美術影片 的英文怎麼說

中文拼音 [měishùyǐngpiān]
美術影片 英文
art film
  • 美 : Ⅰ形容詞1 （美麗; 好看） beautiful; pretty 2 （令人滿意; 好） satisfactory; satisfying ; good; ple...
  • 術 : 術名詞1. （技藝; 技術; 學術） art; skill; technique 2. （方法; 策略） method; tactics 3. （姓氏） a surname
  • 影 : Ⅰ名詞1 （物體擋住光線后映出的形象） shadow 2 （鏡中、水面等反映出來的物體形象） reflection; image...
  • 片 : 片構詞成分。
  • 美術 : 1 （造型藝術） the fine arts; art 2 （繪畫） painting; 美術愛好者 lover of arts; 美術創作 artisti...
  • 影片 : 1. （放映的電影） film; movie; picture 2. （電影膠片） film; copy
  1. I must also thank all the film companies who kindly provide the right to show and publish jupiter s photos, exhibition design house i concept design studio, the book s design house tomsenga design, designers steven lo and bede leung, the printing company friendship printing co ltd and its boss sung shee - wu. of course i owed a lot to our archive colleagues, especially law kar, ainling wong, bede cheng, cass wong, daphne chan, chan wing - hang, amy kong, candice cheong, jim lau, hung yuen and cheung yu - ping

    特別鳴謝的還有所有提供相片版權的電影公司設計及裝置展覽的視與想設計工作室此書的設計公司tomsenga design美術設計steven lo和bede leung和記印刷公司其老闆宋敘五先生資料館各組參與同事，特別是羅卡黃愛玲鄭子宏王少芳陳秀英陳穎恆江穎盈劉智軒和洪源張宇平等。
  2. Best film, best screenplay, best actor and actress and best art direction awards, british academy film awards 1965

    1965年英國金像獎最佳影片、最佳編劇、最佳男、女主角及最佳美術指導獎
  3. A museum of venetian glass and photography. antique beads are also displayed. adjacent to kita - kamakura station

    這是一個威尼斯玻璃器皿和攝影照片的美術館，同時還展出古玩串珠等。
  4. Best art direction, shanghai international animation festival, 1988

    一九八八年首屆上海國際動畫電影節美術片大獎
  5. After graduating from the class of animation in beijing film academy in 1953, he joins shanghai animation film studio, taking up art direction, script writing and directing positions

    1953年，于北京電影學校動畫班畢業後到上海美術電影製片廠工作。歷任美術設計、編劇和導演。
  6. As the first head of the shanghai animation film studio, he devoted to exploring the genre of animation films and persisted in pursuing the line of nationalism, contributing a series of classical chinese animation films such as uproar in heaven and nezha conquers the dragon king

    特偉作為上海美術電影製片廠首任廠長，在數十年中積極拓闊動畫片種，堅持走民族化道路，為中國動畫片貢獻了《大鬧天宮》 、 《哪吒鬧海》等一系列經典作品。
  7. These movies, from a unique humanist angle, express the survival state and conscious action of the individuals in the environment of war, exhibiting various forms of humanity under special historical conditions, and expressing artistically and truly the beauty and ugliness, virtue and evil in the structure of humanity and their mutual exchange

    這些影片通過獨特的人文視角，表現了戰爭環境中作為個體的人的生存狀態和意識行為，展示了人性在特定歷史條件下的種種不同形態，並對人性結構中的美與丑、善與惡以及它們的相互轉化進行了真實的藝術再現。
  8. The word of the university entrance exam is as studying art, sketch, literary sketch, colour, the succeed add that attends a college draws these reopen animation for some time of relevant course, take an examination of a design to add try design major, you won ' t let draw cartoon when the university entrance exam of that is to say, art major adds try to be in commonly annual the last ten - day of a month developed way of target number animation to left and right sides of the last ten - day of a month in feburary in january is to be the whole nation company of orgnaization of research and development of recreation of each tv station, film studio, game, animation, network company, building is visible the industry education such as the design can produce make : serial of animation of specially good effect of acrobatics of digital animation film, film, number, game is three - dimensional the advanced and technical qualified personnel that the digital vision of the respect such as art research and development designs

    高考的話是跟考美術一樣的，素描、速寫、色彩，上大學之後繼續畫一段時間這些再開動畫相關課程的，考設計加試設計專業，就是說高考時是不會讓你畫漫畫的，美術專業加試一般在每年的1月下旬到2月中下旬左右培養目標數字動畫方向是為全國各電視臺、電影製片廠、游戲娛樂研發機構、動畫公司、網路公司、建築可視化設計等行業培養能夠生產製作：數字動畫電影、電影特技特效、數字動畫系列片、游戲三維美術研發等方面的數字視覺設計的高級專門人才。
  9. Best actress, special mention - san sebastian international film festival, spain ( 1994 ) best director, best art design, best co - operation - golden rooster awards ( 1994 )

    1994年西班牙聖塞瓦斯蒂安國際電影節（ a級）最佳女演員、評委特別提名獎1994年電影金雞獎最佳導演、最佳美術設計、最佳合拍故事片
  10. Interview with all of the major voice talent for the english version of oh ! my goddess : scott simpson, juliet cesario, lanelle markgraf, and pamela weidner

    -介紹幸運女神的人物劇情電影音樂等基本資訊外，另含與女神有關的美術創作，並附有精品地圖和電影片預告下載。
  11. They combined cut - outs of already published images and typography with photographs, initially taken by others, that had often been specially staged

    它們由一些已經發表的一些圖片經過剪裁，和一些美術字體組合而成.經常是最初由其他攝影師拍攝圖片，經過特別編排后拍攝出來的。
  12. Based on the practical research and monographic study on how to make the best use of cartoons, this article gives a comprehensive analysis of the effects cartoons have on the infants physical and mental development. it expounds the significance of cartoons in kindergarten education and puts forward some comprehensive, scientific and operative plans after giving full thoughts to the objective, the principles of selecting materials and the teaching methods of cartoon education

    本文就幼兒園如何開展好兒童電視美術片教育進行專題性的實踐研究，在深入調查並了解當前幼兒觀看兒童電視美術片的現狀的基礎上，較全面地分析了兒童電視美術片對幼兒身心發展的影響，闡述了幼兒園開展兒童電視美術片教育的深刻意義，並從兒童電視美術片教育的目標建構、選材原則及具體教育策略等方面提出了較全面的、科學的、可操作的思路和方案。
  13. The entire programme is organised in association with goethe - institut hong kong and the exhibition is largely supported by filmmuseum berlin - stiftung deutsche kinemathek. my special thanks to their director mr hans helmut prinzler, their chief exhibition coordinator mr peter mnz, their curators ms christina ohlrogge, ms kristina jaspers, mr. nils warnecke and fabrication designer ms ingrid jebram. i owe a lot to their programmer restoration expert mr martin koerber for attending to minute technical and restoration details of murnau s existing or non - existing titles

    此項節目與香港歌德學院合辦，是次節目得以成功舉行，尚有賴德國美國和香港的多個組織和人士，特別要鳴謝柏林電影博物館的館長漢斯凱穆秉善勒先生他們展覽部的同事彼得明施先生姬絲丁娜奧奴嘉女士姬絲丁娜邑思巴女士紐思華力加先生場地設計英格列椰芭琳女士，以及為我提供影片修復詳情和技術資料的馬丁葛珀先生。
  14. Annual academy awards on march 26. hong kong s peter pau tak - hei won the oscar for best cinematography, while tim yip kam - tim won the oscar for best art direction

    香港的鮑德熹獲頒奧斯卡最佳攝影獎，葉錦添則奪得奧斯卡最佳美術指導獎，而臥虎藏龍一片則贏得奧斯卡最佳外語片及最佳電影配樂兩項殊榮。
  15. The stylized production design and the cinematography of the film also set a high standard among the films of its kind. the songs by japanese composer r. hitori are memorable

    影片特邀了在日本早已享有盛名的作曲家服部良一撰曲，配合著王天林的純熟導技費伯夷的精緻美術，視聽效果美不勝收。
  16. Chinese animations have local feature and artistic expressions, many of which are created with inspiration from folk art

    中國的動畫片擁有本土的特色和藝術表現形式，很多動畫影片的創作靈感源於民間美術。
  17. Therefore, you could expect some careful aesthetic consideration, and quality camera work as well as exquisite composition are guaranteed. most of the scenes are well choreographed, especially the final duel between bong and tank. this fierce battle draws the audience successfully with its subtle editing and the institution of a desperate atmosphere

    編導李仁港擅於繪畫，初入電影界也是從美術指導做起，對于畫面構圖的考慮頗為審慎，影片在視覺上的表現不俗，尤其尾段的擂臺格鬥拍出逼力之餘，也鋪陳出一股無奈的氣氛，鏡頭的運用靈活多變。
  18. On march 17, the corcoran gallery of art opens " modernism : designing a new world, 1914 - 1939. " the ambitious exhibition features more than 400 objects including chairs, lamps, architectural models, paintings, photographs and films

    3月17日，華盛頓柯康美術館的「現代風? ?新世界的設計， 1914 1939 」展覽拉開序幕。這場盛大的展覽共展出了400多件上世紀的經典設計作品，其中包括椅子、燈、建築模型、畫作、照片和電影等。
  19. The article takes the hollywood movie as the target by means of analyzing the movies that contain the u. s. idea and ideology, and technology together with psychology how to attract the viewers. with this analyses, we can judge whether hollywood movies that penetrate into american style mythology affect nationalism at the same time produce one kind of american affection or not ; whether individual heroism of hollywood movies can deconstruct nationality self - cohesion or not, whether the art regulation of hollywood movies can substitute for the tradition of national aesthetics completely or not

    本文以好萊塢的電影作為評析對象，通過剖析一些在我國正式放映的美國大片里蘊涵著的思想內容和意識形態、科技與「藝術」和如何抓住電影觀眾的心理等等，以此分析好萊塢電影所貫穿的美國式神話是否會在影響民族認同的同時創造一種美國情結，好萊塢電影那種個人英雄的敘事原型是否會解構民族發展的自我凝聚力，好萊塢電影的藝術規則是否會完全替代我國電影敘述美學的傳統。
  20. Documents in support of the competing films had to be submitted to the academy by 1 december

    參選影片的證明文件必須於12月1日之前提交給美國電影藝術與科學學院。
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