義重郎 的英文怎麼說
中文拼音 [yìzhòngláng]
義重郎
英文
gijuro-
The paper introduced their architectural investigation and practice on the aspects of architectural tectonic, relation between tradition and creativity, the molding of place and construction of architectural space etc. such as david chipperfield ' s value of architecture ' s initial meaning and physicality, his emphasize on the architectural experience quality and ethics duty of the architect, and his view on the continuation of tradition and creativity ; waro kishi ' s value of tectonic noumenon, his concept of " industrial vernacular ", his application of the " architectural promenade " principle, and application of courtyard ; tod williams & billie tsien ' s principle of " architecture is combination of work and life ", their value of place, their observation of material characteristic, and their " slow " principle on design, me thod, and sense perception. the paper also introduces the three architect ' s representative works and their design method
介紹了他們在建築的建構、傳統與創新的關系、場所感的塑造以及建築空間的創造等方面所進行的理論探索與建築創作實踐，如大衛?謝潑菲爾德對建築內在意義及建築實體（ physical ）的重視、對建築的體驗品質和建築師的倫理責任的強調、對傳統和創新的可持續性的認識；岸和郎的對建構本體的重視、關于「工業鄉土性」的概念、對「建築的漫步」理念的運用、以及對庭院空間的運用；托德?威廉姆斯和比麗?錢的「建築是工作和生活的結合」的基本設計理念、對場地的重視，對材料特性的探索、以及關于設計、方法、感知方面的「緩慢」的理論。Heihachiro fukuda was born in 1892 and continued to play an important role in the field of modern japanese painting until he died in 1974. almost 60 years of his career as a japanese painter established the style named modernism
福田平八郎生於明治25年，是近代日本畫壇舉足輕重的畫家。約60年裡，作為日本畫家十分活躍，構築了現代主義風格。With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation
《沙河悲歌》中，李文龍在死亡臨近前，在沙河前告訴其弟二郎，他終于懂得什麼是生活和賦格，並領悟：追求技藝藝術到最後會轉來發現自我，其中所賦予的吹奏之義，讓沙河、吹奏與自我的三股旋律，以音樂曲式的：出發、轉調、變調而再現主題原調之發展，譜就了一曲悲愴而動人的生命藝術性之歌，本文以為這是解讀《沙河悲歌》 ，與七等生對藝術看法的重要關鍵，更是對藝術創作所觸及的生命藝術性本源之反思。Abstract : the influence of geology, geostress, rock strength and construction method on surrounding rockmass deformation was analysed in this paper. the sensitivity of deformation to horizontal geostress and rockmass elastic modulus was analysed through numerical modeling and sensitisity factor was obtained. this study has important significance to how to select rockmass mechanical parameter
文摘:從地質、地應力、巖石強度及工程施工方法等幾方面分析對川藏公路二郎山隧道圍巖變形位移的影響，通過數值模擬分析水平地應力和巖體彈性模量對洞壁變形位移的敏感性，並求出敏感度因子，這項研究對巖體力學參數的選取具有重要意義。Kurosawa loves to use long shots in group conversation scenes. he intends to capture the different reactions of all the actors on the screen at the same time. this kind of long shot greatly enhances the interaction among the actors since they are actually looking at the reactions of the other actors when they are presenting the dialogues ; on the other hand, it also allows the viewers to have a more comprehensive view of the scene, since they can choose whose face or reaction to focus on
杜其峰繼年初的再見阿郎及暗戰后，再來一主題樂觀的電影，全片沒有一個主角被殺，亦沒有女主角唯一女角色施綺蓮只是出場不夠五分鐘的配角，重點只在型男間的友誼，另外有大玩殺手情懷，黑道人物和保鏢等都被寫得十分感性和重情義，和以往電影黑人物的冷麵無情十分不同，對于男觀眾相信會看得過癮。分享友人