繪畫語言 的英文怎麼說

中文拼音 [huìhuàyǔyán]
繪畫語言 英文
artistic languages painting language
  • 繪 : 動詞（畫出圖形; 描寫） paint; draw
  • 畫 : Ⅰ動詞1 （用筆或類似筆的東西做出圖形） draw; paint 2 （用筆或類似筆的東西做出線或作為標記的文字） ...
  • 語 : 語動詞[書面語] （告訴） tell; inform
  • 言 : Ⅰ名詞1. （話） speech; word 2. （漢語的一個字） character; word 3. （姓氏） a surname Ⅱ動詞（說） say; talk; speak
  • 繪畫 : drawing; painting
  • 語言 : language
  1. Zhu da ' s drawing language displays obvious metaphorical characteristics : preserving life is the psychological reason for which metaphorical characteristics form ; the image of " supercilious look to human " constitutes a vivid series of the metaphorical style ; and brevity is the main performance of the metaphorical drawing style

    摘要朱耷的繪畫語言呈現出明顯的隱喻特點：求生保命是隱喻形成的心理動因， 「白眼向人」式形象構成隱喻風格的形象系列，簡約是隱喻畫風的主要表現。
  2. While mary drew, diana pursued a course of encyclopaedic reading she had to my awe and amazement undertaken, and i fagged away at german, he pondered a mystic lore of his own : that of some eastern tongue, the acquisition of which he thought necessary to his plans

    這時候瑪麗繪畫黛安娜繼續她的百科全書閱讀課程使我不勝驚訝和敬畏我苦讀德文他則思索著自己神秘的學問，就是某種東方語言，他認為要實現自己的計劃很需要把它掌握。
  3. Controlling of drawing language is a prerequisite of creation ; from a comprehension of masterpieces under all sages by traditional treasury, deprivation from ancient great scholars, enlightenment of teacher wang rong - chong as well as instructions with the best efforts from the 3 masters as three of contemporary predecessors, wu wen - bing, sun cha - ching and weng wen - wei with a guidance from teacher wu wen - cheng in art of buddhism, that lead to a profound appreciation by experience for the beauty of line and styling and thus furthermore learned the lofty spirit of buddhism, with a hard progress, the author by this exhibition would present his affection and comprehension from drawing of buddha and share it to the public

    掌握繪畫語言是創作的先決條件，從傳統寶庫遍臨聖賢名作，汲古門經由王榮忠老師啟蒙，並承當代前輩吳文彬、孫家勤、翁文煒三位大師鼎力教導與吳文成老師佛教藝術之指引，使其深入體悟線條與造型之美，進而學習佛教崇高之精神，歷程艱辛，作者藉此次展出將對佛畫的感動與體悟，分享給大眾。
  4. On dong qi - chang ' s drawing and the thought of dhyana

    董其昌的繪畫筆墨語言
  5. In order to carry out an in - depth research and have a comprehensive survey of gao jianfu s art, the guangzhou museum of art collaborates with mr. and mrs. lai ming, and the art museum, the chinese university of hong kong to present this special exhibition with the artist s outstanding sketches selected from their collections. from the wealth of sketches by gao, we see his stance as an advocate for " reforms in art " and that he put his belief into practice

    為深入展示與研究高劍父（ 1879 - 1951 ）的藝術，廣州藝術博物院與黎明、黃詠賢伉儷及香港中文大學文物館，薈萃各方收藏的高劍父畫稿的精品，舉辦此專題展覽，俾大眾得以一窺高氏畫藝的真髓，也可以體會高劍父"藝術革新"的主張和身體力行的實踐、畫家對東西方不同繪畫語言的把握，以及消化吸收古今中外不同藝術的軌跡。
  6. 1995 location within the scope of language. to show the differences between the reality of knowledge and the reality of existence, i started a series of works describing the existence of the subject and displayed images, paintings and articles as documents for exhibition

    在語言的范疇里所進行的置位，作品以一系列關于「主體在世界中某一點的在場狀態」做為描述的開端，並由影像?繪畫?文稿並陳為羅列的文件，以碰觸知識真實及存有真實的差異。
  7. Scientific computation visualization interactive virtual reality computer dynamic simulation etc., to study thoroughly and carefully on critical technologies such as mixed - language programming simplification of scene models displaying realistic image and animation of 3d scene models and so on in this dissertation, the methods to build scene models were studied and applied to develop a dynamic simulation system of 3d railway scene based on this idea, the major study contents and results can be summarized as follows : 1 ) mixed - language programming can complement each other between different programming languages and the method has a general significance and can become popular many computation models including development of dtm optimum of dtm and reorganization of dtm were developed with fortran language in order to use the ripe codes, the dissertation succeeded in integrating the developed fortran codes to the visual c + + environment and achieving the course of mixed - language programming 2 ) the methods to build scene models for 3d location design were discussed in the dissertation and the development and animation of scene models had been realized by applying synthetically those technologies such as computer graphic computational geometry and geometrical modeling and computer dynamic simulation etc, and adopting opengl 3d graph library then achievement was got by using the technology of 3d visualization to livingly express design results 3 ) combing with the concerned study and development projects, adopting vc + + as development tools and in the light of those theories and algorithms stated in this dissertation, a software, which could build scene models with realism for 3d railway location design, in the name of " the dynamic simulation system of 3d scene of railway " was developed., the correctness was proved by using the software to build the 3d scene models and achieve their animation of suining - chongqing railway and yunnan - xizang railway

    本文綜合利用計算機圖形學、科學計算可視化、人機交互、虛擬現實、計算機動態模擬等理論和技術，針對混合語言編程、真實感圖形繪制以及三維景觀模型的動畫驅動等關鍵技術，進行了深入細致的研究，從而探討了建立逼真景觀模型的方法，並基於本文提出的方法研製了一個鐵路線路三維景觀動態模擬系統。基於這一思想，本文主要研究內容及研究成果如下： 1 ）混合語言編程可以實現語言優勢互補，具有普遍意義。針對數字地面模型的建立、優化、重組等計算模塊是成熟的fortran程序代碼，本文成功實現了vc + +與fortran語言的混編； 2 ）緊緊圍繞三維選線設計中景觀模型的建立方法展開研究，綜合利用計算機圖形學、計算幾何及幾何造型學以及計算機模擬技術，採用opengl三維圖形庫，實現了景觀模型的建立以及動畫驅動，使得三維可視化技術成功應用於選線設計成果的三維直觀表達； 3 ）結合有關科研課題，利用vc + +開發工具，以本文所述的理論和演算法為基礎，研製和開發了一個建立三維選線設計逼真景觀模型的系統軟體- - 「鐵路線路三維景觀動態模擬系統」 。
  8. This disparity arises mainly from the differences between the attributes of the images that served in the creation of stone tools 2. 5 million years ago, when compared with the attributes of the symbols that served in the creation of prehistoric painting, and as compared with the symbol systems that are used in language, philosophy or science today

    這種錯落，主要起於下面這個情況：服務于史前繪畫創作的符號系統的屬性，用於今天的語言、哲學或者科學的符號系統的屬性，以及服務於二百五十萬年前的石器創作的那種形象的屬性，比較起來，都是各各不同的。
  9. Certainly, qin fengling is not merely focussed on the artistic language, the contents of her paintings concern themes like social events, city life, people, animals and natural sceneries that are closely related to the living situation of the artist herself

    當然，秦鳳玲並非只關注繪畫形式語言，她的繪畫內容涉及社會事件、城市生活、人物、動物、自然風景等一切和畫家本人的生存狀態相關的主題。
  10. Ms. bing hu has inherited the traditional painting language of chinese painting, basing on which she developed her own style

    胡冰的畫是對中國畫傳統繪畫語言的繼承和創新。
  11. Design language and traditional painting

    設計語言與傳統繪畫
  12. " graphic language " is a symbol system which enables preschool children to express themselves in a visual way through drawings and illustrations

    學齡前兒童的「圖形語言」 ，指的是包括繪畫、圖解等形式在內的，可用於兒童自我表達與表現的視覺符號體系。
  13. On establishing individual painting language and training innovative art talents

    論建立個性化繪畫語言與培養創新型美術人才
  14. There are those who think that in this respect picture language developed before oral language

    有些人認為，在這方面繪畫語言的發展先於口頭語言。
  15. Brush and ink are not simply tools of chinese painting, but also, more importantly, special drawing language in chinese painting

    摘要筆墨不僅是中國畫的一種工具材料，更重要的是中國畫一種獨特的繪畫語言。
  16. Van gogh ' s painting pattern was deeply influenced by the oriental art in its deep feeling and understanding of the oriental culture, and its absorption of the oriental art spirit and painting language

    他的繪畫圖式深受東方藝術的影響，表現出對東方文化的深切感悟，以及對東方藝術精神和繪畫語言的吸收。
  17. Another new development is in his attitude to ueing dialogue. in the past, it was always the visuals which moved me emotionally, never words, so i tried to reduce dialogue to a minimum, and didnt put much effort into it

    他觀念中的另一個新的發展是想應用對話， 「過去，總是視覺的因素在影響著我的情緒，而不是文字，所以我把對話減少到最少，並不在這上面做很多努力，我認為運用對話是對運用繪畫語言的一種不自信的表現。 」
  18. Through the academic investigation and studying in france, germany, japan, she has formed her works unique painting language : she has creatively merged the technique of expression of western fine arts, which emphasizes imposing manner, seriousness, and level sense, into chinese gongbi, which is elegant, fine, smooth, and fresh

    通過法國、德國、日本的學術考察及學習，她形成了其作品獨有的繪畫語言：中國工筆畫的飄逸、細膩、清新與西方美術注重氣勢、凝重、層次感的表現手法相互融合和創新。
  19. This article illuminates how to use various skills in pencil landscape sketch so as to attain the best painting effect though several aspects such as how to apply the modesty painting language and profound art form, paying attention to the dialectic relationship between frame sketch and cubage sketch, and using the method of light and shade arrangement to represent object thoroughly and abundantly and so on

    摘要該文在運用質樸的繪畫語言、高深的藝術形式，重視「結構素描」與「體積素描」的辯證關系，以及採用「明暗層次」法更深入、豐富地表現物體等方面，說明了如何在鉛筆素描風景畫中運用各種技法，使繪畫效果達到最好。
  20. It is what feeling to not know, alter string easy wheel track unexpectedly can so quiet heart face frame, picture type and language are simple, use colour with pen also stand to let mood depict, the puzzling illusory atmosphere from construction

    不知是何感觸，居然改弦易轍能如此靜心面對畫面，圖式和語言卻單純了起來，用筆用色也都挺盡興的描繪著、營造起撲朔迷離的虛幻氣氛。
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