曉以大義 的英文怎麼說
中文拼音 [xiǎoyǐdàyì]
曉以大義
英文
telling one what is right-
This year s asia society summer film series will showcase five compelling films and documentaries from asia. a young boy who is determined to return china s " national ball " to beijing, the little known story of a winning north korean football team, a gritty drama set in the boxing ring, a thai transvestite kickboxing starthese are just some of the winning stories
今年的亞洲協會暑期電影系列將上映五部出色的亞洲電影和紀錄片：一個小男孩堅決把他眼中的中國的國球送回北京、北韓足球隊爆冷擊敗強隊義大利；以及兩個潦倒的男人怎樣各自奮斗而最後在擂臺上相遇和一個家喻戶曉的泰拳手的趣味人生。Later we tried to aid those trapped in the legation quarters, to reason with chinese of responsibility.
后來我們又設法幫助那些被騙進洋人住宅區的人，對中國同胞曉以大義。Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press
哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版The booming of information technology provides material foundation for the scientific landscape architecture ; new stuff and new technology enrich the design approach greatly. linguistic turning philosophy investigate into how to express the essence of the world that we understand, this makes landscape architecture focus more on the real meaning behind the apparent art form and technologies. a series of new landscape architecture methodology come into being in the process of the investigation : phenomenology, semeiology, mysticism, structuralism, deconstruction etc. many western designers contribute a lot to the research from 1970s till now
「語言學」轉向的哲學，研究的是如何表達我們所知曉的世界的本質，以語言學為中心的「表達」 ，使景觀設計更加關注藝術形態和科學技術後面的「意義」 ，華中農業大學2003屆碩士學位論文由此引導出一系列新的景觀設計方法論:現象學、符號學、神秘主義、敘事性、結構主義、解構主義等， 70年代后至今的很多西方景觀設計師，對此做出了積極的探索The true dimensions of a divine creativity would be unendurable for any one consciousness of whatever import ， and so that splendor is infinitely dimensionalized ( most intensely throughout ) ， worlds spiraling outward with each " " moment " " of a cosmic breath ; with the separation of worlds a necessity ; and with individual and mass comprehension always growing at such a rate that all that is multiplies itself at microseconds ， building both pasts and futures and other time scales you do not recognize
一個神聖的創造的真正維度對任何一個無論何種意義的意識而言，都是無法忍受的，這種壯麗是無限維度化的（強烈到遍布一切） ，這同樣是意識無法忍受的，這些世界隨著宇宙呼吸的每一『瞬間』向外盤旋；因為它們相互分離是一種需要；因為個人和大眾的內涵總是以如此的速率增長，以致於一切全有每一微秒都在增殖它自身，建構過去和未來，以及你們並不知曉的其他時間量度。Consul general cunningham is the recipient of the department s superior, merit and performance awards ; the national performance review s hammer award for innovation in government management ; and the president s meritorious service award
他通曉義大利語、法語、西班牙語，亦懂中文。他曾獲得美國國務院表現傑出獎，因政府管理創新而獲漢莫獎以及總統勛績獎等。3. by using the techniques of an explicit criterion to determine the number of real roots of a univariate polynomial in ( [ 13 ], [ 73 ] ) ; b - net form of bivariate splines function ; discriminant sequence of polynomial ( cf. [ 13 ], [ 73 ] ) and the number of sign changes in the sequence of coefficients of the highest degree terms of sturm sequence, this paper determines the number of real intersection points two piecewise algebraic curves whose common points are finite. a lower bound of the number of real intersection points is obtained in terms of method of rotation degree of vector field
大連理工大學博士論義：分片代數價線i片代數簇的若十m穴3 ：利用楊路，張景中，侯曉榮在文獻v13 ， 73 ）中關於一元多項式實根的顯式判準，以及二元樣條函數的b網形式，多項式的判別序列和sturm序列的最高次數項系數序列的變號數，本文給出了兩個分片代數曲線的丈交點數（假設公共點是有限的）的計算公式。I feel awkward, ashamed. i know why shed be ashamed, said petya, offended at natashas previous remark, because she fell in love with that fat fellow in spectacles this was how petya used to describe his namesake, the new count bezuhov ; and now shes in love with that singing fellow petya meant natashas italian singing - master, thats why shes ashamed. petya, youre a stupid, said natasha
「可是我曉得，為什麼她會覺得可恥， 」娜塔莎的開初的責備使得彼佳受委屈，他說， 「因為她愛上這個戴眼鏡的胖子彼佳這樣稱呼他的同名人新伯爵別祖霍夫，現在又愛上這個歌手彼佳說的是那個教娜塔莎唱歌的義大利教師，所以她覺得可恥。 」From the heights of the kremlinyes, thats the kremlin, yesi will dictate to them the laws of justice, i will teach them the meaning of true civilisation, i will make the generations of boyards to enshrine their conquerors name in love
從克里姆林宮的高樓，是的，這是克里姆林宮，對我將頒布正義的法律，我將曉諭他們真正文明的含意，我將讓世世代代的大臣們，以敬愛之心記住征服者的名字。分享友人