沙河之歌 的英文怎麼說
中文拼音 [shāhézhīgē]
沙河之歌
英文
time on earth-
This essay aims to take the mutual metaphors of vigor, river and music as the key path in interpreting sha h bei g ( lament of the sand river ) by qi deng sheng by bringing up and discussing how the three intervals of " murmur of the sand river, " " unswerving playing of vigor " and " incessant inquiry over the signification of playing " are interwoven into one melodic novel abounding in rhythms
本文試圖以生命、河水與音樂的相互隱喻，討論《沙河悲歌》如何以沙河的潺潺細唱、生命矢志不移的吹奏，與不間斷地詢問吹奏之義三組音程交織成一篇深富韻律性的旋律小說。Water invasion bursten out during the railway - tunnel construction is usually the mainly problem in constructing or operating, also which brings surface water to exhaustion and pollutes environment or effects ecology, etc. the geleshan tunnel which crosses through guan - yin gorge anticline which trend is near south north, is located between tuanjie village and jingkou village of the shapingba zone, chongqing city, which is belongs to the inducting segment of yu - huai railway. the guan - yin gorge anticline appears to ridge and slot interlacing in land form, and is composed of clastic rock and carbonate rock from jurassic xintiangou group to triassic
歌樂山隧道位於渝懷線引入段重慶市沙坪壩區團結村至井口村之間，隧道穿越近南北向的觀音峽背斜，地貌上表現為脊、槽相間，觀音峽背斜由侏羅系新田溝組至三疊系下統碎屑巖和碳酸鹽巖組成，歌樂山頂大部分出露可溶巖地層，地表巖溶發育，有大量泉水和暗河出口，並修建有多個中小型水庫、大量池塘和水井。With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation
《沙河悲歌》中，李文龍在死亡臨近前，在沙河前告訴其弟二郎，他終于懂得什麼是生活和賦格，並領悟：追求技藝藝術到最後會轉來發現自我，其中所賦予的吹奏之義，讓沙河、吹奏與自我的三股旋律，以音樂曲式的：出發、轉調、變調而再現主題原調之發展，譜就了一曲悲愴而動人的生命藝術性之歌，本文以為這是解讀《沙河悲歌》 ，與七等生對藝術看法的重要關鍵，更是對藝術創作所觸及的生命藝術性本源之反思。
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