詞體 的英文怎麼說

中文拼音 []
詞體 英文
body
  • : 名詞1 (說話或詩歌、文章、戲劇中的語句) speech; statement; lines of play 2 (一種韻文形式 起於唐...
  • : 體構詞成分。
  1. Southern min tone sandhi and the allomorph selection hypothesis

    閩南語連讀變調與素變選擇假設
  2. Because computer interfaces are in english, the words used for computer - related work are also in english, introducing many ` ' anglicisms ` ' that could have been easily avoided if the software had been translated

    因為計算機使用英文界面,描述與計算機有關的工作的也都使用英語,帶來了許多通過翻譯軟可以避免的「英語腔」 。
  3. There are not uniform anatomical terms about body ' s description in ancient time. readers will have a lot of difficulties in studying medicinal ancient books. to supply references for readers when they are studying ancient books, and to define the modern translations for indigestible terms in book of acupuncture, a book of acu - points, human anatomy by consulting acupuncture and moxibustion a & b, chinese medicine dictionary, traditional chinese medicine dictionary and anthropotomy

    選取《針灸學》 、 《腧穴學》 、 《正常人解剖學》中沒有明確記述的並且較難理解的古代解剖學名,查閱《針灸甲乙經》 、 《針灸大成》 、 《中國醫學大典》 、 《中醫大辭典》 、 《人解剖學名》后找出明確的解剖學意義,為讀者在學習中醫古籍時提供參考。
  4. Let ' s give the singer ( 歌手 ) a big hand

    ,讓我們給這個歌手大點的掌聲。
  5. Bony is often applied to parts of the body such as hands or face.

    Bony一常用來修飾人的某部分,如手或臉。
  6. Buddhism dhyana and yuan hongdao ' s literature thoughts

    兼評陳維崧革新詞體的得失
  7. Reconsideration of the forms of ci as reformed by sushi

    對蘇軾革新詞體的再認識
  8. On the stylistic combination law of tang and song poetry

    唐宋詞體式組合規律探賾
  9. Though the compilation of ci xi took ci lu as the original version, supplied a deficiency and gleaning for ci l, qin yan had more innovation at the system, it lay out the ci poems in order of era, the ci tones and bodies it accepted surpassed the former in scale, it indeed exceeded and ci lu ad shi yu yu pu, which was a great collection of illustrative plates for ci classical poetry

    摘要《系》的編寫雖以《律》為藍本,並為《律》拾遺補缺、糾謬駁訛,但秦?于例多有新創, 「專以時代為序」 ,所收調、詞體規模遠勝前人,甚至超過了《律》與《欽定譜》 ,是一部空前的大型譜。
  10. On the layers and transformation of tang song lyric styles

    論唐宋詞體的類層和演進
  11. On the structuring of song ci style conception

    論宋人詞體觀念的建構
  12. The individuality of ci style of nalan xingde ' s ci in the frontier

    試論納蘭邊塞詞體個性
  13. A brief discussion of chinese classical literary criticism with ci - poetry

    古代詞體文學批評概說
  14. A statistical analysis on the hubei ' s poem body authors in song dynasty

    宋代湖北詞體作者統計分析
  15. The dilemma of ci - poem and the recognition for aesthetic characteristics of ci - poem

    學困惑與詞體美學特質的認識
  16. On the development and aesthetic characteristics of classical chinese ci - poetry literary criticism

    中國古代詞體文學批評的發展及其審美特徵
  17. Ci poem : a body with two faces - a survey of ci poem in song dynasty from the criticism of su shi ' s ci poem and his idea of the ci poem

    從宋人對東坡的批評與東坡論考察宋代的詞體
  18. Zhugongdiao itself also possessed an obvious evolution process ( rise, development, flourishing and fall ), experiencing the transformation process from " ci " to " qi "

    它自身也有一個明顯的演進過程(興起、發展、興盛和衰落) ,經歷了由詞體諸官調向曲諸官調轉化的歷程。
  19. Nalanxingde ' s thoughts can be concluded in three aspects, which are respecting the poetry format, expressing the feeling, and showing the uniqueness

    納蘭性德的學思想可以梳理為以下三個方面:尊詞體、重寄託;主情致、崇境界;顯個性、求獨創。
  20. The genie ci poetry, an artistic form which appeals to heating, is closely related, naturally, to many musical instruments for accompaniment, and creates an effect in which sentiment is conveyed through melody and one complements the other

    摘要詞體是訴諸聽覺感受的藝術形式,與諸多伴奏樂器一道,營造出以聲傳情、聲情並茂的表達效果。
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