格式塔 的英文怎麼說

中文拼音 [géshìtǎ]
格式塔 英文
gestalt
  • 格 : 格象聲詞rattle; gurgle
  • 式 : 名詞1 （樣式） type; style 2 （格式） pattern; form 3 （儀式; 典禮） ceremony; ritual 4 （自然科...
  • 格式 : form; layout; pattern; format; mode; style
  1. An analysis on viscera state theory based on gestalt psychology

    從格式塔心理學原理分析藏象理論
  2. Form vision and feeling psychology is the bridge which connects products designer to consumers. the paper accepts the theory of gestalt psychology and sums up several methods used to design electric products used in house

    形態視知覺心理是溝通消費者與產品設計師橋梁，論文采納了格式塔心理學原理，運用形態視知覺心理歸納、總結了家電產品造型設計的幾種方法。
  3. The theoretical study mainly talks about the revelation in the teaching of ancient poems from the aspects of gestalt psychology and essence, requiring the cultivation of integer viewpoint, sentiment viewpoint and chant viewpoint, on the basis of which five new kinds of courses are carried out, including poem appreciation, poem reading, poem writing, " poem - sound and picture - meaning " and poem principal

    理論探究方面是從格式塔心理學理論和詩的本質論的角度談對中學古詩詞教學的啟示，要求在中學古詩詞教學過程中樹立整體觀、情感觀、誦讀觀。在此基礎上進行了五種課型的嘗試研究，即詩歌朗誦課、詩歌鑒賞課、詩歌寫作課、 「詩音畫意」課和詩歌主題教學課。
  4. Application of gestalt theory in architecture esthetics

    格式塔理論在建築美學中的應用
  5. Compare the idea of piagetian school with that of gestalt ' s on the holistic point of view

    皮亞傑學派與格式塔學派的整體觀比較
  6. When their experience grow up, their motive of inquiry is the main driving force of knowledge construction. secondly, the course of recognition can be analyzed from linear way, then we can say it consists of gestalt formation, schematizing and theory building

    該模型告訴我們，在獲得經驗和具體事例的基礎上，主體進入第一種水平的知識建構階段，即格式塔的形成，然後進入圖式化，最後是理論建構。
  7. The aim of getalt therapy is to help one to become whole - - to help the person become aware of, admit to, reclaim, and integrate his fragmented parts

    格式塔心理學的目標是幫助一個人走向完整- -幫助人們了解，接受，找回並重整其殘破的部分。
  8. Firstly, an understanding has been obtained by describing and interpreting gaesita psychological experiments : 1 ) objects with " distinctive features " always conform to the " simplification " tendency of visual cognition

    首先，通過對格式塔心理學實驗的描述與解讀我們可以認識到：具有「鮮明特徵」的事物往往更加符合視知覺「簡化性」的傾向。
  9. In such a background, we intend to adopt the specific experiments of gaesita psychology as the overall theoretical framework, precede from the angle of expressing formal characteristics of architectures, select " clarity and expression " ( an approach to handling formal construction ) as our subject and then make a rational analysis of the expression principles and operation methods of the formal construction of various architectures

    在這樣的背景下，我們以格式塔心理學具體實驗的啟示為理論依據，從建築形式特徵表現的角度出發，選取一種形式構成處理方法? ? 「清晰與表達」作為研究對象，主要從「形態」的方面，對建築的形式構成的表達規律和操作方法進行分析與總結。
  10. Therefore, at three aspects such as ancient chinese education, china traditional philosophy and western gestalt comprehension outlook, on study, this paper summarizes the theoretic origin of comprehension, emphatically analyzes its characteristic, qualifications and tactics of its cultivation when in modem chinese teaching inner understanding is regarded as a kind of advanced, comprehensive and aesthetic ability of comprehension and also focuses on probing into presentation of comprehension neglected in teaching reading comprehension and composition and analyzes methods of its cultivation

    為此，本文從古代語文教育、中國傳統哲學、西方格式塔頓悟學習觀三方面概述了悟性的理論淵源，著重分析了在現代語文教學實踐中悟性作為一種高級的、綜合的審美感悟能力所具有的特徵、悟性培養的條件、悟性培養的策略；重點探討了在閱讀教學、作文教學中悟性缺失的具體表現及其培養方法。
  11. This paper tries to explain how merleau - ponty proposes the dialectics between the living experience and the expression by his criticism of behaviorism and gestalt theory

    摘要本文力圖揭示梅羅龐蒂是怎樣把生活體驗與表達之間的辯證法建立在對行為主義和格式塔理論的創造性把握的基礎之上的。
  12. The aim of gestalt therapy is to help one to become whole to help the person become aware of, admit to, reclaim, and integrate his fragmented parts

    格式塔療法的目的旨在幫助一個人成為整體? ?幫助這個人意識到並承認他各個不完整的部分，而且矯正它們，使之成為一個整體。
  13. In this paper, paradigm is firstly analyzed and regarded as a system that consists of idea paradigm, rule paradigm and practice paradigm ; then, a combined point between the western economics and paradigm is found out by analyzing economics, that is to say, idea paradigm has the same meaning as the regulative problems, and rule paradigm and practice paradigm are branches of analyzed problems. so author thinks that it is possible to appear the natural development law of economics by analyzing economics theory introduced by kuhn ' s thoughts. in this paper, the possibility of applying kuhn ' s thoughts in the researches on western economics is proved and conformed by studying the development history of western economics, and institutional economics, the development trend of western economics is deduced

    因此，為了利於研究，筆者首先對庫恩範式進行解構，把範式看作是由觀念範式、規則範式和操作範式三要素構成的範式系統，其中觀念範式是核心，是始發之源，規則範式是中層結構，而操作範式是聯結外部自然的「外圍」 ，在範式系統的層次結構中觀念範式是最穩定的，不易發生變化的，一旦觀念範式發生變化，則整個範式系統發生「格式塔轉換」使其明確化；然後通過分析經濟學的研究邏輯，認為經濟學的研究邏輯由對象邏輯、思想邏輯、和發展邏輯構成，通過對經濟學對象邏輯和思想邏輯的研究，找到經濟學研究與範式的結合點，即觀念範式與規范性問題是具有同等意義的概念，而規則範式和操作範式是武漢理工大學碩士學位論文對分析性問題的細分，從而使範式理論應用於經濟學理論的研究成為可能。
  14. Compared with the traditional development, sustainable development has three obvious characteristics, namely realized " three - big basic transition " : in people ' s social life, realized the transition of paying attention to quantity to paying attention to quality ; at social development strategies, realized the transition of laying particular emphasis on development content to laying particular emphasis on the developing ability ; on the method of social development, turned to the form tower from the single factor

    與傳統的發展觀相比，可持續發展具有三個明顯特點，即實現了「三大根本轉變」 ：在人的社會生活方面，實現了由注重數量向注重質量的轉變；在社會發展戰略上，實現了由側重發展內容到側重發展能力的轉變；在社會發展方法上，由單因素轉向格式塔轉換。
  15. There were a lot of theoretical research about creative thinking in history, among which the representative theories are as follows : " four - stage model " of wallas, " structure " of form tower school, " disperse thinking " of j. p. guilford etc., which offer us fine reference today

    歷史上關于創造性思維理論方面的研究很多，其中有代表性的理論主要有以下幾種：沃拉斯的「四階段模型」 、格式塔學派的「結構說」 、吉爾福特的「發散思維」等等，這些理論為我們今天研究創造性思維提供了很好的借鑒作用。
  16. Nevertheless, this creation cannot be understood from the absolute implication, because it aims at arousing other creative treatments and merging into the gestalt of history

    當然，這種創造不能從絕對的意義上去理解，因為它的目的是激發起其他一些創造，並同時被整合進歷史的「格式塔」之中。
  17. He insists that the gestalt of behavior is not only situated in the relationship between stimulus and instinctive reaction, but also in the relationship between the perceived and the creative treatment

    即行為的「格式塔」不僅是處于刺激本能反應的關系之中，而且更是處於一種被知覺加工的關系之中。
  18. When a person wants to discover and change his “ losing streak, ” when he wants to become more like the winner he was born to be, he can use gestalt - type experiments and transactional analysis to make change happen

    當一個人想發現並改變他接二連三的失敗厄運時，當一個人想變得更像一個天生的成功者時，他可以使用格式塔型試驗和事物處理分析法來促使發生變化。
  19. The article summarized the basic theories of gestalt and discussed the application of its fundamental perceptual organization principles - the differentiation of figure and ground, proximity, similarity, continuity and completeness and closure - in the graphically creative design by integrating the specific examples

    摘要歸納和總結了格式塔的基本理論框架，結合具體實例，論述了其基本知覺組織原則圖形背景分化原理、相似、接近、連續原理以及完整和閉合傾向原理在現代圖形創意設計中的應用。
  20. This paper gives an analysis of the history of western aesthetics by focusing on the ideas and approaches of kant, jung, arnheim and kandinsky, and discuses the four kinds of priori paradigms of artistic form, that is, priori form, prototypical form, gestalt form and abstract form in the hope of interpreting the priori layout, foundation and texture of art formalism

    摘要通過梳理西方美學史從康德、榮格、阿恩海姆到康定斯基這四位美學家關于藝術形式的觀點、思路，本文考察了純粹形式、原型形式、格式塔形式和抽象形式這四種藝術的先驗形式論範式，從而為藝術形式主義尋索一種先驗論的格局、根基和脈絡。
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