篆書 的英文怎麼說

中文拼音 [zhuànshū]
篆書 英文
seal character (a style of chinese calligraphy, often used on seals)
  • : Ⅰ名詞1 (漢字形體的一種) seal character (a style of chinese calligraphy often used on seals)2 ...
  • : Ⅰ動詞(寫字; 記錄; 書寫) write Ⅱ名詞1 (字體) style of calligraphy; script:楷書 regular script2...
  1. Findings are : ( 1 ) written word, chirography ' s development process : ja - gu - wen ( inscriptions on bone or tortoise shells ) jin - wen ( bronze inscription ) zhuan shu li shu ( an ancient style of calligraphy ), ( 2 ) material flux ' s affection process : bone bronze jian du ( wood, bamboo ), silk book ( silk ), stele carving ( stone ) paper, ( 3 ) technology flux ' s affection process : carve model cast write, ( 4 ) written - word use for common people, ( 5 ) chirography ' s artistic change ( change to calligraphy ), ( 6 ) difference and valuation of occupation or interest ( writing craftspeople and calligrapher )

    研究結果如後述: ( l )文字、體的演變過程:甲骨文金文篆書, ( 2 )材料變遷的影響過程:甲骨青銅簡牘(木、竹) 、帛(絲) 、碑刻(石)紙, ( 3 )技術變遷的影響過程:契刻范鑄寫, ( 4 )文字使用的平民化, ( 5 )體的藝術化(法化) , ( 6 )職業或興趣所形成的差異與評價(匠與法家) 。
  2. Although the achievements of calligraphy and seal cutting at the age of dao guang and xian feng during the qing dynasty give a great influence on flower - and - bird paintings, huang bin - hong ' s theory of the resurgence in chinese landscape paintings because of the " invention of epigraphy " is doubtful

    摘要清代道、咸時期的法、刻成就雖對花鳥畫影響較大,但黃賓虹所倡的山水畫因「金石學發明」而中興之說,則可思而不可泥。
  3. In autumn 1990, a museum in beijing held an arts and crafts exhibition where over 700 pieces done by prisoners in calligraphy, seal cutting, sketching, oil painting, traditional chinese painting, gouache, clay sculpture, stone carving, jade carving, wood carving, root carving, batik, embroidery, weaving, and paper cutting were displayed, which was well - received by the public

    1990年秋,在北京的博物館舉辦了有700多件由在押罪犯創作的美術作品展,內容涉及法、刻、素描、油畫、國畫、水粉畫、泥塑、石刻、玉雕、木雕、根雕、蠟染、刺繡、編織、剪紙等,在社會上引起了極大反響。
  4. Conducted education 1996 literature & art creation award & awarding ceremony ; there were 12 categories in this year as libretto of chinese opera, libretto of taiwan opera, short story, prose, new poem, classical poem, vocal music composition, chinese painting, block print, seal carving, photographing, craft, cartoon, total 59 prizewinners

    辦理教育八十五年度文藝創作獎暨頒獎典禮,本年度計有國劇劇本、歌仔戲劇本、短篇小說、新詩、聲樂曲、國畫、法、版畫、刻、攝影、工藝、漫畫等十二類,得獎人共五十九名。
  5. From liaocheng, like to play flute, bamboo flute, guitar and harmonica, to be interested in pencraft and seal cutting

    來自聊城,愛好長笛竹笛吉他和口琴演奏,喜歡法和刻。
  6. Chen hongshou, with the sobriquet mansheng, was well - versed in poetry, the classics and the four basic calligraphic scripts, especially clerical script

    他擅長古文詩詞,法行、草、、隸四體皆精,隸結體奇崛,筆法勁爽。
  7. During their long history of development, chinese characters have evolved into many different script forms, such as the seal character, offical script, regular script and running script

    漢字在其漫長的發展史中演化成許多不同的寫形式,例如篆書,隸,楷和行
  8. During their long history of development chinese characters have evolved and been written into many different artistic styles, including inscriptions on bones or tortoise shells and ancient bronze objects, the seal character, official script, regular script, running script and cursive script

    漢字在其漫長的發展史中演化成許多不同的藝術形式,其中包括甲骨銘文、青銅器銘文、篆書、隸、楷、行和草
  9. 11 during their long history of development, chinese characters have evolved and been written in many different artistic styles, including inscriptions on bones or tortoise shells and ancient bronze objects, the seal character, official character, regular script, running script, and cursive script

    11漢字在其漫長的發展史中演化成許多不同的藝術形式,其中包括甲骨銘文、青銅器銘文、篆書、隸、楷、行和草
  10. Chen hongshou is also a well respected calligrapher and a painter. in writing he is skillful in the four basic calligraphic scripts, especially clerical and running script. in painting he has fame in painting flowers in the boneless style

    畫家陳鴻壽兼擅古文詩詞,法行、草、、隸四體皆精,隸結體奇崛,筆法勁爽;繪畫多作沒骨花卉,筆墨酣暢,生趣盎然。
  11. As these lines are drawn with the supple chinese brush using calligraphy strokes, the lines have a soft feel as well as a rhythmic vigor that is not attainable by the use of pencil, charcoal or other hard instruments. the oldest and the best bai miao is the you su miao or floating gossamer threads by the distinguished artist ku kai chih. he was famous for drawing the outlines of human figure

    高古游絲描的顧愷之,他實在是東方繪畫中人物畫的一種純以線條白描的高手,其功力絲毫不能取巧,全系真工夫,因須用法中的寫的中鋒,筆力尤須由始至終一氣呵成,不能施波磔於一絲兒的舒張,猶如練武中的扎馬步,不能傳側左右。
  12. I have used this method of zhuan shu many times, for calligraphic painting. it began with my interest in epistemology and research into pictograph, where i tried using the way i write zhuan shu for writing these words of ancient scripts

    這種用籀寫的法繪畫,我已寫過不少,先出於個人對文字學上做研究探討象形文字的趣味,用平時習寫隸漢碑的筆法,來參變融會而成。
  13. The 150 works in this catalogue are by 129 well - known artists, including princes and officials such as yongxing and yinghe ; calligraphers who specialized in model - books such as liu yong and wang wenzhi ; those renowned for seal script and clerical script such as deng shiru and yi bingshou ; and those who specialized in stelae studies such as he shaoji and kang youwei. painters such as gao fenghan and fei danxu and seal - carvers such as huang yi and huang shiling are also represented here

    是次展出共129位名家作品,包括王侯貴胄永? 、英和;帖學名家劉墉、王文治;家鄧石如、伊秉綬;碑學大師何紹基、康有為;畫家高鳳翰、費丹旭;刻家黃易、黃士陵等的墨跡,從多個角度說明清代法藝術的面貌。
  14. Scholastic seal calligraphers can not be neglected to inspect qing dynasty seal calligraphers

    摘要檢閱清代篆書家,不能忽視學者篆書(家)的存在。
  15. Inscribed on its back is a " eulogy of the golden bull " written by the qing emperor qianlong in the ancient seal style

    昆明湖畔的鎮水銅牛鑄於一七五五年,背上鑄有八十字的篆書銘文。
  16. Built of marble and white stone, the jade belt bridge has a high arch and is one of the six bridges on the west shore on kunming lake

    昆明湖畔的鎮水銅牛鑄於一七五五年,背上鑄有八十字的篆書銘文。
  17. On december 28 1956, the gold seal carved with zhuanshu chinese characters “ seal of dian king ” was discovered at the ancient graves on shizhaishan hill jinning county

    1956年12月28日,晉寧縣石寨山遺址古墓群發現發現了黃金質地的篆書「滇王之印」 。
  18. He also did extensive research on chinese etymological studies and experimented with the use of different forms of chinese calligraphy such as jiagu wen, zhongding wen, and zhuan shu, and the transformation of tuhua wenzi to wenzi hua. much of his work drew from cultural and literati sources e. g

    他也對中國語源的研究有著深廣的研究,同時在實踐上,他使用了甲骨文,鐘鼎文和篆書等各種不同的形式的中國文字表現來實驗,把這些圖畫文字轉換成為文字畫。
  19. He studied watercolor painting, calligraphy, traditional chinese painting, and seal carving under several noted masters

    曾隨多位名師研習水彩畫法國畫及刻。
  20. Such cultural characteristics are shown in the rich, clean rhythm of the wu poetry, the sweet, mellow tone of the wu dialect, the slow - paced and lingering melody of kunqu opera, the crisp and delightful tune of ballad singing, the quaint and lively calligraphy, the delicate and elegant landscape painting, the simplistic and cursive engraving of seals, the merry and vivid new year s pictures of taohuawu wood - block printing, etc

    吳文化是吳歌宛轉清麗的節奏,吳語甜糯委婉的腔調是昆劇悠揚舒緩的旋律,評彈珠落玉盤清脆流暢的曲調。吳文化是古拙清新的法大作,淡雅秀麗的山水畫卷是空靈簡潔的刻藝石,歡樂明快的桃花塢年畫。吳文化是陰陽哲學的藝術再現,是黑白世界的對比交溶。
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