美學觀點 的英文怎麼說

中文拼音 [měixuéguāndiǎn]
美學觀點 英文
aesthetic consideration
  • 美 : Ⅰ形容詞1 （美麗; 好看） beautiful; pretty 2 （令人滿意; 好） satisfactory; satisfying ; good; ple...
  • 學 : Ⅰ動詞1 （學習） study; learn 2 （模仿） imitate; mimic Ⅱ名詞1 （學問） learning; knowledge 2 （學...
  • 觀 : 觀名詞1. （道教的廟宇） taoist temple2. （姓氏） a surname
  • 點 : Ⅰ名詞1 （液體的小滴） drop （of liquid） 2 （細小的痕跡） spot; dot; speck 3 （漢字的筆畫「、」）...
  • 美學 : aesthetics美學傳統 aesthetic tradition; 美學范疇 aesthetic category; 美學觀點 aesthetic view poin...
  • 觀點 : point of view; viewpoint; standpoint; blush
  1. Schiller ' s views on aesthetic anthropology in his kallias

    中席勒的審美人類學觀點
  2. It expounds the origin of bankruptcy administrator system, gives a general introduction to specific bankruptcy administrator system of such countries like germany, japan, us and uk, etc, and makes summaries and comments on the history and status quo of our bankruptcy administrator system, thus it provides a solid theoretical foundation for the following discussion. in the second section, the author discusses the nature and status of bankruptcy administrator. on the basis of introduction, comparison and evaluation of various theories of legal systems of civil law and common law, this paper comes up with the view point that it is appropriate for china to establish the bankruptcy administrator system with the trustee system as its core, it redefines the bankruptcy administrator and provides theoretical base point for the perfection of the bankruptcy administrator system in china

    本文的第一部分從考察破產管理人制度的歷史沿革入手，在闡釋了破產管理人制度的起源之後對德、日、美、英等國各具特色的破產管理人制度進行了總體的介紹，並對我國破產管理人制度的歷史和現狀進行了綜述和評介，為展開後文的論述提供了深厚的理論背景；文章的第二部分就破產管理人的性質和地位問題展開討論，在介紹、比較和評價大陸法系與英美法系關于該問題的各種學說基礎上，提出了我國宜以信託制度為核心，確立破產管理人制度的觀點，對破產管理人進行了定位，從而為後文完善我國破產管理人制度的構想提供了理論基點；最後，文章就如何完善我國破產管理人制度提出了一些構想，主要對破產管理人的選任和撤換、破產管理人的權利和義務、對破產管理人的監督機制等方面的制度建構和完善提出了一些具有現實意義的設想和建議。
  3. Conscious observation the change of city life that occurred the care of domestic life is exactly “ the birth of domesticity aesthetics ”

    作者以荷蘭畫家維梅爾的畫作和現象學的空間理論作為切入點，都市生活于有意識的觀看中，對室內居家生活的關切，正是作者所稱的：室內美學的誕生。
  4. This paper explores the art nouveau elements implicit in debussysme in light of the three art nouveau motivations in the allegorical aethetics of benjamin ' s historical materialism : hieratic, perversion, and emancipation

    摘要本文試圖從班雅明?史唯物?的寓言美學觀點所考察的三個新藝術動機：僧侶、倒置與解放為線? ，找尋潛藏在德布西式風格中的新藝術元素。
  5. On the basis of the comparison of successful experiences of running agricultural education in developed counties, such as usa, japan and france, this paper put forward following viewpoints : in order to visualize the strategic status of hae, necessary protectionism must be offered through lawmaking and hortative policies, peasantry - undergraduates facing agricultural production must be cultured in the process of expanding and developing hae. the opportunities of developing higher agricultural vocational and technical education must be grasped in the process of realizing the transit from elite - education to popularization - education. existent and developmental room of hae must be unceasingly widened basing upon the road of distinctiveness, integration and internationalization

    文章在比較美國、日本、法國等國家發展高等農業教育的成功做法和經驗的基礎上，提出了要通過立法或制定鼓勵政策來彰顯高等農業教育的戰略地位，為高等農業教育的發展提供必要的政策性保護；要在大力擴張高等農業教育的過程中培養面向農業生產一線的農民身份的大學生；要在實現農科精英教育向大眾化教育轉軌的過程中抓住發展高等農業職業技術教育的機遇；要通過立足走特色化、綜合化和國際化的道路來不斷拓展高等農業教育的生存和發展空間；要正確處理精英教育與大眾化教育的關系，明確各類農業高校的生態位等發展高等農業教育的觀點和思路。
  6. This thesis is based on pedagogics, psychology, the theory of aesthetic education, psychology of aesthetic education etc and have combined many practical experiences of many years into it, it offers my opinions according to serious investigation and study

    本文以教育學、心理學、美育原理、美育心理學等理論為依據，結合多年的教學實踐，認真研究、探討，提出自己在中學歷史教學過程中的美育教育想法、觀點和體會。
  7. Formalist aesthetics, woolf and feminism attempts to build up a theoretical framework through exploring fry ' s postimpressionism, merleau - ponty and lacan ' s discussion of cezanne ' s painting and their dynamic meaning of the seeing

    形式美學?吳爾芙與女性主義藉由探討傅萊的後印象主義、塞尚的再現觀點與梅洛龐蒂和拉崗對視覺與意象的拆解，來勾勒本論文理論架構。
  8. In his view the primacy of the ethical over the aesthetic mode was necessary to restore the balance.

    按照他的觀點，倫理學的形式先於美學的形式，這對恢復平衡是必要的。
  9. The conception that holds to be true the existence of eco - theory is its basic philosophical back - up and cultural support ; the theory that valorizes the play is its aesthetic category which breaks through the heidegerian doctrine of the world contesting against the earth ; the belief that living poetically is against living technically leads the aesthetic to that of man ' s existence ; the idea that one should be aware of one ' s home is against the sense of loss in modem social man ; the awareness of one ' s situation is closely related to one ' s living circumstances and one ' s feeling of them ; participation in the aesthetic is a manifestation of the subject ' s participation in eco - construction with his sensibility ; and finally, eco - criticism is the practical form of eco - aesthetics

    「生態論的存在觀」是其基本的哲學支撐與文化立場； 「四方游戲說」是其主要美學范疇，是海德格爾對「世界與大地爭執」理論的突破； 「詩意地棲居」與「技術地棲居」相對，將審美引向人的審美地生存； 「家園意識」針對現代社會人的茫然之感，具有本源性特點； 「場所意識」則與人的具體生活環境及對其感受息息相關； 「參與美學」反映了生態美學以主體所有感受力參與審美建構的特點； 「生態批評」是生態美學觀的實踐形態。
  10. The second part expounds the contents, fabrics, eco - framework and eco - aesthetic ideas of mounturban landscape ; and it analyzes the internal mechanisms and the external conditions of mounturban landscape development and changes, the basic characteristics and laws mounturban landscape creation and construction

    第二部分主要論述山地城市景觀學的內容、體系、生態格局及生態美學觀念，分析山地城市景觀發展變化的內在機制和外部條件，以及山地城市景觀開發與建設的基本特點和規律。
  11. From an aesthetic point of view, it ' s a very nice design

    從美學觀點上看，這是個很不錯的設計。
  12. Although developed from chernyshevsky ' s theory, qu views bear distinctive features and enjoy obvious superiority over chernyshevsky views in many aspects

    瞿秋白的美學觀既得益於車爾尼雪夫斯基，又與他有所不同，其闡發的美學觀點在很多方面超越了車爾尼雪夫斯基。
  13. This kind of historical dimensions in his music aesthetics is suggestive and thought - provocative for development of music aesthetics as a scholarly discipline in chins

    這種強調歷史維度的美學觀點和方法論特點，對我們自身的學科建設具有顯著的借鑒作用和啟發價值。
  14. All chinese contemporary aesthetic viewpoints that oppose and deny the practical aesthetics criticize it with one voice that the practice aesthetics ignores the form of beauty and aesthetics

    摘要中國當代所有反對和否定實踐美學的美學觀點都異口同聲地指責實踐美學忽視美和審美的形式性。
  15. Its design concept still stands to this very day, and virtually every modern sports stadium some 2, 000 years later still bears the irresistible imprint of the colosseum ' s original design

    斗獸場的建築設計並不落後于現代的美學觀點，而事實上，大約2000年後的今天，每一個現代化的大型體育場都或多或少的烙上了一些古羅馬斗獸場的設計風格。
  16. From marxist point of view and proceeding from the attributes of the natural beauty and social beauty of physical training, the article expounds the essence of sports beauty, putting forward the idea that sports beauty is the beauty of social reality which includes natural attributes or natural factors

    摘要運用馬克思主義的哲學觀點，從體育的自然美、社會美的屬性入手，闡述了體育運動美的本質特性，提出體育運動美是包涵著自然屬性或自然因素的社會現實美的觀點。
  17. Abstract : interchange bridge is an important part of interchange, and it affects the overall view of interchange. this paper summarizes the characteristics and design acquirements first, and then the outline of bridge aesthetics from both the overhead structure and the supporting structure, in order to guide, evaluate and intact the planning and designing of interchange

    文摘:立交橋跨是互通式立交的主要組成部分，橋跨直接影響立交整體美觀.筆者首先闡述互通式立交橋跨的美學特徵及美學設計要求.然後從上部構造和下部構造等方面來說明立交橋跨的美學要點，力求從立交橋跨美學角度來指導、評估和完善立交規劃與設計
  18. First, the one - dimension load transfer model presented by cox was studied in details. based on the ideal interface bonding load transfer model, a fibre fracture criterion and an interface debonding criterion were established in terms of fracture mechanics, which bettered the interphase load transfer model. this model could also describe the process of single - fiber composites fragmentation

    首先，本文充分研究了cox一維界面載荷傳遞模型，在完美界面粘結載荷傳遞模型的基礎上根據斷裂力學觀點建立了纖維斷裂判據和界面脫粘判據，完善了界面載荷傳遞模型，以該模型為基礎較好地描述了單纖維復合材料拉伸實驗過程。
  19. This study will analyse the concept of interactivity in contemporary art, bringing together the inspirational, the creative and the aesthetic components of the form, by investigating the concept of new media art

    從本文的研究中，將從藝術中的進戲觀念與脈絡出發，進而分析新媒體藝術以互動式創作呈現時所產生的創作思考和美學觀點。
  20. Richard meier, is the representative figure of the neo - modernism genre, and insists in the aesthetic temple of modernism : his works are succinct, simple, lively characteristic

    摘要理查德?邁耶，新現代主義流派的代表人物，堅持現代主義的美學觀，其作品具有簡潔、樸素，生動活潑的特點。
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