無題詩 的英文怎麼說

中文拼音 [wútíshī]
無題詩 英文
a poem without a title
  • 無 : 無Ⅰ動詞（沒有） not have; there is not; be without Ⅱ名詞1 （沒有） nothing; nil 2 （姓氏） a surn...
  • 題 : Ⅰ名詞1. （題目） subject; title; topic; problem 2. （姓氏） a surname Ⅱ動詞（寫上） inscribe; write
  • 詩 : 名詞1. （文學體裁的一種） poetry; verse; poem 2. （指《詩經》） the book of songs3. （姓氏） a surname
  • 題詩 : inscribe a poem
  1. He had seen too much of life, and his mind was too matured, to be wholly content with fractions, cube root, parsing, and analysis ; and there were times when their conversation turned on other themes - the last poetry he had read, the latest poet she had studied

    他見過太多的生活，心靈太成熟，無法滿足於分數立方根語句分析和解釋，有時便轉向了別的話題他最近讀過的詩，她最近研究著的詩人。
  2. The most trifling of essayists and most unmemorable of poetasters are seized upon to serve as subjects for doctoral dissertations, and be published subsequently.

    最不足取的散文作家，最無出息的劣等詩人，都被搶去作為博士論文的題目，后來還要出版。
  3. The cavernous edifice was packed to the rafters. we have brushed elbows with the heavy hitters in the american entertainment industry

    這個圓拱形的建築座無虛席，大家迫不及待準備觀賞美國娛樂界重量級的人物將無上師的詩譜出這場假日盛會的主題。
  4. Woven into the book s wide range of emotions is a consistent theme that forms a gentle backdrop for each poem : the omnipresence of divine love, the inspiration for master ching hai s lifelong search for truth

    整本詩集交織著不同的情感層次，貫穿著一個共同的主題-這些詩篇均是在聖愛無所不在的體悟中蘊釀而生，而這正是無上師生命歷程中的一大鼓舞。
  5. Focused on the second symphonic poem of lizt ' s tasso : whine and triumph in this paper, the theory and method of appearance analysis are used, the composition is analyzed and expatiated and concluded from the point of view of theme material, music structure and handling, and appearance result, then the duality corresponding relationship of the content and format is abstracted, so are the characteristics of the virtual and real handling of captions and appearance

    摘要音樂形象分析是音樂分析和音樂欣賞的教學與實踐中的一個「無法迴避」 ，應當思考而不得不回答的問題，因此全面分析和闡述李斯特的第二交響詩《塔索：哀訴與凱旋》的音樂結構、主題材料的貫穿與發展、音樂的技術處理及其所帶來的音樂形象結果具有非常重要的意義。
  6. Her poems have no titles, hence are always quoted by their first lines. in her poetry there is a particular stress pattern. eg. capital letters as a means of emphasis. the form of her poetry is more or less like that of the hymns in community churches, familiar, communal, and sometimes, irregular

    她的詩大多無題，常以首句引用，詩中節奏特別，例如用大寫表示強調。她的詩形式上多少有點像教堂的聖歌，不講規則，為人喜聞樂見。
  7. Through jin - she to search nontopic poetry by li shang - yin

    看李商隱的無題詩
  8. On implication of modernism in li shang yin ' s titleless poems

    關于李商隱無題詩的現代派意韻
  9. The beauty of artistic conception of a non - title poem of li shangyin ' s

    李商隱無題詩的意境美
  10. Ii shang yin ' s titleless poeme, in classical chinese poetry, is undoubtedly the most extraordinary

    摘要在中國古典詩詞中，李商隱的無題詩無疑是最具異彩的一部分。
  11. And li shang yin, a classical poet whose titleless poems have revealed a distinctive implication of modernism, should be greatly valued

    而在所創無題詩中就表現出鮮明現代派意韻的中國古典詩人李商隱，理應具有一種非常珍貴的地位。
  12. Examining relations of li shang - yin ' s poems without title to his lost romances is importantly cocerned with how to view literature during the tang dynasty on the whole

    考察李商隱無題詩和他創作的佚失傳奇文的關系，乃是關涉唐代文學整體觀的重大問題。
  13. In addition, there are five short poems with five characters to each line and one eight - line poem with seven characters to a line, which are in accordance with the story of han yi

    綜觀李商隱《無題》詩，可分為三四種各自含蘊某些故事情節的連串組詩，並非無具體事實作為這些組詩的背景，且並不存在李商隱本人的戀愛詩。
  14. Li shang - yin and the studies on his poems and essays were awfully ignored and dispersed in the three dynasties of song, yuan and ming, ranging over 800 years ; nevertheless, a 200 - year climax of li shang - yin studies emerged in the qing dynasty, with a great number of researchers as well as academic works and findings, so that the value of li shang - yin and his works were come to be extensively acknowledged

    但到了清代卻出現了一個長達200多年的李商隱研究熱潮，研究內容既有對李商隱生平經歷和政治歸屬的考證，又有對其詩文的年系考辨、箋注、解說與評點，還有對其無題詩、錦瑟等作品進行新的論釋。
  15. The 16 pages of poems hand - written in pencil formed the earliest dylan manuscript ever offered for auction and it fetched the highest auction price to date for the acclaimed songwriter, according to christie ' s. a title page was inscribed in blue ink " poems without titles, " with the majority of the poems signed dylan or dylanism. the poetry was acquired by an unidentified private european interest

    據路透社11月22日報道，根據克里斯蒂拍賣行的說法，這組總長度為16頁的詩歌是用鉛筆手寫而成的，作者在這本詩集的扉頁上用蘭色墨水寫下了「無題詩」字樣，而在其它大部分作品的結尾處署名為迪倫或迪倫主義。
  16. However, it is obvious that at this moment their deep concern for the fate of their motherland far outweighs any enjoyment they get from the beautiful scenery before them

    然而，各人雖面對著國土大好河山的美景，但心中卻是牽系著家國的命運。這種情懷在畫幅後半部的題詩上表露無遺。
  17. The numerals, frequently substantive and otherwise not, are used without slightest pretension, thus playing an important role in expressing the theme of the poetry

    這些數詞或實或虛，運用自如，毫無斧鑿之痕，對表現詩詞的主題起到了巨大的作用。
  18. " this work is a series of lyrics and poems by supreme master ching hai describing various ways in which we come face to face with the problems of life because of not having that connection within "

    這作品是由清海無上師的幾首詩所作，這些詩描述我們因為沒有與內在溝通，生活才遭遇問題。
  19. Li shang - yin ' s untitled poems kept in his poetic collection mainly include two categories : eight eight - line poems with seven characters to each line and three four - line poems with weven characters to a line, respectively attached to his two romances probably labeled as record of the blue bridge and record of the green bird

    摘要李商隱詩集中存錄的《無題》詩，主要是七律八首，七絕三首，可分別系列於他所寫作的擬名「藍橋記」 、 「青鳥記」兩篇傳奇文辭，其無題的語意和情調均和傳奇故事中的情節絲絲入扣；詩中有所疑難的語句和隱事，後世註解者多爭論不息的無從落實的懸案，通統可由傳奇故事的具體經歷，恰當地給以解說。
  20. This paper focuses on the point of " negative capability " will try to explain the tasting of the " negative " relationship between art talent and poetic traditional culture, to analyse the sense of poetic character - no identity, and to compare keats ' intuition on poetic art to the spirit of chinese tao - to decrease daily for the pursuit of tao, which was experienced by john keats who had just lived 26 years for his whole life

    本文正是試圖從「消極感受力」這一命題的視角出發，初步闡發了只活了26歲的年輕詩人濟慈，用自己的詩意生命所體悟到的個人藝術才能與對詩學傳統文化的「消極」狀態的關系，及詩人自身的分裂與詩人無個性意識的偉大的現代性，后現代性思想的火花，並且大膽的把濟慈對藝術的體悟與中國道家「為道日損」的境界相互闡發，體悟濟慈對藝術本體的認識。
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