文
literature and criticism
  • 文 : Ⅰ名詞1 （字） character; script; writing 2 （文字） language 3 （文章） literary composition; wri...
  • 學 : Ⅰ動詞1 （學習） study; learn 2 （模仿） imitate; mimic Ⅱ名詞1 （學問） learning; knowledge 2 （學...
  • 批 : Ⅰ動詞1 （在下級的文件上寫下意見） write instructions or comments on （a report from a subordinate...
  • 評 : Ⅰ動詞1. （評論; 批評） comment; criticize; review 2. （評判） judge; appraise Ⅱ名詞（姓氏） a surname
  • 文學 : literature
  1. Jung s archetype theory and ancient literary criticism

    榮格原型理論與古代文學批評探微
  2. From the textual expounding of the " wolf totem ", it is held that for the works taking " totem " as the prototype, the true meaning of the literary criticism is to comprehend the essence of the totem culture, to figure out the substantial meaning and value orientation of the works contained in the totem, to clarify the contradictions and puzzlement in the course of the formation of the totem, to examine the main body of creation and main body of works, and receive the soul analysis and introspection of the spiritual totem faced by the main boxy in anticipation of revealing the secret of totem and seeking the way to the spiritual essence of works

    摘要從《狼圖騰》的文本解讀出發，認為對以「圖騰」為原型的作品而言，文學批評的真諦在於對其圖騰文化的實質的解讀與闡釋；挖掘作品蘊涵于圖騰之中的本質意義和價值趨向；梳理在圖騰形成過程中的矛盾與困惑；審視創作主體、作品主體和接受主體面對精神圖騰的靈魂剖析與自我反省；以期揭開圖騰的隱秘，探尋通往作品精神實質的路徑。
  3. Critics like to dwell on their expensive dinners and their cosy approval of one another, and to contrast to their delicate literary stomachs to the gusty appetites of mark twain or whitman.

    批評家們喜歡攻擊他們在飲食上過于揮霍，彼此互相標榜，還拿他們文學上的細膩作風和馬克吐溫與惠特曼的風格相對比。
  4. Critics like to dwell on their expensive dinners and their cozy approval of one another, and to contrast to their delicate literary stomachs the gusty appetites of twain or whitman.

    批評家們喜歡攻擊他們在飲食上過于揮霍，彼此互相標榜，還拿他們文學上的細膩作風和馬克吐溫與惠特曼豪放的風格相對比。
  5. This part mainly covers the theory of the media criticism of the four important stages and figures of " frankfort school ", " mcluhan ", " later modem ", and " globalism ". through their logical connection and development process, it brings into light their common spirit and tradition, and provides the following with theoretic background and principle standpoint

    這一部分主要對「法蘭克福學派」 、麥克盧漢、 「后現代」以及「全球化」等四個重要階段和人物的媒介批評作一個理論的廓清與梳理。尋找其中的邏輯聯系和發展脈絡，並揭示其共同的精神與傳統，為下文探求傳媒的本質、追尋傳媒的意義提供一個理論背景和原則立場。
  6. Is having " accepts with criticism " " meeting study poem study " " chinese free verse written in the vernacular school historical treatise " and so on 5 poems study monographs and the prose from the anthology " in family ' s scenery ", chief editor zeng " the all previous dynasties xiangyang famous writer discussed manuscript " " chinese present age xiangfan literature meteorology " 20 centuries china literature course " " " port literature course " and so on the work

    著有《接受與批評》 《接學詩學》 《中國新詩流派史論》等5部詩學專著及散文自選集《家中的風景》 ，曾主編《歷代襄陽名作家論稿》 《中國當代襄樊文學氣象》 《 20世紀中國文學教程》 》 《臺港文學教程》等著作。
  7. Jin shengtan ' s literary criticism and examination system

    金聖嘆的文學批評與科舉
  8. Metaphysics in wei and jin periods and literary criticism

    簡論魏晉玄學與文藝批評
  9. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
  10. From the angle of interpretative method, the key point of creative aesthetic criticism lies in distinguishing between comments of the version and understanding of aesthetic semanteme

    從詩性解釋學來看，把握審美批評的創造性的關鍵，在於把握文本信息的「解說」與藝術語義的「解讀」的區分。
  11. Structuralist literary criticism and binary opposition

    結構主義文學批評與二項對立
  12. Criticism and self - criticism about literary anthropology

    關于文學人類學的批評與自我批評
  13. His academic works include the critical essay collection “ chirping of the sparrows ”, “ fragments of the broken systems ? on the english and american literature and the history of thoughts ” and “ the interests behind thoughts ? an essay collection on culture and politics ”

    主要學術成果：批評文集《麻雀啁啾》 、 《破碎思想體系的殘編? ?英美文學與思想史論稿》 、 《思想背後的利益? ?文化與政治評論集》 、 《潛行烏賊》 （即出） 。
  14. Scottish novelist and poet, whose work as a translator, editor, biographer, and critic, together with his novels and poems, made him one of the most prominent figures in english romanticism

    蘇格蘭小說家兼詩人，其翻譯、編輯、傳記文學和批評方面的作品與小說和詩歌一道使其成為英國浪漫主義時期最偉大的人物之一。
  15. Deconstruction and construction are the shared ground for criticism ; the textual and cultural orientations are the divergent point for reflection ; while the turn to cultural poetics is the breaking point that new historicism explored into the vast field of history and culture

    正是在與各種后學理論的交鋒中，新歷史主義明確了文化詩學的學術理想從文化詩學的批評方法論和理論旨趣兩方面，對新歷史主義與后現代理論的話語關系作出適當清理，是正確理解新歷史主義話語特徵的前提條件，也是文化詩學的譜系學研究的重要部分。
  16. A study of comtemporary afro - american feminism literature and criticismure and criticism

    當代美國黑人女性文學與批評研究
  17. Her research interests include comparative poetics, literary and critical theories, and post - colonial studies

    她的研究興趣包括比較詩學、文學與批評理論、及后殖民論述等。
  18. The comtemporary afro - american feminism literature and criticism is a new thought in the field of contemporary western literature and criticism

    摘要美國黑人女性文學與批評是當代西方文學與批評領域的新思潮。
  19. As a literary critical work, yi su - gwang ' s " topical discourses of chibong " contains poem and prose creation theory, literary appreciation theory and literary critique theory

    摘要李?光的《芝峰類說》 （文章部）對文學的審視與批評，含納了詩文創作理論、鑒賞理論、批評理論等各個方面。
  20. The author argues that firstly, a circumjacent perspective can change the self - recognition of china in the times of self - conceit or westernization ; secondly, to study and criticize overseas sinology and to pinpoint the differences between the researchers at home and those aboard, we can define the problem consciousness and standpoint in chinese humanities ; thirdly, a cross - research of cultural history can avoid the narrowness both in research field and in the choice of documents

    作者嘗試提出：第一，從周邊看中國，可以改變過去以自我為中心想象天下的時代和以西方為唯一鏡子的時代的中國自我認識；第二，通過對海外中國學的批評和研究，了解他們與中國本土研究者在方法和思路上的差異，可以明確中國文史研究的問題意識和自覺立場；第三，提倡交錯的文化史研究，可以避免研究領域和研究資料的偏狹。
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