祭文 的英文怎麼說

中文拼音 [jìwén]
祭文 英文
funeral oration; elegiac address
  • 祭 : 祭名詞1. （古國名） zhai, a state in the zhou dynasty2. （姓氏） a surname
  • 文 : Ⅰ名詞1 （字） character; script; writing 2 （文字） language 3 （文章） literary composition; wri...
  1. An indistinct daguerreotype of rudolph virag and his father leopold virag executed in the year 1852 in the portrait atelier of their respectively 1st and 2nd cousin, stefan virag of szesfehervar, hungary

    一部古老的哈加達書311 ，逾越節的禮拜祭文中感謝經那一頁夾著一副玳瑁架老花眼鏡。
  2. And there was a room with a door in the covered way of the doorway, where the burned offering was washed

    門洞的柱旁有屋子和門。祭司（原文作他們）在那裡洗燔祭牲。
  3. The major focus of my doctoral thesis is put on the western canon " dionysus ritual " and its original meanings covered drama, arts, poem, religion, magic and so on with the literary anthropological perspective

    本文選擇文學人類學這一個新的研究領域，以西方經典性的「酒神祭儀」命題為切入點，特別選擇了被稱之為「傳統的貯存器」 （ container ）的儀式為主要闡發。
  4. As we know, the ritual is often taken as " the traditional container ", which means ritual has a very special capable to contain the ethnic, historical and traditional interpretative ability for itself as well as multicultural, multiethnic exchange events and " facts ". in this case, dionysus pattern is a typical example, many aspects showed that there existed a very complicated relations among the arche - type : the origin of the western tragedy, the exhibition of relation between man, nature and culture, the expression of literary themes etc. main purpose of this research will be concentrated on the combination of the dionysus ritual pattern and analyses relative eastern factors including historical texts, the drama literature using the method of literary anthropology

    作為一個經典範例，酒神祭耙儀式被視為一種跨民族、跨區域、多元文明的遺產：西方戲劇起源的濫骯哲學美學類型上的二元對峙關系的基本要件：西方文學敘事中不可或缺的原型；更重要的是，它是人類生命體驗的「自然之性」的展示… …本文通過對酒神的個案的人類學資料，同時結合狄奧尼索斯祭祝儀、戲劇文學以及相關的歷史文本分析，旨在對比較文學中「西方中心」的歷史邏輯進行梳理和反思。
  5. A study on the artistic skill in li shangyin ' s elegiac address

    李商隱祭文的藝術技巧
  6. This is a god that would be almost as unfamiliar to edmund gosse ' s father, to john calvin or the pope as it would to a roman sacrificing a bull to mithras

    這是個對艾德蒙?高斯的父親和約翰?加爾文而言不熟悉的上帝，這是個對教皇而言也不熟悉的上帝，這是個對為蜜特拉神祭牛的羅馬人而言幾乎同樣不熟悉的上帝。
  7. We, the descendants of " thousands of soldiers, hundreds of different - surname household and seven prominent families ", are holding the strong hero worships

    「祭海」 、 「開海門」 、 「迎親」等文化釋放出漁家奮斗的精神力量和古樸奇特的民間風俗。
  8. Trough field - work, we found that wang - huo is not only a part of cult in spring festival, but also a part of individual life - crisis ceremonials of indigene, so it provided with characteristic of ceremony behavior. using ceremony theory, the paper analyzed the shaping effect of the ceremony of wang - huo to local social structure, and the reflected social order of the symbolic cultural performing activity

    通過田野調查發現，它不僅是年節祭祀禮儀的組成部分，還跨入當地人的生命禮儀，具有儀式行為特點，故引入儀式分析的角度，分析旺火儀式活動對當地社會結構的塑造作用，及其作為一種符號性文化表演所反映的內在社會秩序。
  9. When the litany was over, the deacon crossed his stole over his breast and pronounced

    讀完禱文，助祭在胸前的肩帶上畫了十字，說：
  10. Sanskrit verses used in the vedic sacrifice are known as mantras

    吠陀祭禮所使用的咒語韻文是大家所知的咒語。
  11. The ancient testimony, however, is widespread, and it comes from a variety of sources : historians such as pliny and diodorus, philosophers such as plato, the poets aeschylus and cicero, the geographer strabo, the travel writer pausanias, and even a priest of apollo who served at delphi, the famous essayist and biographer plutarch

    然而古老的見證廣為流傳，來源各有不同：歷史學家普林尼與狄奧多魯斯，哲學家如柏拉圖、詩人愛斯奇勒斯與西塞羅，地質學家史特拉波，旅行作家波塞尼亞斯，甚至包括一名在德爾菲為阿波羅服務的祭司，即著名的散文兼傳記作家普魯塔克。
  12. A room with a doorway was by the portico in each of the inner gateways, where the burnt offerings were washed

    38門洞的柱旁有屋子和門。祭司（原文作他們）在那裡洗燔祭牲。
  13. Towards night candles were lighted round the coffin, a pall was laid over it, juniper was strewn on the floor, a printed prayer was put under the dead withered head, and a deacon sat in the corner reading aloud the psalter

    入夜，在棺材周圍點燃了蠟燭，棺材上面又加了罩子，地板上撤了杜松枝，在僵死干癟的頭下面枕著一張印刷的禱文，一個教堂的助祭坐在屋角唱贊美歌。
  14. The mourning injury custom and mourning culture in ancient china

    中國古代喪悼哀毀習俗與悼祭文化
  15. The folks of mourning damage and mourning memorial ceremony in ancient china

    中國古代喪悼哀毀習俗與悼祭文化
  16. The theme of grieve literature and the meaning of spirit of grieve culture

    悼祭文學主題與喪悼文化的精神史意義
  17. After liu zongyuan ' s death, han yu had composed the funeral oration, the epitaph and liuzhou luochi miao bei to him

    柳宗元死後，韓愈為其撰寫了祭文和墓誌銘后，又寫了《柳州羅池廟碑》一文。
  18. 1. square for aboriginal song and dance : the square connects to anyi park and providing a big space for those performers. for the view area, there are lawn and wooden chairs for audiences

    1 .歌舞祭文化廣場：廣場設計配合隔壁安億公園，提供表演者一個大草坪空間，觀賞區采自然草坪及小木板座椅。
  19. Cha - ha - mu aboriginal park and the museum of aboriginal culture were origionated from the aboriginal people - zhou race looking for their roots and developed their aboriginal culture. there are a square for aboriginal songs and dances, aboriginal stone and wooden sculpture, a flagstone stage and a watchtower

    札哈木原住民公園起源於2002年鄒族回府城尋根，並為發揚原住民文化所設立，公園內除有原住民歌舞祭文化廣場、原住民藝術石景、木雕、石板屋司令臺、瞭望臺外，還有具鄒族特色的涼亭庫巴。
  20. This article, through describing in fieldwork and analyzing comparatively on the public memorial ceremony of the ebo of the zangs and mongolians, holds that the public memorial ceremony for nationalities has the cultural characteristics of intergrating generality with difference as well as the poetic characteristics of explanation, ceremony and so on

    摘要本文通過對藏蒙兩個族群的峨博公祭文化的田野性描述和比較分析，認為民族公祭活動既具有共同性和差異性相統一的文化特徵，又具有解釋、禮儀、操作等詩學特徵。
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