鄭保瑞 的英文怎麼說

中文拼音 [zhèngbǎoruì]
鄭保瑞 英文
cheng pou soi
  • : 名詞1. (周朝國名) zheng, a state in the zhou dynasty2. (姓氏) a surname
  • : Ⅰ動詞1 (保衛; 保護) defend; protect 2 (保持) keep; preserve; maintain in good condition 3 (...
  • : Ⅰ形容詞(吉祥) auspicious; luckyⅡ名詞1 (瑞玉) a jade tablet used as a token of authority and g...
  1. Is acceptable and fans of soi cheang should not be disappointed. however, don t expect another

    看來鄭保瑞距離修成正果之途,還有一大段路程。
  2. Soi cheang has successfully established his reputation as one of most gifted and promising young directors in hk who specializes in the horror genre. judging from the title, it is not hard to expect his latest work the death curse

    年青導演鄭保瑞擅拍恐怖片,先前兩部作品恐怖熱線-大頭怪嬰和熱血青年在輿論界都有不俗的口碑,是香港主流影壇少有的純恐怖片佳作。
  3. It becomes that much harder if, like yui eason chan, you break up with your girlfriend niki chow in the morning and find yourself held at gun point by the afternoon, captive to a head - busting gang of mainland drug smugglers

    小夫妻外游之日,夫被賊匪挾持,妻誓死追隨,二人身陷血戰,但肯定沒有愛錯。鄭保瑞從詭異境界回歸平常人間,拍就一出敘事直接情懷澎湃的愛情故事,濃烈的似在表明心志。
  4. Artist name : cheng, bo shui

    藝人名稱:鄭保瑞
  5. Male artist cheng, bo shui

    男藝人鄭保瑞
  6. The horror scenes in this movie are less scary because of the addition of comical elements. rather than focusing on the horror aspect of the movie, as cheang has done in his two previous films, he was trying to make

    鄭保瑞處理恐怖場面的手法日趨成熟,片中多個驚嚇位都成功製造出應有的效果,荒野沼澤停屍間幾場都散發出不寒而慄的氣氛,沒有讓人失望。
  7. If cheang wants to trascend his movie to another level, he really should spend some time to conceive new ideas instead of borrowing elements from japanese or western horror flicks. while most of us are fixing our eyes on the horror scenes, we should not ignore the fact that the primary topic of this movie is indeed family value

    單從技術層面來看,現時鄭保瑞拍攝鬼片的功力,在港片來說已算中上之選,若要精益求精,更上一層樓的話,實應在構思上花功夫,嘗試實驗或炮製一些屬于自己的東西,而不止於模仿他人。
  8. Take director soi cheang as an example, now he has acquired some investments from japan and he could do what he couldn t do before. you know his ideas are quite dark but still, he could find people that appreciate his style. that shows very well that hong kong filmmakers are tough enough to survive even if we have lost any particular market

    好像我們見鄭保瑞,他現在有日本的資金,給他自己很想拍的東西,他算是個想法比較dark的導演,但原來在整個亞洲電影圈子,有人是欣賞他這種導演,香港電影人不是說沒有哪個市場就會死的
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