本舞 的英文怎麼說

中文拼音 [běn]
本舞 英文
hawk
  • : i 名詞1 (草木的莖或根)stem or root of plants 2 (事物的根源)foundation; origin; basis 3 (本錢...
  • : Ⅰ名詞1 (舞蹈) dance; dancing 2 (姓氏) a surname Ⅱ動詞1 (舞蹈; 做出舞蹈的動作) dance; move a...
  1. The paper analyses different forms of narrative embedding in two absurdist plays, i. e., samuel beckett ' s krapp ' s last tape and edward albee ' s the zoo story, in an attempt to show the poetic characteristic of this narrative strategy in application to the two plays

    文試圖揭示在這兩部荒誕派劇作中,詩意的敘事策略和多維度的象徵主義的臺形象一同構成了戲劇作品的詩意表達。
  2. The acrobatics and magic of the.

    神出鬼沒及領高強的狐仙藉尖端的臺? .
  3. Our products cover several tens of varieties such as xylophone series, glockenspiel series, drum series ( bongo drum, conga drum, hall drum, tambourim drum, waist drum, floor tom drum, wave drum, tambourine, frame drum, rattle drum ), maraca, egg shaker, headless tambourine, sand block, shaker, castanet, finger castanet, block series, wooden agogo, clave, triangle, hand bell, sleigh bells, wooden fish, guiro, cabasa, finger cymbal and so on ; to improve craftwork level, our products design aims the requirements from clients and the innovation in varieties ; to satisfy the clients ' requirements on various grades and various batch scales, our manufacture introduces advanced manufacturing process to control the procedure more rationally and guard the products quality more strictly ; to build a popular brand in market, we perseveres in a long term effort on service including that after sale and digs more latent clients ' requirements

    廠的產品涵蓋打擊琴類(木琴、鐘琴、兒童彩琴) 、鼓類(邦戈鼓、康加鼓、堂鼓、桑巴鼓、腰鼓、地鼓、印地安嗵嗵鼓、海鼓、鈴鼓、手鼓、波浪鼓) 、砂球、砂蛋、鈴圈、砂板、砂筒、響板、板、梆子、響筒、響棒、三角鐘、碰鐘、響鈴、木魚、魚蛙、卡巴薩、指鑔等數十個品種;廠的產品設計立足於滿足客戶需求,不斷創新,追求工藝品質;產品生產嚴把質量關,採取柔性製造工藝,合理控制生產流程,可以滿足客戶不同檔次規格和不同批量規模的產品需求;廠注重產品的銷售及售後跟蹤服務,深度挖掘客戶潛在需求,力爭樹立優質、完整的市場品牌形象。
  4. He was for several years the main prop and animator of roosevelt himself.

    他有幾年是羅斯福人的主要支持者和鼓者。
  5. This is to announce the ball on the weekend.

    茲訂于周末舉行會。
  6. Finally, all the above theoretical results are applied to the analysis of mellituria ii and monks problems. the conclusion is encouraging after the comparison with home precious machine learning algorithms including id family and aq family

    最後將文的理論結果應用於糖尿病病因分析和monks問題,並且把rs方法與傳統的機器學習演算法id家族和aq家族從理論上和實驗上進行了比較,在準確度和規則簡潔度等方面得到了令人鼓的結果。
  7. As she settled down in a " gaijin house " in central tokyo and looked for work in some of roppongi district ' s hostess clubs, lucie, 21, saw a city that was almost carnal in its appetites and bacchanalian in its spirit

    當她在東京市中心的「外國人住宅區」安頓下來,在六木地區幾個女夜總會找工作的時候, 21歲的露茜看到的是一個肉池酒林,徹夜狂歡的城市。
  8. The distinguished stage and screen actor, who has appeared as professor snape in all four of the blockbusting harry potter films, reached the milestone on tuesday

    周二對這位在4部票房大賣的哈利波特系列電影中出演斯內普教授的著名臺銀幕雙棲演員來說是人生中極其重要的一天。 (外國人很看重六十歲生曰? )
  9. His personal buoyancy and vigour were a tonic.

    人非常樂觀,精力也很充沛,令人感到鼓
  10. Based on the analysis, it is concluded that the congruous contract between the managers and the manipulative stockholders, shielding of the cpas, the banks and the local government, the passive supervision of the government and the defective corporate governing framework set off accounting fraud of listed companies. at last, it introduces six countermeasures which concern law, regulation, institution building and political institution reform

    文得出結論:大股東與經營者的和謀、注冊會計師(會計師事務所) 、銀行和地方政府對上市公司弊者弊行為的包庇、政府監管部門的消極監管和上市公司治理結構的缺陷是引發上市公司會計弊問題的根原因,並據此從法律、法規、制度建設、政治體制改革等六個方面提出了治理上市公司會計弊的相關建議。
  11. Therefore, the significance of the phenomenological method is to get rid of the effect of idealism and realism, and to provide us with a kind of new thought and method, " eidetic reduction " and " transcendental reduction, " in order to rediscover the artistic creation of dance

    對于蹈藝術創作的意義在於卸解觀念論與存在論的影響,促使創作者在質還原與先驗還原的情況下,重新探究蹈藝術的形式與內涵。
  12. In this paper, to meet the trend of new elevatory stage, a hydraulic motor driven leading screw elevatory stages were developed

    論文針對當今升降臺發展的趨勢和要求,設計開發了採用液壓馬達驅動的絲杠升降臺。
  13. This article is a sociological ethnography of a chinese immigrant social dance subculture in japan

    摘要:文是有關在日的中國人移民交誼亞文化的社會學民族志。
  14. However, reverting to friend sinbad and his horrifying adventures who reminded him a bit of ludwig, alias ledwidge, when he occupied the boards of the gaiety when michael gunn was identified with the management in the flying dutchman, a stupendous success, and his host of admirers came in large numbers, everyone simply flocking to hear him though ships of any sort, phantom or the reverse, on the stage usually fell a bit flat as also did trains, there was nothing intrinsically incompatible about it, he conceded

    當邁克爾網恩經營歡樂劇場時,路德維希主演漂泊的荷蘭人127獲得巨大成功,愛慕他的觀眾蜂擁而至,個個都只是為了聽聽他的聲音。盡管不論是不是幽靈船,一旦搬上臺,就跟火車一樣,通常會變得有點兒單調了。他承認那位水手所講的質上沒有什麼相互矛盾的地方。
  15. Japanese geisha and ouyang yuqian ' s drama

    伎與歐陽予倩戲劇
  16. The evolution of the tool, of the harp, of music and song and dance, are all beautifully elaborated ; but how about the evolution of the human himself, the development of the basic and intrinsic parts that were in him before he made his first tool or gibbered his first chant

    對于工具豎琴音樂歌曲和蹈的進化過程已有了美妙精彩的闡述,可對於人身的進化過程呢?對創造出第一個工具和唱出第一首歌曲之前的人類身的基的內在的部分的進比過程呢?
  17. Hongo, born sept. 16, 1887, was raised on a farm and counts drinking japanese rice wine among her favorite things - along with black salt, pork, sashimi, and green tea, according to guinness

    1887年9月16日鄉降生在一個農戶家庭。根據吉尼斯紀錄記載,這位老人平日喜歡喝日米酒,還要佐以粗蘇打豬肉生魚片和綠茶,此外,她還喜歡跳傳統的日本舞蹈。
  18. New the house of 72 tenants stage version

    新七十二家房客足本舞臺劇
  19. Students must participate in performance or rehearsal, unless in emergency and must notify the studio

    4演出采排不能缺席,除非有緊急事故,需提早通知本舞蹈室。
  20. This unique, cross - cultural collaboration between six artists from hong kong, japan, korea and the uk combines asian and european theatre and performance skills with the expressionistic musicality of renowned korean musician sung ki - wan. japanese dancer makoto matsushima and celebrated hong kong actor lee chun - chow also join with theatre du pif to create this dynamic new production which fuses music, dance and story - telling

    《象從不遺忘》是進劇場聯同南韓音樂人成耆完、日本舞者松島誠和地資深演員李鎮洲共同創作的一出極具動感的當代劇場作品,混合現場音樂、歌唱和蹈,往返于協調與混亂的境地,展現大象眼中美麗又神秘的故事。
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