科羅特科夫音 的英文怎麼說
中文拼音 [kēluótèkēfūyīn]
科羅特科夫音
英文
korotkoff sound- 科 : Ⅰ名詞1 （學術或業務的類別） a branch of academic or vocational study 2 （機關按工作性質而分設的單...
- 羅 : 羅名1 （捕鳥的網） a net for catching birds 2 （篩子） sieve; sifter; screen 3 （質地稀疏的絲織品...
- 特 : Ⅰ形容詞（特殊; 超出一般） particular; special; exceptional; unusual Ⅱ副詞1 （特別） especially; v...
- 音 : 名詞1. （聲音） sound 2. （消息） news; tidings 3. [物理學] （音質） tone 4. （姓氏） a surname
- 羅特 : roett
- 科夫 : cobh
-
Over the years, the hong kong sinfonietta has collaborated with an illustrious array of musicians and groups, including vladimir ashkenazy, luciano pavarotti, augustin dumay, christopher hogwood, fou ts ong, yuri bashmet, tan dun, leslie howard, mikhail rudy, robert king, gary graffman, melvyn tan, jian wang, laurent korcia, lang lang, david helfgott, sarah brightman, and the kirov, bolshoi, stuttgart and hong kong ballets. the orchestra is also a regular guest at the hong kong arts festival,
多年來，樂團除了與亞殊堅納西巴伐洛堤杜美霍活特傅聰譚盾郎朗王健陳萬榮陳佐湟莫斯科大劇院芭蕾舞團基洛夫芭蕾舞團及史圖加特芭蕾舞團等國際知名音樂家及藝團合作外，亦著意與本地出色的演奏家如姚玨馬忠為董林冰蘭羅乃新吳美樂李傳韻陳浩堂鄭慧李嘉羅詠?和黃晨達等合作。This part mainly introduces eight teaching methods : the dalcroze method, the orff method, the kodaly method, the comprehensive - musicianship method, the suzuki method, the kabalevsky method, the coleman ' s creative music for children teaching, the carabo - cone method. we discuss the general situation and character analyses of each method in detail in the article. epilogue : summarize the whole article ; combined the sprite and notion of the music reform, the paper puts forward the evaluation principles and laws to be used in the practice of music teaching and learning in order to apply these methods accurately and properly
包括近20餘年間傳入我國的國外著名音樂教育體系和教學法：達爾克羅茲教學法、奧爾夫教學法、柯達伊教學法、綜合音樂感教學法、鈴木教學法、卡巴列夫斯基的新音樂教學大綱、薩蒂斯?科爾曼的兒童創造性試驗教學和卡拉博?科恩教學法八種音樂教學法，在行文上從基本概況介紹和特點分析這兩個角度分別展開論述。It is really a challenge to the ballerinas in their acting skill and the tacit understanding with the principal role as albrecht. the moscow city ballet will perform the version adapted by leonid lavrovsky which ws premiered in bolshoi theatre in 1944. this retained adolphe adam s poetic ballet music and was well supported by the consummate ballet choreography, which give the production of
莫斯科市立芭蕾舞團是次演出是由拉夫羅夫斯基改編，在莫斯科大劇院於一九四四年首演的版本，保留了亞杜夫亞當極豐詩意的原著音樂，在獨特編舞襯托下，令舞劇的音樂戲劇性更形出眾，同時保存及演活了《吉賽爾》的原著神髓。
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