賦格曲 的英文怎麼說

中文拼音 [fùgéqū]
賦格曲 英文
fugue
  • 賦 : Ⅰ動詞1 （交給） bestow on; endow with 2 （做詩、詞） compose （a poem） Ⅱ名詞1 （舊指田地稅）tax;...
  • 格 : 格象聲詞rattle; gurgle
  • 曲 : 曲名詞1 （一種韻文形式） qu a type of verse for singing which emerged in the southern song and ji...
  1. In the 20th century, shchedrin wrote from 1963 to 1970 the 24 prelude and fugue, which was called by a lot of critics as " collector of the well - tempered clavier "

    在20世紀這個群雄迭起的時代，謝德林以這種傳統的經典體裁於1963 1970年為鋼琴創作的《 24首序曲與賦格》 ，被當代眾多評論家稱為是現代的「平均律鋼琴曲集」 。
  2. Summary : in the baroque period, bach, the great master in polyphony, created the prelude and fugue, using the the well - tempered clavier for the clavier instrument at that time, which is one of the most important works in the polyphony music till now

    摘要巴洛克時期，復調大師巴赫就用十二平均律為當時的鍵盤樂器創作了《序曲與賦格》 （上下冊，各24首） ，迄今為止都是非常重要的復調音樂文獻。
  3. A brass quartet performing bach s " prelude and fugue

    銅管四重奏演繹巴赫的前奏曲及賦格曲
  4. Fugue composition, which is a required course for composition major, has its own integrated theory system and technical standard

    摘要賦格寫作是作曲技術理論專業學生的一門必修課，它有自身完整的理論體系和技術規范。
  5. As a long - hair i rather resent the intellectural looking at jazz with the feeling to listen to charlie parker is an experience equal to that of listening to the art of the fugue

    作為一個古典音樂愛好者，我非常反感以理性的方式看待爵士樂，也就是把聽查理帕克（爵士樂代表人物之一）的感受等同於聽賦格曲的藝術。
  6. In this thesis, the author aims to make a research on the formula and procedure of fugue structure by analyzing some classical works on the basis of three basic data and one design drawing

    對賦格結構的程式性及賦格寫作過程的程序化進行研究，從剖析經典作品入手，以三個數據、一張圖式統籌前期工作，是作曲執筆寫作時需關注的前提條件。
  7. Some composers imitated the composing skill of prelude and fugue, for example, shostakovitch ' s 24 prelude and fugue and hindemiter ' s ludus tonals has become the representative of polyphony music of their limes

    此後，也有一些作曲家對《序曲與賦格》的寫作技法進行模仿，如肖斯塔科維奇的《 24首序曲與賦格》與亨德米特的《調性游戲》 ，均成為當時復調音樂的代表之作。
  8. Praeludium in c major ( prelude, fuga & ciacona ), buxwv137

    C大調前奏曲（前奏曲、賦格曲、夏康舞曲） buxwv137
  9. Its accomplishment is simple and intuitional. the main innovation of this method is that we only need construct a symmetric zonal mesh for each interpolated curve respectively and write appropriate knot spacings for mesh edges. then applying nurcc rules to the initial control polygonal mesh consisting of those symmetric zonal meshes can generate a surface that satisfies interpolation constrains

    該方法的主要創新思想是在被插值曲線的控制多邊形兩側構造具有簡單對稱性質的四邊形網格，稱為對稱網格帶，但關鍵還在於對網格邊賦予適當的節點距，並對由這些對稱網格帶組成的初始控制網格應用非均勻有理catmull一clark細分規則，來生成滿足插值要求的曲面
  10. Discovered in july at the bottom of a dusty filing cabinet at a religious school in philadelphia, the manuscript is a work in progress for the composer ' s grosse fugue in b flat major - - one of his most revolutionary works

    這份手稿是今年七月在美國費城的一所教會學校滿是灰塵的檔案櫃底部發現的，是貝多芬創作中的降b大調大賦格曲中的部分手稿，它是貝多芬最有創造性的作品之一。
  11. Discovered in july at the bottom of a dusty filing cabinet at a religious school in philadelphia, the manuscript is a work in progress for the composer ' s grosse fuge in b flat major - one of his most revolutionary works. " this is an amazing find, " said stephen roe, head of auction house sotheby ' s manuscript department

    這份手稿是今年七月在美國費城的一所教會學校滿是灰塵的檔案櫃底部發現的，是貝多芬創作的降b大調大賦格曲中的部分手稿，降b大調大賦格曲是貝多芬最有創造性的作品之一。
  12. He differed from the previous version in his using his own modern polyphonic ideas and modern composition techniques to interpret it on the bases of heritage

    所不同的是他在繼承與沿襲的基礎上，用自己的現代復調思維及現代作曲技法將《序曲與賦格》進行新的論釋。
  13. With the near advent of his death in sha h bei g, li wenlong tells his younger brother erlang in front of the sand river that he eventually " knows what is vigor and fugue " and further realizes that " a pursuit of mastery and art will eventually lead to a sense of self - finding " among which the entertained signification of playing gets the three melodies of sand river, playing and self - awareness to reemerge the development of thematic original tune with the musical forms of starting off, passaggio and change of tune, thus composing one melancholy and appealing tune of " art of vigor. " this essay deems it the key to interpret sha h bei g and have a glimpse of qi deng sheng ' s views over arts as well as to have a retrospect over the meaning of " art of vigor " betoken by the source of artistic creation

    《沙河悲歌》中，李文龍在死亡臨近前，在沙河前告訴其弟二郎，他終于懂得什麼是生活和賦格，並領悟：追求技藝藝術到最後會轉來發現自我，其中所賦予的吹奏之義，讓沙河、吹奏與自我的三股旋律，以音樂曲式的：出發、轉調、變調而再現主題原調之發展，譜就了一曲悲愴而動人的生命藝術性之歌，本文以為這是解讀《沙河悲歌》 ，與七等生對藝術看法的重要關鍵，更是對藝術創作所觸及的生命藝術性本源之反思。
  14. Generally speaking, sima xiangru ' s literary creation, no matter of poetry or rhyme prose, has two styles of great momentum and of fine sentiments, arid successfully reflects the unity of the totality and details

    摘要綜觀司馬相如的文學創作，無論是其賦作還是散文創作，都呈現出恢弘飛揚和細膩婉曲同時兼具的雙重風格，表現出整體與細節充分結合的完美統一。
  15. Petya was as musical by nature as natasha, and far more so than nikolay ; but he had had no musical training, and never thought about music, so that the melody that came unexpectedly into his mind had a special freshness and charm for him

    彼佳和娜塔莎一樣，比尼古拉更有音樂天賦，但他從來都沒有學過音樂，連想都未想過。正因為這樣，這意外闖入他頭腦的樂曲，他覺得特別新奇，格外動人。
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