美如圖畫 的英文怎麼說

中文拼音 [měihuà]
美如圖畫 英文
as handsome as a picture
  • : Ⅰ形容詞1 (美麗; 好看) beautiful; pretty 2 (令人滿意; 好) satisfactory; satisfying ; good; ple...
  • : Ⅰ名詞1 (繪畫表現出的形象; 圖畫) picture; chart; drawing; map 2 (計劃) plan; scheme; attempt 3...
  • : Ⅰ動詞1 (用筆或類似筆的東西做出圖形) draw; paint 2 (用筆或類似筆的東西做出線或作為標記的文字) ...
  1. In 1999 from oneself started an undertaking until now, firstexperiences has started an undertaking, the skill market trains, really holds the management, the teaching management process, throughunceasingly charged the study, sums up experience, the union practicepromotion theoretical level, is the cosmetology profession and thecorrelation profession raise image design synthesizes the talentedperson thousand people, and was 30 enterprises successes plans theenterprise image, the market marketing brand, the staff etiquette, thequality, skill training ; and establishes the consummation educationalmodel, the educational administration management for the correlationprofession teaching unit, promotes the teachers level, to enhance thefresh source quantity : develops the new curriculum, like - - - " high - quality beautiful armor ", " improves looks beautiful releaseindustry mda management management ", " shanghai vocational educationfilm and television puts on make - up ", " color consultant ", " thecosmetology putting on make - up industry practical fine arts ", " practical human body colored drawing on pottery and beautiful armordesign ", " image design and psychoanalysis ", " image design andaccompaniment shopping ", " image design psychology consultation ", " advertisement animation drawing ", " fashion puts on make - up modelling " and so on, the compilation teaches document 22

    1999年從自我創業至今,首先經歷了創業、技能市場演練、實操經營、教學管理的過程,通過不斷充電學習、總結經驗、結合實踐提升理論水平,為容行業及相關行業培養形象設計綜合人才千餘人,並為30餘家企業成功策劃企業形象、市場營銷品牌、員工禮儀、素質、技能培訓;並為相關行業教學單位創立完善教學模式、教務管理、提升師資水平、提高生源數量:開發新課程,- - - 《高級甲》 、 《發行業mda經營管理》 、 《上海市職業教育影視化妝》 、 《色彩顧問》 、 《容化妝業實用術》 、 《實用人體彩繪及案》 、 《形象設計與精神分析》 、 《形象設計與陪同購物》 、 《形象設計心理咨詢》 、 《廣告動漫繪》 、 《時尚化妝造型》等,編寫教案22本。
  2. The painting she was working on was a good, vigorous action picture ; if anything, i think she was a better draughtsman than a painter

    她正在的那幅油是一張既麗而又充滿活力的抽象派;依我之見,她與其說是一位家,倒不說是一個繪員。
  3. Just like that we enjoy the chinese characters and arabic numbers, we not only enjoy the beautiful drawing of hieroglyph, beautiful line of “ knotting cords to record events ”, but also enjoy the representation and abundant meaning demonstrated by characters and numbers … furthermore the rhythm beauty demonstrated by quality logic and quantity logic

    我們欣賞中文的文字和阿拉伯數字那樣,不僅可以欣賞到「象形文字」的, 「結繩記事」的線條,還可以欣賞到文字和數字所表現的事物的具象以及他們豐富的內涵… …還有定性的邏輯和定量的邏輯所呈現的旋律
  4. Always the same impassable member of the reform club, whom no incident could surprise, as unvarying as the ship s chronometers, and seldom having the curiosity even to go upon the deck, he passed through the memorable scenes of the red sea with cold indifference ; did not care to recognize the historic towns and villages which, along its borders, raised their picturesque outlines against the sky ; and betrayed no fear of the dangers of the arabic gulf, which the old historians always spoke of with horror, and upon which the ancient navigators never ventured without propitiating the gods by ample sacrifices

    他也不去看那些紅海兩岸的奇異古城,那浮現在天邊的城影簡直就象是麗的。他也不想一想那些在這阿拉伯海灣可能發生的危險:古代多少史學家斯特拉朋艾里安阿爾得米多艾德里西等人一提起這里,無不談虎色變。從前,路過此處的航海家若不給海神奉獻祭品,祈求旅行安全,他們是決不敢冒然航行的。
  5. Ox, and visiting the museum to view actual shang dynasty oxen carriage, 1 see that the inscriptions are both tuhua wenzi, and when they come together, they become what cang ji termed zi " character ". this coming - together can form a beautiful picture, a beauty that is comparable to the pictographs of the shang and zhou dynasty bell - and - gong script. there was a time when many tuhua wenzl were formed, and they combined with single radical wen to form whole, complete pictographs

    車字牛字,再到博物院去參看商做生意的商人之名,來自商代賣貨到東海去換貝回來而來的人的牛車,其車與牛,完全是象形的,合在一起,即倉頡的字,這是設想的構想的,可以成為一幅很,與商周銅器鐘鼎文的不相上下,曾經不斷的做,積了很多,又把單文單字結聯起來,成了整幅的,非常有趣。
  6. Chapter two, sometimes is the common topic to civil law scholars, but the studying products fall short of depth and width, so this chapter is governed by the historic overview and comparative method, under the base of examining the development and vicissitude of roman trust notion, probing into why the civil law did n ' t develop and shape the institution of trusts like anglo - saxon jurisdictions, meantime collecting and analyzing the various experiences and lessons from a number of civil law countries, not only including mixed - system jurisdictions ( scotland, quebec ) influenced by common law tradition far - reachingly, but also including the various effects of the trust law codified by pure civil law countries ( liechtenstein, japan, latin american countries ), and the developments of domestic trust in holland and italy under the rectification of the trust hague convention, ad hoc, including the experiences and lessons of non - recognition trust countries ( germany, france, switzerland ) that they had been penetrating into the notions in civil codes, all is intended to " portrayed " the competitive panorama between civil

    第二章「信託觀念與民法傳統的沖突和融合」 :這一主題一直是民法學者探討的核心問題,本部分採取了歷史考察的方法和比較分析的方法,在考察羅馬法中的信託觀念的發展和變遷的基礎上,探討了為什麼民法傳統沒有發展出普通法系一樣的信託的若干原因,同時一廣泛地涉獵了民法法系各國繼受和發展信託觀念的不同的經驗和教訓,不僅包括深受普通法系影響的混合法系(蘇格蘭和魁北克)在民法傳統的物權法匡架中發展信託的獨特經驗,而且考察了純粹民法傳統的國家(列支敦斯登、日本和拉丁洲國家以法典繼受信託的不同的效果,以及在1984年《關于信託的法律適用和承認的公約卜v發展國內信託例證?一荷蘭和義大利,更包括了對于沒有接受普通法系信託而在民法典中挖掘信託觀念的德國、法國和瑞十的經驗和問題,並意民法傳統中的信託與普通法系的信託相競爭的全景,介刑」析眾多經驗和教訓i的基礎上為我國《信託法》的發展提供借鑒。
  7. The different shooting angle photographs the different connotation. this article focus on the characteristic of the ” shooting angle ” in the animation movie, and attempt to induce the rule and the characteristic of some representative ways of using “ shooting angle ” in the animation in the field of the specialty of the animation language

    不同的角度拍攝出不同的內涵,果把動電影的單個鏡頭比作一顆顆寶石,那麼把這些寶石串成一副精項鏈的是神奇的蒙太奇,而「攝像角度」則是使項鏈更為牢固的連接點.本文將重點論述動電影中的「攝影角度」特色,並將試從動語言的獨特性上出發,歸納幾種經典的「攝影角度」方式在動片中的運用規律及使用特色。
  8. From wu youru ' s " hundred beauties " to ye lingfeng ' s " art for art ' s sake " decos to guo jianying ' s " new sensibility " to zhang ailing ' s series of ugly women, the shanghai artists of one generation after another had made it fashionable to use illustrations as or participation in textual narrative, opening a multiple space for medium narration and forming a relation of echoes, coherency, transgression and displacement

    從吳友的「百艷」到葉靈鳳的「唯頹廢主義」裝飾到郭建英的「新感覺主義」漫到張愛玲的醜女系列,一代又一代海派藝術家以插參與文本敘事,製造時尚潮流,開辟媒體敘述的多重空間,彼此構成一種呼應、銜接、超越、更替的關系。
  9. It is very critical and demanding that how we process picture composition falseness and truth, concealment and revelation in very exact and appropriate means in sports photography, falseness and truth, concealment and revelation these performance means take very great roles in different styles of artistic forms beauty

    摘要在體育攝影中,何將面構的虛實藏露處理得恰到好處是非常講究的,虛與實,藏與露,在各種藝術的形式中,都占重要位置。
  10. C urrently, this inspiring image is available in a very limited edition of museum quality iris giclee fine art prints

    今,這些令人鼓舞的是在艾里斯?吉克利精的藝術品當中質量非常好的且數量有限的幾幅了。
  11. This will dispel outside doubts about the practicability of the policy. colour off the blueprint without a parallel political development, this blueprint for our economy and livelihood is like a picture with only dull colours

    麗的經濟民生藍,若缺乏了相配合的政制發展部份,便就一幅少了色彩的
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