無形象的 的英文怎麼說

中文拼音 [wúxíngxiàngde]
無形象的 英文
imageless
  • 無 : 無Ⅰ動詞（沒有） not have; there is not; be without Ⅱ名詞1 （沒有） nothing; nil 2 （姓氏） a surn...
  • 的 : 4次方是 The fourth power of 2 is direction
  1. Here, the same format was used for the seminar as for the one in ghana, except by master s arrangement, we were able to use st paul s church, in the heart of the city of abidjan, for our venue

    多哥同修也前來象牙海岸幫助傳播師父的教理，我們採用和在迦納一樣的方式來弘法，唯一的差異是師父無形的安排各有巧妙不同。
  2. Cryptic species have been found in a wide range of marine organisms ; with majority of them are benthic invertebrates. in contrast, marine holoplanktons are thought to have lower diversity and slow speciation due to their strong dispersal potential. this paper reviewed studies on cryptic species and speciation in marine holoplankton. based on findings in 38 studied taxa, it was concluded that : 1 ) cryptic species are pervasive in marine holoplankton, suggesting holoplankton speciation was more active than previously thought ; 2 ) current morphospecies diversity is untenable to reflect true species diversity in marine holoplankton ; 3 ) geographic isolation may facilitate cryptic speciation of marine holoplankton. however, contribution of allopatric speciation is still questionable ; 4 ) ecological speciation may be the prevailing speciation mode in marine holoplankton. cryptic speciation in marine holoplankton is paradoxical, because rapid speciation under strong gene flow is countertuitive. solution of this paradox will help us gain deep insights of marine speciation and biodivesity

    隱種廣泛存在於各類海洋生物中，尤其是底棲無脊椎動物.然而，海洋終生浮游生物由於具有較強的擴散能力，往往被視為生物多樣性低、物種形成慢.本文就海洋終生浮游生物隱種與物種形成的研究作一綜述.基於研究的38個種類，結果表明: 1 ）海洋終生浮游生物普遍存在隱種，其物種形成要比想象得快; 2 ）由於引種的廣泛存在，形態種生物多樣性無法反映海洋終生浮游生物真正的物種多樣性; 3 ）地理隔離有助於海洋終生浮游生物隱種的形成，但異域物種形成的作用仍值得商榷; 4 ）生態物種形成很可能是海洋終生浮游生物物種形成的主流模式.海洋終生浮游生物強基因流下快速的物種形成有悖于生物進化常理，解決該悖論將有助於我們對海洋物種形成和生物多樣性的理解
  3. Though she slightly tarnished her sweetness and light reputation with her darkly waggish performance as a jilted girlfriend with revenge on her mind in addicted to love, ryan reaffirmed her standing as a cinematic sweetheart nonpareil by voicing 1997 ' s most comely animated damsel in distress, anastasia

    瑞恩在《愛之癮》中扮演因遭人拋棄而一心復仇的情人，雖然惡作劇式的表演對她甜美燦爛的形象稍有損害，但其為1997年最美麗的動畫患難少女《阿納斯塔西婭》的配音，卻再度肯定了她無與倫比的銀幕情人的地位。
  4. The various colours significant of various degrees of vitality white, yellow, crimson, vermilion, cinnabar : their degrees of brilliancy : their magnitudes revealed up to and including the 7th : their positions : the waggoner s star : walsingham way : the chariot of david : the annular cinctures of saturn : the condensation of spiral nebulae into suns : the interdependent gyrations of double suns : the independent synchronous discoveries of galileo, simon marius, piazzi, le verrier, herschel, galle : the systematisations attempted by bode and kepler of cubes of distances and squares of times of revolution : the almost infinite compressibility of hirsute comets and their vast elliptical egressive and reentrant orbits from perihelion to aphelion : the sidereal origin of meteoric stones : the libyan floods on mars about the period of the birth of the younger astroscopist : the annual recurrence of meteoric showers about the period of the feast of s. lawrence martyr, 10 august : the monthly recurrence known as the new moon with the old moon in her arms : the posited influence of celestial on human bodies : the appearance of a star 1st magnitude of exceeding brilliancy dominating by night and day a new luminous sun generated by the collision and amalgamation in incandescence of two nonluminous exsuns about the period of the birth of william shakespeare over delta in the recumbent neversetting constellation of cassiopeia and of a star 2nd magnitude of similar origin but lesser brilliancy which had appeared in and disappeared from the constellation of the corona septentrionalis about the period of the birth of leopold bloom and of other stars of presumably similar origin which had effectively or presumably appeared in and disappeared from the constellation of andromeda about the period of the birth of stephen dedalus, and in and from the constellation of auriga some years after the birth and death of rudolph bloom, junior, and in and from other constellations some years before or after the birth or death of other persons : the attendant phenomena of eclipses, solar and lunar, from immersion to emersion, abatement of wind, transit of shadow, taciturnity of winged creatures, emergence of nocturnal or crepuscular animals, persistence of infernal light, obscurity of terrestrial waters, pallor of human beings

    顯示出不同程度之生命力的繽紛色彩白淺黃深紅朱紅銀朱諸星之亮度一直包括到七等星以等級標志的諸星之大小諸星的位置御夫座沃爾辛厄姆路172大衛的戰車173土星光環螺旋星雲凝固后形成有衛星的恆星群兩重大陽相互依存的旋轉運動伽利略西蒙馬里烏斯174皮亞175勒威耶赫歇耳加勒176等人各自獨立地同時所做的發現波得和開普勒所嘗試的距離的立方與回轉次數的平方的體系化177多毛的眾彗星178那幾殆無限的被壓縮性，以及自近日點至遠日點那廣漠的遠心的重返大氣層的橢圓軌道隕石的恆星之起源年紀較輕的天體觀測者誕生的那個時期火星上所出現的「暗波」現象179每年在聖勞倫斯節殉教者，八月十日前後降落的隕石雨每月都發生的所謂「新月抱舊月」現象180關于天體對人體的影響的假定威廉莎士比亞出生的時期，在斜倚卻永不沒落的仙后座那三角形上端，一顆不分晝夜散發著極亮光彩的星辰一等星出現了181這是兩個無光死滅了的太陽因相撞並汞合為白熱體而形成的燦爛的新太陽大約在利奧波德布盧姆出生時，出現在七星花冠星座里而後又消失了的一顆同一起源亮度卻稍遜的星宿二等星182還有約於斯蒂芬迪達勒斯出生時，出現在仙女座中之後又消失，小魯道爾夫布盧姆出生與夭折數年後出現于御夫座后又消失，以及另外一些人出生或去世前前後後出現在許許多多其他星座中而又消失了的假定是同一起源的實際存在或假定存在的星斗183 。
  5. Atman who is one and immutable by nature seems to have assumed innumerable forms

    神我是唯一的，不變的，但卻擁有無數的形象。
  6. With buildings like the casa cal bain and the casa minga, antony gaudy is credited with making great impact of image of barcelona

    安東尼?高迪以卡爾維特和米拉之家等建築物，塑造了巴塞羅那無以倫比的形象。
  7. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
  8. This fits the desire to portray english fans as the victims, forever at the mercy of unscrupulous foreign justice systems and brutal, fascistic policemen

    這符合把英格蘭球迷描繪成永遠在肆無忌憚的外國司法體系或法西斯警方暴力中受害的遇難者形象的需求。
  9. The competition of modern enterprises has transferred its core from price to image, and the corporate incorporeal capital has become one of the most important foundation stones for enterprises to survive and develop

    現代企業競爭，已從價格戰轉移到形象的較力之中，無形資產成為企業生存發展的重要基石之一。
  10. The three levels of quot; self quot; in psychology

    中蘩漪形象的無意識心理分析
  11. The character of authority of puppet government decided incapable paddling its own canoe on the finance

    而偽政府傀儡政權的性質決定了其在財政上是無法獨立自主的，在淪陷區是無法樹立一個獨立政府的形象的。
  12. I cannot be seen in this eternal form by study of the vedas, nor by severe penance, nor by charity, nor by grand rituals and ceremonies is it possible to see me as you are

    單靠研讀吠陀經典，或是嚴格的苦修，或是布施，或是舉行隆重的祭祀典禮，是無法像你這樣看到我的這個永恆的形象的。
  13. Commodity economic development and markets system perfect with financial system reform, enterprise image as a invisible assets of enterprise, play an important role in modern enterprise management. panshi post office as a hundred history trade that inherited good tradition of history and have development of unsuitable times, restrict harmful effects for enterprise development. faced postal service system reform will take competition more and more, panshi post office but find out unique basis of building own enterprise from inside also find out that achieve existence and development from competition must be built good image. so, mould of cis become problem that most leaders and workers of panshi post office often study it

    企業形象作為企業的一項無形資產，在現代的企業經營管理中起到非常重要的作用。磐石市郵政局作為有上百年歷史的行業，既繼承了歷史的優秀傳統，更存在著不適應時代發展要求，制約企業發展的不良因素。面對著郵政體制改革即將帶來的更深層次的競爭，磐石市郵政局不僅從內部找到了建立自己企業的獨特個性的根據，而且從外部發現了在競爭中求生存和發展必須樹立良好形象的要求。
  14. She drew her ideal of the successful man, and it was largely in her father s image, with a few unmistakable lines and touches of color from the image of mr. butler

    她描繪出了她理想的成功者。那大體是她父親的形象，其中明確無誤地夾雜著一些巴特勒先生形象的線條與色彩。
  15. According the result of lisrel : brand elements have no significant influence to brand image ; brand elements have a significant influence to brand personality ; endorser have significant influences to brand image and brand personality ; brand image and brand personality have significant influences to brand attitude ; by the moderating mechanism of high price, the effect of brand image and brand personality to brand attitude would be strong

    以lisrel驗證變數間之因果關聯性，結果顯示: 1 .品牌要素對于品牌形象的形成並無顯著的影響； 2 .品牌要素對于品牌個性的形成有顯著影響； 3 .品牌代言人對于品牌形象及品牌個性的形成有顯著影響； 4 .品牌形象及品牌個性對于品牌態度的形成有顯著影響； 5 .高價格的產品將會強化品牌形象、品牌個性正向影響品牌態度的關系。
  16. After some time, you will find that you have a kind of vigor and boldness in your brush strokes especially if you have followed the principles in calligraphy strokes. then examine whether your painting has resemblance to reality or not, as they will be considered as realistic, abstract or expressionistic. it is not necessary to be concerned whether this is a new or a traditional style of painting

    將你意象中形似即使非形似亦可畫出，紙上畫面一定會給你一個答復，留著，注個日期，不妨，天天做，這就是日課，過了一些時候，你的筆致，自然會生一股力，最好是以你習字的筆致去做，再審察這些形似與無形似的畫，形似者為近寫實畫，無形似者為寫意畫，根本無須新派畫，舊派畫，參考上面說的，你的意象中，如有詩詞文的句子，這就是靈感的反應，你的大作即有了畫題。
  17. Er yue he ' s novels belong to " cultural - historical novels. " through the portrayal of rascals, he makes a rich presentation of folklore, thus arouses people ' s potential reading desire

    摘要二月河清帝系列小說應歸入「文化歷史小說」范疇，它通過無賴形象的勾勒，展現了豐富的民俗學內容，激起了民間潛伏已久的閱讀渴望。
  18. Corporate image visual identification, that is, the ci will be transformed into non - static visual elements of visual identification symbols, with an abundant variety of application forms, in the most extensive level, the most direct communication

    企業形象的視覺識別，即是將ci的非可視內容轉化為靜態的視覺識別符號，以無比豐富的多樣的應用形式，在最為廣泛的層面上，進行最直接的傳播。
  19. “ the bombardment of visual images in contemporary society has the effect of making people less able to focus clearly and extensively on a single issue over a long period of time

    當代社會中視覺形象的沖擊導致了人們愈加無法長時間清晰而深刻地將注意力集中在一件事情上。 」
  20. High - rise residences as a major way of solving residential problems have been developed very quickly in recent 20 years while a lot of problems of architecture form art which appear with the increasing number of high - rise residences have not been solved. this will result in the loss of features and characteristics of high - rise residences and the sameness of residential environment. meanwhile, the characterlessness and sameness will reduce the recognition of residents and they can hardly have a sense of approving and belonging

    在我國近二十年裡，高層居住建築作為解決城市居住問題的主要手段之一得到了飛速發展，但伴隨著數目的大量增長而產生的高層居住建築造型藝術問題如得不到解決，將會導致高層居住建築特徵和個性的喪失，並引發城市住居環境形象的千篇一律，同時這種無個性和千篇一律所帶來的隱患是住居場所可識別性降低，人們難以對居住環境產生認同感和歸屬感，這就迫使建築師們去反思、去探索，去創造符合時代精神的高層居住建築新形象。
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