粹四代 的英文怎麼說
中文拼音 [cuìsìdài]
粹四代
英文
he-vb-
This richness of artistic trends was violently suppressed during the thirties and forties in germany by national socialist realism
到了三四十年代，在納粹主義下現實主義當道的年代，藝術界內形式多樣化的發展便受到壓制。Duncan was a rather short, broad, dark - skinned, taciturn hamlet of a fellow with straight black hair and a weird celtic conceit of himself. his art was all tubes and valves and spirals and strange colours, ultra - modern, yet with a certain power, even a certain purity of form and tone : only mellors thought it cruel and repellent. he did not venture to say so, for duncan was almost insane on the point of his art : it was a personal cult, a personal religion with him
他約定四人在他家裡晚餐，旦肯是哈姆萊特一流人物，有點矮而胖，膚色暗黑，寡言笑，頭發是黑而不卷，他有一種凱爾特人的古怪的虛榮心，他的作品只是些管條瓣形螺形線和奇異的顏色的混合物是超現代的，可是也有某種氣魄，甚至某種純粹的形式與格調，渤梅樂士覺得這種藝術是殘酷的，令人厭惡的，他不敢說出來，因為旦肯對於他的藝術的主見差不多是病態的。After several acclaimed lectures on cinema, architecture and modern dance comes yan jun ' s an impossible listen, a lecture giving you a pure acoustic experience
繼成功舉辦以電影、建築、現代舞為主題的講座之後，朱屺瞻藝術館在四月天帶來聲音的純粹體驗，一起關注顏峻「不一樣的聆聽」 。The fifth chapter investigates the dynamic relationship between geometry and architecture based on ellipse ' s geometric character, and analyzes ellipse architecture ' s characters in symbolism, dualism, diversity and unity these four facets. in the sixth chapter, taking ellipse architecture as examples, i try to explore the relationship between the more general geometry ' s purity and architecture ' s complexity, and build the foundation for future exploration of geometry ' s purity. in the seventh chapter, using typology contrast methodology, i analyze two architects with quite different design theories - tadao ando and koolhaas " adoption of ellipse, and taking position relationship as clue, combine ellipse and other geometric forms together to generalize the effect of geometry ' s purity to architecture ' s complexity in usual situations
第四章從歷史和現代兩個方面展開了大量對橢圓形式在建築中應用的個案和實例的研究與對比，探討了橢圓形式在歷史上意義的變遷；第五章以橢圓的幾何特性為立足點，研究了橢圓幾何- -建築之間的動態關系，從標志性，二元對立，多樣和統一四個方面分析了橢圓建築的特點；第六章以橢圓建築為例，嘗試探討了更一般的幾何的純粹性與建築的復雜性的關系，對幾何純粹性意義的挖掘為進一步的研究提供基礎；第七章採用了類型對比的研究方法，分析了安藤忠雄和庫哈斯兩位設計哲學截然不同的建築師對橢圓形式的使用；另外，以位置關系為線索，將橢圓和其他的幾何形式結合起來，總結了一般情況下幾何的純粹性對建築復雜性的作用。分享友人