用比喻地 的英文怎麼說

中文拼音 [yòngbǐyùde]
用比喻地 英文
metaphorically
  • 用 : Ⅰ動詞1 （使用） use; employ; apply 2 （多用於否定: 需要） need 3 （敬辭: 吃; 喝） eat; drink Ⅱ名...
  • 比 : Ⅰ動詞1 （比較; 較量高下、 長短、距離、好壞等） compare; compete; contrast; match; emulate 2 （比...
  • 喻 : Ⅰ動詞1 （說明; 告知） explain; make clear; inform 2 （明白; 了解） understand; know Ⅱ名詞1 （比方...
  • 比喻 : 1 （譬喻; 一種修辭方式） metaphor or simile; analogy; figure of speech; allegory 2 （打比方） com...
  1. Harold bloom, a monumental and legendary figure of literary criticism at yale university, a name that cannot be avoided in poetry criticism, is one of the strongest and definitely the most prolific critics of his generation or of several past generations. professor xu jing, correspondent of foreign literature studies, interviewed professor bloom in may 2006. this interview focuses on his theory of poetry that was explosively brought forth in the 1970s by his famous tetralogy : the anxiety of influence, a map of misreading, kabbalah and criticism, and poetry and repression. bloom regards his theory of " the anxiety of influence " as his most important contribution to literary criticism, and uses " dancing " to explain his famous yet baffling six rations of " misprision. " always preoccupied with his own theory, bloom here again traces the precursors of emily dickinson and makes a brief comparison between walt whitman and wallace stevens. looking back to his past, bloom gives a summation of his life ' s trajectory as a critic : a revivalist of romantic poetry, a theoretician of poetry, and a critic for the general public. bloom began his career as a critic of british romantic literature in the afterglow of the new criticism. in the 1970s, bloom brought forth his explosive " theory of poetry " in the tetralogy publised in very quick succession in the 1970s. since the 1980s, bloom has become less technical and hopes to reach a wider readership. his literary criticism and what he calls his " criticism of religion " for the general public have made harold bloom a household name in america as well as in the world. at present, the 76 - year - old harold bloom is intensely engaged in the writing of what he hopes to be his masterpiece, the anatomy of influence, which is to be published in 2008 by princeton university press

    哈羅德?布魯姆教授是耶魯大學具有里程碑意義和傳奇色彩的文學批評家，一個詩歌批評界的一個不可迴避的名字，是他那一代人或幾代人中最猛烈的、也無疑是最多產的批評家之一.本刊特約記者徐靜於2006年5月對布魯姆教授進行了采訪.本次訪談的重點是布魯姆在20世紀70年代以《影響的焦慮》 、 《誤讀的地圖》 、 《卡巴拉與批評》 、 《詩歌與壓抑》四部曲的形式相繼提出的、具有爆炸性的"詩歌理論" .布魯姆認為"影響的焦慮"是他對文學批評最重要的貢獻，並用舞蹈這一形象的比喻來解釋了他那著名的卻常常令人困惑的關于"誤讀"的"六個定量" .在訪談中，布魯姆還追溯了幾位對愛米莉?狄金森頗有影響的前輩詩人，並簡單比較了惠特曼和史蒂文斯.布魯姆將他的批評生涯概括為三個階段:浪漫主義詩歌的復興者，詩歌理論家以及面向大眾的批評者.在新批評的余輝中，布魯姆以對英國浪漫主義詩歌的批評開始了其批評生涯. 20世紀70年代布魯姆提出了他那爆炸性的、以四部曲的形式相繼問世的"詩歌理論" .進入80年代后，布魯姆的批評不再艱深難懂，他希望能擁有更廣大的讀者群.他為普通大眾所寫的文學批評及"宗教批評" （布魯姆語）使得哈羅德?布魯姆成為了美國以及全世界的一個家喻戶曉的名字.目前， 76歲的布魯姆正全力寫作《影響的解剖》一書，將於2008年由普林斯頓大學出版社出版
  2. Well, out of the five or six millions which form your real capital, you have just lost nearly two millions, which must, of course, in the same degree diminish your credit and fictitious fortune ; to follow out my simile, your skin has been opened by bleeding, and this if repeated three or four times will cause death - so pay attention to it, my dear monsieur danglars

    嗯，在您那五六百萬真本錢裏面，您剛剛已經損失了差不多兩百萬，那一定會使您的信用和虛產也相應地減少，按我的比喻來看，您的皮肉已經裂開在流血了。要是再照這樣再重復三四次，就會致你于死地的。啊！
  3. March 3, 1992 originally in english w e may liken hell and heaven or goodness - i mean positive energy - to energies

    在讓我們來將天堂和地獄用能量做個比喻，天堂就是善良的品質肯定的能量。
  4. This idiom is used to describe that when writing or speaking, one or two key sentences will enhance the contents

    「畫龍點睛」這個成語用來比喻講話或寫文章時，在關鍵地方加一兩句重要的話，使內容更加生動有力。
  5. This idiom is used to describe how, when writing or speaking, one or two key sentences will enhance the contents

    「畫龍點睛」這個成語用來比喻講話或寫文章時，在關鍵地方加一兩句重要的話，使內容更加生動有力。
  6. Another lesson to be learned, to continue using my oceanographic metaphor, is that while you are swimming and not sinking you should aim for rough water

    另一個忠告是，如果繼續用我的海洋學的比喻的話，當你在大海中搏擊而不是沉沒時，你應該到波濤洶涌的地方去。
  7. Even though you came back to this material world ; what i mean by come back, it is not just like going and coming. it s just a way of speaking

    我所謂的回來，並不是真的有進進出出的往返，那只是一種比喻而已，用這世界的語言無法恰當地形容。
  8. This might seem like a silly idea, but imagine the number is used many times throughout your code, and suddenly you realize you need to change the 50 to 75

    這可能是一個不形象地比喻，但是想象這個數值在你的代碼中多次用到，並且突然你意識到需要將50更改為75 。
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