民俗心理學 的英文怎麼說

中文拼音 [mínsúxīnlǐxué]
民俗心理學 英文
folk psychology
  • 民 : Ⅰ名詞1 （人民） the people 2 （某族的人） a member of a nationality 3 （從事某種職業的人） a pers...
  • 俗 : Ⅰ名詞1 （風俗） custom; convention 2 （沒出家的人） secular; lay Ⅱ形容詞1 （大眾的; 普遍流行的） ...
  • 理 : Ⅰ名詞1 （物質組織的條紋） texture; grain （in wood skin etc ） 2 （道理;事理） reason; logic; tru...
  • 學 : Ⅰ動詞1 （學習） study; learn 2 （模仿） imitate; mimic Ⅱ名詞1 （學問） learning; knowledge 2 （學...
  • 民俗 : folk custom; folkways民俗節 folk customs and culture festival; 民俗旅遊 folk customs tour; 民俗學...
  1. First of all, i ' ve collected taboo culture of each ethnic, and analyzed each type centering around anthropology, folklore, and theological theory of the altaic group of language in china

    首先以中國阿爾泰語系諸民族的有關資料為中心收集禁忌文化。通過人類學、民俗學、宗教學等理論分析各民族的禁忌類型。
  2. In this general environment, subjects as architectonics the city planning theory sociology environment psychology ethnology folklore and so on start continuously to expand and to architectonics realm, urge people rethinking traditional architecture concept

    處在這樣大環境下，建築學、城市規劃學、社會學、環境心理學、文化人類學和民俗學等學科開始不斷向建築學領域擴展，促使人們對傳統建築觀念進行反思。
  3. Yin and yang, the two opposite principles in nature and human affairs, as well as the inclination to go after good lucks and keep clear of evils, fostered the ideas of colors on the part of the ancient chinese people

    陰陽五行學說和趨吉避兇的世俗心理鑄成古人的色彩觀念，制約著華夏民族的色彩選擇，也賦予民間美術色彩以多重表現功能和豐富的文化意蘊。
  4. The design architecture is a complex comprehensive subject, which involves architecture, sociology, folklore, psychology, human engineering, structural engineering, architectural physics, architectural materials and so on and also is concerned with furniture display, decorative materials, structures, functions, arts and crafts, greening, gardening, etc., and apply to many subjects knowledge to comprehensively conducts multi - levels parietal environment design. its means is to apply to plane part, spatial structure, perspective, illusion, light technology, reflection and color variety principles and material means making " big " space turn to " small ", while " small " space turn to " big ". and according to design requirements, the spaces are re - divided and composed making it increase visual extension, and add layers through various kinds of material structure changes that make " spacious " is not " blank " while " small " is not " crowded ", creating an anticipant style and atmosphere

    建築設計是一門復雜的綜合學科，我們研究的目標及內容它涉及到建築學、社會學、民俗學、心理學、人體工程學、結構工程學、建築物理學以及建築材料學等學科，也涉及到傢具陳設，裝潢材料的結構和性能、工藝美術、綠化、造園藝術等領域，而且是運用多學科的知識，綜合的進行多層次的空間環境設計，其在手法上是利用平面主體和空間構造、透視，錯覺、光影、反射和色彩變化等原理以及物質手段，使大空間變小，小空間變大，按設計構思的要求，將空間重新劃分和組合，使之增加視覺上的擴展延伸，通過各種物質構件組織變化，加添層次，以求大而不感其空，小而不感其塞，創造出預期的格調和建築環境氣氛。
  5. Starting with the feasibility research of the development of these souvenirs, the paper attempts to define tourist souvenirs and other relevant concepts firstly, and then endeavors to put forth the overall developing pattern and the specific developing paths on the basis of the synthesis of an abundance of knowledge in numbers of fields, such as the study of tourist resources, marketing, psychology, aesthetics, advertising, folklore and ecology. apart from the theoretical contribution, the paper also bothers to carry out a case study of the development of tourist souvenirs in chongyi, jiangxi province, the home to bamboos, namely, the bamboo village, aiming at making a profound exploration in the aspect

    本文從竹鄉旅遊紀念品開發的可行性出發，對旅遊紀念品及其相關概念的界定作了初步探討，對其開發的理論基礎、開發原則進行了初步的研究:將旅遊資源學、市場營銷學、心理學、美學、廣告學、民俗學等學科應用於其開發中，提出了旅遊紀念品的開發模式，並設計了開發竹鄉旅遊紀念品的具體途徑:以江西崇義為例，結合資源與市場的開發進行了深入探討。
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